No doubt, we know that they are both very good players, but I just can't get into the (Trio Combo) Bass Ostinato with the Drum/Sax impro over the top (although great internal clock from Foley).
Someone kind of summed up what was happening in 'Love Supreme'...
"The rhythms... make sense. If you count 8th notes (or 16ths, not sure, depending on metre) over foley's bassline and count every third note, Chris Dave uses that as his pulse (his quarter note)".