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lowdown

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Everything posted by lowdown

  1. Possibly on the way? http://majorhifi.com/how-do-wifi-headphones-work/ http://www.streamzmedia.com/ http://www.streamzmedia.com/home/product
  2. I have just been looking at what you get in GarageBand - It's far more than a basic DAW these days. Plenty to compose/write with. It even has a score editor. 'What Is GarageBand'.... https://help.apple.com/garageband/mac/10.2/#/gbndff5345d9
  3. Before you splash out on a midi controller, maybe consider this. It seems to come with plenty of decent sounds.
  4. Here are the OHMSS Orchestrations with the (Propellerheads )Techno tracks stripped out. David Arnold arranged & augmented the John Barry themes in a tasteful way. Mind you, David Arnold studied with Barry, so that figures.....
  5. Robert Culbertson is a lovely ‘Stick’ player. I have not heard many original compositions from him, but his cover work is terrific. He has the melody side nailed, where quite a few are just banging out rhythms and are light on melodic/harmonic content. Nice phrasing too.
  6. Yes, he is. Mad ideas.... 'Biscuit Bass'.
  7. Yeah, I think so as well. Every time I watch/listen to it, there is something else that grabs my attention.
  8. I have tried a search for this, but I don't think it has been posted before (worth another watch if it has).
  9. Do you remember their track 'Walking Into Sunshine'?. I thought it sounded like it was heavily influenced by Gene Chandler and his track 'Get Down'.... Central Line - Walking Into Sunshine.
  10. I saw Jeff Lorber a couple of times back then. I really liked all the syncopation in his tunes. When this album came out (Wizard Island), he had a Bassist called Danny Wilson playing with him (who was rather a cool, funky, groovy player).
  11. Maybe, but as far as I know, Fish Slapping started in London.
  12. Glad you mentioned this lot. When they released 'Garden Party', I found it more melodic compared to most of the UK 'Brit Funk' offerings at that time. Maybe a bit 'smooth' for some, but terrific musicians with a great feel. My opinion of course. This concert was just over ten years ago, but still a good listen.
  13. My first club experiences were all about 'The Sound Of Philly'. Just loved that period (still my guilty pleasure).
  14. Seems like we all arrived at the same place from different experiences. This thread has been a good read for all this stuff.
  15. Made me realize that I wasn't as good a player as I thought I was and needed to put in a lot more practise to get that stuff under my belt.
  16. I can relate to this. A long time back, I was playing Bass in a Soul Act working at American Air Bases in Germany. All went ok at the Black music clubs. But one night it all went wrong when we were sent to a club that was all Whites who would only entertain Rock music. They absolutely hated us and threw everything they could get their hands on at us all. They were all sent out after about half an hour of carnage while we packed down the equipment and cleared off. Funny now, but horrendous then.
  17. Yeah, probably true. I was playing on Cruise ships out of Miami in '76 and 77. Every weekend when in port, we would hook up with American musicians from other ships. They would suggest music for us to check out and listen to. In fact, it was in a local bar in Miami when I first saw/heard slapping in public.
  18. Lol....... People still call the Police if you are caught slapping these days in public (Historical crimes - Operation 'String Tree').
  19. But wasn't that the same with Bootsy in this country? All these American Bass players were a word and mouth thing for us musicians. Stanley, Bootsy, Jaco etc, not something that we heard very often in clubs or on the mainstream radio? You had to go and search it out. The 'BritFunk' thing the OP was talking about was different of course, quite often a lot of radio play.
  20. "So the funk crept in". This is more than likely what happened here in the UK. Just a gradual process up and down the country.
  21. When you say ‘source players’, why no, or little interest in Larry Graham at the time, Bean9Seventy ? Just Curious really. Because ‘Ain’t No ‘Bout-A- Doubt It’, by Graham Central Station (1975), was as funky as funky gets. Certainly what a few of us whipper snappers were listening to at the time, and thinking how is he doing that? His thumb must be made out of rubber. And surely you must have been huddled around a record player or rewinding cassette tapes trying to learn ‘Pow’ in 1978?
  22. Yeah, with Walter Becker adding some kind of voice box over the same notes? or was that another SD tune? Chuck tells a great story about a session for ‘Mash’, when he met Tommy Tedesco. It’s on YouTube somewhere. He really is one of my all time, favourite groovers, a real gem of a player. Edit: The interview (mentioned above).
  23. All those Chocolate Easter Eggs making you feel sick ?
  24. I’m chilled, ol’ Bean, really. Like I said, you just started to lose me.
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