TrevorR

This seemed appropriate too, just for one particular line... Young people today, eh? http://youtu.be/5J7IrPVLc4U

Looks like Aretha is planning a nice quiet cosy retirement... Aretha Franklin: The Queen of Soul is retiring to spend time with her family http://www.bbc.co.uk/news/entertainment-arts-38920434 Can't see anyone claiming her throne as the Queen of Soul, not from the current crop of singers...

On the topic of album cover locations there's 23 Heddon Street just off Bond Street where the Ziggy Stardust cover was shot and Berwick St in Soho for What's the Story Morning Glory plus a host of others... http://www.popspotsnyc.com/london/

[quote name='steve-soar' timestamp='1372888828' post='2131365'] [i][url="http://www.youtube.com/watch?v=IVL8IZWNh5k"]http://www.youtube.com/watch?v=IVL8IZWNh5k[/url][/i] [/quote] Time for a Chris Squire Sig Squier! Actually, to tell the truth, watching the progress of Gelfin's Chris Squire Mouradian replica on the Builds forum I'm sooooo very tempted to suggest to Andy that we do a replica of Chris' lost bass as one of his next Custom builds...

I'm very happy with the TRex Fuel Tank mounted under myPedaltrain.

Didn't know that Paul did a MIM range!

Also always worth checking out online what's going on at The Bedford in Balham.

Not been yer but there's the new big GuitarGuitar in Camden. An area which also has many good music venues, of course (my personal fave being Green Note - but that may be a bit too Americana for the gang).

[quote name='mikel' timestamp='1486678165' post='3233857'] Mercy, The Third Degree. Fields of Gold. Eva Cassidy. [/quote] Big +1 for The Third Degree's cover of Mercy and for Blinded By The Light http://youtu.be/YU12FrWWVqA And I'll throw in a couple more... Thin Lizzy - Rosalie http://youtu.be/ow20ZvF_DdM I Spy For The FBI - The Untouchables http://youtu.be/QHItHKfzW7A

Hey Zom, flagged this in the Facebook Wal bass group. There are already a few guys who want some details! Time to spill the beans!

At the risk of sounding repetitive, OBBM made my up some interconnections for my pedal board and some odd, bespoke connectors with very non standard jack/phono combinations. All top notch last-a-lifetime quality. I would really like to buy more cables from him but there's just one thing stopping me. All my other cables are Cleartones and they resolutely refuse to break. Next ones will be OBBM ones though.

GP deffo needs to look at it. "Severe pain in my joint, highly restricted movement, visible swelling and hard mass developing under the joint, severity has got worse over the last few weeks" should be sufficient to get a same day appointment. Phone them and put it in those terms.

You think Scott's got problems!

All great advice and I'd totally endorse Grangur's advice. People, professional, pleasant. And pretty, if you can bring the drummer's gf along probably won't hurt. No one has said it because it's so obvious so I'll say it anyway... you say you don't have a following. If you get that first, foot in the door gig yes you do and yes you must. That's the time to badger all your family, friends, workmates, neighbours to come along and support you. If the landlord sees loads of new faces in the bar and his takings are up, even if only marginally, then it all helps. Prioritise that first gig and probably the second one too. Beg, cajole, sell it to them if necessary. It'll only be a few and far between to start with so don't feel you're imposing too much. Plus they get a nice night out, a drink and get to see Cousin Nick playing his bass/take the mickey out of you a work on Monday about you being the next Bonio etc... You get a rent-a-crowd. Win-win

What about this... http://www.richtonemusic.co.uk/products/quiklok_ql322_t-rex_table_top_keyboard_speaker_stand.asp?gclid=Cj0KEQiAzsvEBRDEluzk96e4rqABEiQAezEOoI4vXHCJsPhqahUa9MuilowVzpazrFZmXMjf14BkzLgaAvd18P8HAQ http://www.gear4music.com/Keyboards-and-Pianos/Quiklok-QL-322-Micro-X-Keyboard-Stand/4AJ?origin=product-ads&campaign=PLA+Shop+-+GENERIC&adgroup=GENERIC&medium=vertical_search&network=google&merchant_id=1279443&product_id=5563d1&product_country=GB&product_partition_id=127213017439&gclid=Cj0KEQiAzsvEBRDEluzk96e4rqABEiQAezEOoNn8E4ay3jXv7rJmpMa4_TCowLvrWDJENolH5y4L-DYaAjcr8P8HAQ

[quote name='SpondonBassed' timestamp='1485964236' post='3228080'] (@ fellow grandads - We all know rap is just the fashionable name for good old cockney rabbit don't we?) [/quote] Gertcha!

Hey all, random one. Was chatting online to Rob Burns, erstwhile bass guru for Guitarist magazine back in the 80s and early 90s. He I said looking to source an interview with John Wetton he did in Guitarist Magazine back in 1987. Does anyone have a copy that they could scan and pass on to me and I'll pass on to Rob. Thanks very much all. Cheers.

I posted a while back about finding out that the bassist on the tunes from Frozen which Trev Jr has on in the car on repeat was actually the great Abraham Laboriel Sr - which explains the sublime bass playing which is there to be found on Love Is An Open Door if you can bear to listen past the layers of Disney cheese. As it is, Abe Sr seems to be becoming a bit of a "go to" bassist for Disney/Pixar having done some sterling work on the Michael Giacchino sound tracks for Zootropolis/topic and many others of his scores. Anyway, fast forward a few months and the choir which Jr sings in. Is due to perform as part of a concert which includes the whole of Joseph And The Amazing Technicolor Dreamcoat. Of course for a six year old the best way to learn the tunes is to have them on a loop in the car. So it was time to download a copy of Joseph for the iPod. Of course, it's a musical I grew up with and have sung myself numerous times as a kid so a bit of a nostalgia fest as well. Anyway, having checked out the three million different versions I eliminated the various Donny Osmond and Jason Donovan recordings on the basis of annoying drama school vocalists and vomit inducing cheesy arrangements (and given we're talking Lloyd-Webber here that's saying something - a certain level of cheesy vom was already anticipated and being allowed for). Then I came across the original 1974 studio recording which was the one I had on a horribly stretchy cassette as a kid. Download done. Anyway, listening through I was amazed at the really great bass playing on the album. Solid, funky, inventive, out-there... and with a great tone. I doubt I ever actually heard the bass on my crappy little portable cassette player back in 1979. Anyway, a few minutes on Allmusic and Discogs.com shows that the bass player is none than the late John "Johnny Gus" Gustafson of Big 3, Merseybeats, Roxy Music and Ian Gillan Band fame. No wonder the bass playing sounded a bit special. He's long been one of my favourite bass players. Result! Not only that, thinking about the date of the album he's probably playing the hand made P bass that Ian Waller made for him before he set up Electric Wood and Wal Bases. This was the bass that Gustafson used on Roxy's Siren album and Love Is The Drug. No wonder the bass playing sounded a bit special. I guess that's the lot of a jobbing Session player and when you dig behind the surface of some cheesy old hit with surprisingly good bass or guitar playing you'll often find names like Mo, Herbie, Big Jim, Clem, Jimmy, John Paul or Rick. Or indeed, Gus.

Yes, definitely get along to some of the topper bass emporiums and try a range of different models by different makers. Where are you based? If you can get along to a Bass Bash somewhere near you there will likely be a huge range of unusual and custom basses in the "show and tell" rooms. The range of basses at the last SE Bass Bash was astonishing. You could also start thinking about what you really love in a bass... must be passive/love the flexibility of XYZ active circuit... ...coffee table or understated... ...rosewood, ebony or maple... ...Jazz, P or soapbars... ...two a side or four a side... ...4, 5, 6, 8 strings... ...narrow nut/baseball bat... ...balsa wood or boat anchor... At least then you might start narrowing down options to a theoretical spec (which of course could be blown out of the water when you try a chalk and cheese bass but fall in love with it). That's all part of the fun of a custom build. And when you've done all that just come to your senses and order a Wal. [i][[b]NB[/b] this last statement may not be entirely unbiased][/i]

So very sad to hear this. Such a great bass player. Playing along to those first two Asia albums in the early 80s was a huge part of my teaching myself to play the bass. Loved his tone, loved his voice, love his playing... a real loss to the prog and bass playing community. RIP John.

[quote name='Maude' timestamp='1485803696' post='3226862'] We always just tell them, "We'll do it at the end". It keeps them there all night and we then just apologise and say the Landlord says we have to finish. [/quote] Our singer used to say, "We'll learn that one for next time..." which at a wedding gig is a funny thing to say. No one ever spotted the irony. Speaking of irony, I was always astounded at the number of times we got asked for Easy by th e Commodores as a first dance considering the lyrics are (paraphrase) "I've grown to hate your guts and I can't stand you. Still, one more shag and by the time you wake up tomorrow I'll have cleared the house out and you'll never see me again, you witch."

Band line up... drums, bass, sax, acoustic/electric guitar. All male. First set covering Van Morrison, Rod Stewart, Fratellis, David Gray, Kinks, Oasis, Beatles etc... "Do you do anything by the Human League."

In the wedding band Brown Eyed Girl always seemed to do the trick and get folks up and dancing.

[quote name='chriswareham' timestamp='1485631788' post='3225506'] I'm glad that I seem to be in good company when it comes to being bemused by reviews that only consist of slap playing. When I was looking for a pedal to do a particular distorted sound it was impossible to use YouTube reviews - not just from people recording reviews at home but even the manufactures themselves seemed to be think the only way to play a bass is to slap it. Thankfully Darkglass eventually posted a review of the B3K that started with a brief intro played with a pick. I knew it was the sound I'd been looking for, although the rest of the review descended into sub-RHCP slapping that just sounded awful through a distortion pedal ... [/quote] Had a similar but different problem when I was looking for my Tech 21VTDI. I wanted it as an preamp/amp/speaker-sim DI for classic mostly clean sounds when going amp free. Pretty much all the demos... "This is the VTDI, it emulates a classic SVT or Flip Top direct into the desk. So let's see what it does... [turns all knobs to 11 and plays 2 mins of CRRRZZZZZ-CCHHHNNNNN-GGGGGRRRRRRRGGGGG-KKKLLLAAANNNNGGGG]". Sigh... Thankfully now that I'm thinking about a Bass Soul Foor a good proportion of the videos out there do seem to cover mild overdrive too... Phew.

Was reading the PRS Kestrel thread over on the BG forum and decided to check it out on the PRS website. There are some demo videos which, for me exemplify what folks should be aiming for in instrument demos... each only 1 1/2 mins or so but tells you all you need... A short intro to the features on the bass... http://youtu.be/yUXhAN_mQAU http://youtu.be/6cRxTNvl3Bc A short trio demo showing a few different playing styles with accompanying info on the bass settings... http://youtu.be/yuVUxXsKJF4 http://youtu.be/YzFHpo44RPk