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Everything posted by JohnDaBass
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Hope it's similar to the old Gibson EB3 circuit. The 69 had a huge bass boost.
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+1 natural Ash body with maple neck would be my choice. Probably sounds a little warmer than the full scale big brother with its active preamp. Looking forward to seeing how the passive sounds.
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Lovely basses Chris everyone a stunning bass. I've fallen in love with #4 .Ash body, rosewood Jazz neck, black tape wound strings and DiMarzio Pups. Handsome!
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jess loureiro pick ups - what to buy instead?
JohnDaBass replied to Combed20's topic in General Discussion
I bought a 51 P pickup for a Bitsa project and it sounds fantastic. It's the twin coil version and with a series/ parallel switch it delivers both a great split P and single coil 51 P sound. Sadly Jess uses the Spanish equivalent to the UK's Royal Mail and my first consignment got lost somewhere in Spain. After raising a PayPal dispute the second pickup delivery arrived within 4 days. I highly recommend the 51P pickup! -
Fantastic job, looks great and I bet it sounds awesome.
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As Phil says a Makie Thump 12A is not going to be as loud enough and powerful enough for bass as a bass combo. But, the Thump12A does offer a solution in some gigging environments. We have some regular gigs ,as a duo, in the bar of a small local pub and we use a Thump 12A and a JBL EON One Linear array. Bass & Alesis drum machine into the Thump12A and guitar & vocals into the JBL. It works really well for us at the volumes we need. My bass goes into Zoom MS-60B >> Tech21 VT Bas DI>> channel 1 and Alesis SR16 >> channel 2 of the Thump12A. The JBL line array copes really well without the need of any sort of monitors. I would agree with the other comments that the Mackie Thump 12A cannot compete with my Fender Rumble 500 head and my DIY Basschat 12 mk1 cab. Clearly for larger gigs you have to invest in one of the premium brands RCF , QSC etc.
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Heft was used THREE TIMES during the Jerry Corbyn interview on the Andrew Marr Sunday morning programme. Surely it'll be Ampeg on BBC Breakfast next and HPF on Good Morning Britain. Can't wait for the benefits of using a compressor for bass on Question Time!
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+1 for Tech21 VT Bass as the simplest most straightforward method of "warming" up any amp. For a little more control maybe add a Thumpinator & Spectracomp.
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Heft is in the ear of the beholder!
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Maruszczyk flatwounds. What are they like?
JohnDaBass replied to KK Jale's topic in Accessories and Misc
Watching this one. -
I have for sale a Fane Sovereign 12-500LF 500w 8ohm speaker. Used gently for prototyping while building a Bass Chat 1x12 Mark 1 cab. Please check the Fane site for the spec as this is the "LF" version which has a response of 38Hz to 5kHz @-6dBs, a very powerful low end driver which could suit one of Phil Starr's cab designs. Shipping cost to be covered by buyer, I will ship in the original packaging.
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I have for sale a Celestion BL12-200X 200w 8 Ohm speaker. Only used gently for prototyping my Basschat Mk1 cabs before purchasing Beyma SM212. Ideal for someone wishing to have a low cost entry into Phil Starr's Easy 12" cab build or the Basschat 1x12 Mk1cab. Shipping at buyers cost, I will ship in the original packaging.
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+1 for Fender Kingman. Lovely Jazz neck with a body large enough to produce a decent acoustic output to keep up with most mandolins. Great Fender branded preamp with on-board tuner, notch filters & quick change battery compartment.
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Check out the DiMarzio model J PUPs. Split coils, so humbucking, passive, punchy with a great range of tones. I've found them to be a great all round upgrade.
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Power Amp into Ampeg SCR-DI...? Or small Class D head?
JohnDaBass replied to Misowaki's topic in Amps and Cabs
+1 Hold onto the cash and save for a second One10 for modular rig. -
Looking forward to seeing & hearing some reviews of the OBC-112. Healthy competition is always good to keep pushing the boundaries of product offerings to us the customer. It keeps manufacturers on their toes and maintains reasonable pricing. Had a quick look at the LaVoce site and the XMax figure for the only 400W 12 speaker appears quite low compared to our Old friend the Beyma SMS 12. Anybody with more technical prowess able to comment?
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Love that bass. Pup positioning must provide oodles of tone. Any chance of more details?
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+1 I use either a Fender Rumble 500 head or my Mesa D800 with either of my two Barefaced Super Compact 1x12 cabs. D800 into the two SC s is awesome! Seems to cover all I will ever need.
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If it were me , I would stick with two Pups and move the neck Pup back to a position similar to that Darkheart posted.
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Are the strings going to line up above the pole pieces of the neck Pup?
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IT’S FINISHED!! Mrs DaBass was away for most of the weekend assisting with one of our Grand daughters 8th Birthday party so being “home alone” I was able to complete the project. The assembly was straight forward everything went together just right. Did some grounding Opinions Please?? With or without Pickguard? With or without P-Bass cover? Bespoke Pup Cover in the post and I will show a photo when it arrives.
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We who participate in the Bass Chat community are truly blessed with a wealth of knowledge and experience. We enjoy contributions from bassists, other musicians, artisans, crafts men & women, engineers of many disciplines, technicians and hobbyists. It was one such design engineer, “threedaymonk”, who kindly offered to manufacture a plastic Pup cover for my Jess Loureiro 51P split coil Pup. Paul & I shared drawings of the Pup and he went away and designed a 3D printed Pup cover. Here are his CAD renderings and a photo of the cover actually being manufactured. Having remembered the sadly missed Brother Dave evangelizes in his review of his own Fender 51 RI on his website (which survives his passing). I wanted to make my 51&3/4s Tele-P as robust as possible so it made sense to seek a solution for protecting the Pup. Paul has posted the finished Pup cover and it should be with me on Tuesday.
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We who participate in the Bass Chat community are truly blessed with a wealth of knowledge and experience. We enjoy contributions from bassists, other musicians, artisans, crafts men & women, engineers of many disciplines, technicians and Hobbyists. It was one such design engineer, “threedaymonk”, who kindly offered to manufacture a plastic Pup cover for my Jess Loureiro 51P split coil Pup. Paul & I shared drawings of the Pup and he went away and designed a 3D printed Pup cover. Here are his CAD renderings and a photo of the cover actually being manufactured. Having remembered the sadly missed Brother Dave evangelizes in his review of his own Fender 51 RI on his website (which survives his passing). WARNING! You should NEVER USE THIS PICKUP AS A THUMBREST because there is no plastic cover like on the other Fender bass pickups you may be accustomed to using as a thumbrest. This is partly why these originally came with a big chrome pickup cover. If you apply too much pressure with your thumb, you can break off the fiberboard top of the bobbin and the poles will then fall out on the floor. I’ve heard this can also happen if a string gets popped too hard and catches under the fiberboard bobbin top. Once the bobbin top pulls off the pickup it won’t work until you replace the pickup. It doesn't get softer or lose tone, it is DEAD SILENT. I wanted to make my 51&3/4s Tele-P as robust as possible so it made sense to seek a solution for protecting the Pup. Paul has posted the finished Pup cover and it should be with me on Tuesday.
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Nah, get a proper black bridge. The spray paint will break off eventually while a powder coated or electrostatic coating will last much longer.