AinsleyWalker

I did, I mentioned ''Modulations or unique sounds in particular'' to give a rough idea of what I might be looking for.

I'm a sucker for colour co-ordination and I'm wondering what brown pedals are out there?... Modulations or unique sounds in particular. I've got a slot on my board available next to two brown pedals (Boss GE-7B and a FoxRox Octron) and it looked cool when the OC2 was next to them, so I'm wondering if there are any other brown pedals out there. Any suggestions? I know of(off the top of my head): MXR Bass Fuzz Chunk Brown Dog Old Boss Bass pedals..

The clean 'direct level' control on my OC2 is broken. It stopped working once before, then began working again, but now no longer works. Turning the dial produces the odd bit of crackle. If anyone has any advice let me know, thanks

[quote name='tonyxtiger' timestamp='1503752164' post='3360717'] The glou glou fx and chase bliss trem/vibes are all you would ever need but pretty spendy. The new endangered audio research spectravibe will be awesome. If it's just a good simple organic sounding vibe there will be cheaper options out there. These are just the ones I've known. [/quote] Thanks for the suggestions! I was looking at the Chase Bliss Warped Vinyl yesterday. Looks great, just a bit out of my price range right now, especially as it isn't an essential for me.

I know the Boss VB-2 sounds good but I'm looking for alternatives. Not a pedal type I have much experience with. Anyone have any suggestions for me?

In a lot of modern hiphop/heavy electronic production the bass/sub are super bass-y and often 'slide' up to an octave/higher note in a run very quickly in a way that is not done by hand, it often sounds like a whammy could do if it was after some kind of octave pedal making the initial sub-tone. I use an Octron and an OC2 in my chain and was wondering would placing a Bass Whammy after help me with this? Does anyone have any experience running a whammy after octavers? The whammy in my experience sounds very cheesy so I'm hoping not to invest in one to find it just sounds comical.

[quote name='pete.young' timestamp='1477469158' post='3162368'] Not any more. Acoustic guitars and keyboards are now in what used to be Chris Bryant's old shop on the corner, Electric guitars are in the shop which used to have the keyboards and basses are in the basement of the same shop. This is IMHO a victory for Acoustic guitarists, who can now try instruments out without being blown away by loud electrics in the next bay. [/quote] Ah yeah, I went onto Denmark Street the other day while in London and realised it's changed, shame really I liked the old bass shop.

I bought a Darkglass Vintage Microtubes from [color=#5A5A5A][font=helvetica, arial, sans-serif][size=3][url="http://basschat.co.uk/user/8487-macieq/"]macieq[/url][/size][/font][/color][color=#5A5A5A][font=helvetica, arial, sans-serif][size=3] , dispatched very quickly from Poland to UK and was packaged very well. Trusted seller [/size][/font][/color]

[quote name='Grangur' timestamp='1477861137' post='3164926'] Here's [url="http://www.tonetechluthiersupplies.co.uk/summit-ergonomic-fret-cutter.html"]a link[/url] to the best on the market [/quote] Well played.

I have a Boss ME-50B multi-fx I used to use before I got individual pedals and it had a defretter effect on it which was pretty decent. I can't find any individual pedals out there that do this, does anyone know of anything?

Wunjo's is split into 3 shops? Guitar, bass and keyboard, all upstairs in different shops.

I currently use a Nordell Audio Powercore. It's silent, decent size, no issues, but it only has 7 standard power outputs which is limiting. I'm potentially looking for something with more outputs, but a lot of power bricks look really ugly or are a bright colour.. I want something that is as close to plain-black as possible so it doesn't stand out. Any suggestions?

[quote name='tonyquipment' timestamp='1470495766' post='3106400'] Taiwan ? Japan? Late 70s early 80s? [/quote] Yeah looked into it and the one's with skirted knobs are Japan.

The old brown Boss CE-2B Bass Chorus came come with 1 of 2 different styles of knob (seen below) Anyone know what the difference is? Location made? Year made? Also anyone know where I may be able to find replacement knobs in the style of the first pic

Cheers for the suggestions guys! I will look into them.

Looking to get a set of decent over-ear headphones to use with my practice amp. Any make/model suggestions? Any price range, so I can scope what's out there whether it's too expensive or not.

With both octaves off and the direct level level up you should just hear clean tone, but instead I hear nothing. I have checked demos etc, so basically my OC-2 direct level isn't working and lets through no clean tone at all. Anyone ever had this issue before? Would this be difficult to fix myself? Or does anyone know where I could get something like this sorted? Thanks.

I'm considering getting one or the other to replace my DD7. Anyone have experience of either with bass? Or experience with both?

Some interesting conversations going on, I've found my current favourite use for my Graphic EQ pedal is as a high end clarity booster for when I'm creating 'prettier' lines higher up, especially when using delay and chorus. Just removes a bit of muddiness and is quicker than adjusting the EQ on the bass itself. Boost 62, Cut 125 + 250 and 500, Boost 1k and 2k, Cut 4k. (all varying degrees of cut and boost to make smooth curves of course) Slight boost on the Level so that the overall volume doesn't change much.

[quote name='ProfFrink' timestamp='1460315442' post='3024620'] A. subbed. B. I keep finding new uses for my Empress ParaEQ. E.g. boost mids and cut low/highs for better slap-tone, or just to get a more modern "cutting" sound, or to tune my fuzz (the big-miff in my MS-60B) to sound "just right", to dial out some low-end for a less resonating E-string (that's before I got my Broughton HLPF), etc. (Personally, I've always found parametric to beat graphic, but it's a matter of taste of course) [/quote] Yeah, I was looking for a parametric bass eq actually, the Boss PQ-3B in particular I've heard good things about but they're quite pricey and hard to come by, and saw the GE-7B going cheap on Ebay so thought I'd give it a go. I can't compare it to any parametric EQs but it's a decent pedal, very responsive.

[quote name='DiMarco' timestamp='1460310162' post='3024572'] I used an MXR ten band EQ to boost 62.5hz a few dB but cut 31.25hz to the max when I was using 15" speakers. This way I kept stuff from resonating to any sub lows in the pub I was playing. Cutting mids seems nice solo but makes your tone drown in the total mix. [/quote] Yeah good point, at the moment I'm just writing stuff on my own so perhaps best to try things out when I'm next in a band environment.

I've got an old Boss GE-7B that I have at the end of my chain for a slight mid cut/low end boost to round off the tone of my Stingray at times, but I was wondering what other applications it could be good for? Any suggestions?