fleabag

We try to keep our tracks in a similar genre . I've been in a band where they tried to be all things to all people and cover many genres but it ends up as a mish mash. So in this band we stick to jazzy funk groove tracks, and that works well for us

Cheers pal Dyad and double stop appear to be the same, but it's quenched my need to know

Without trawling 6 pages Si, i'll take a guess and say it doesn't have a name other than ' double stop. Shame

Skidder , thanks mate but it doesnt tell me the technical name for it. Like guitarists get weird chords - demolished flat 13th sus etc etc

I was wondering about part of the bass line for Steely Dan's track Peg, and specificully the intro, ( i can already play the bass line ) Its like a chord but only 2 notes. Just wondering if there's a techincal name for it

Yup, i clocked that. Band needs..... everyone, it seems

Mine was that model but dark mahogany sort of colour, but yep, that is the bass i mean - cheers for that vis

Its not a 1000 or a 404 , i think. The 1000's always had a single pup didnt they ? And isn't the 404 a passive bass ? Ebay bass is active It has quite a modern font headstock logo too

He's gone way overboard with his description

My ESP LTD fretless must be some kind of freak, with it's 6 bolt neck. Seems pretty stable though

Likewise Treat yourself , Dorsey fans ..

Indeed - she's very humble for a very talented person. Bass, Guitar, and great vocalist. I'd love 10% of her abilities

Yup, saw her clutching that like a precious jewel. Fair play - great tone, as we could all hear

That is fabulous H.

I like Scott's attitude to interviewing - let's them talk and doesn't ask dumb schoolboy questions. She mentioned she started on guitar , and although later on in her life she declined an offer to play guitar for Prince, she certainly played guitar for Bowie on Ashes to Ashes live at the BBC in 2000. She wapped instruments with guitarist Mark Plati, who swapped to bass for that track

The talented Gail chatting about playing bass for - wait for it - Culture Club and Donny Osmond, amongst others - Bowie of course. And her Epiphone and Kramer basses in the early days. Fascinating woman - so easy to listen to and laid back.

Cheers BB - didn't know those 2 were inspired by the MM tone.

Hard to know on the recording Like a lot of pro artists, he may well have recorded on a particular bass, but played a different bass when gigging

I dont know enough about components to say about a difference - maybe it doesnt have any difference on lower power circuits. I had a read on some sites, including here, and some say its good and some say it's not , with respect to tone. Someone on ( cant remember where ) said bits fell off his Stinger, and another said he wired his in, then immediately took it out again. The East MMSR is not a direct copy , as stated by John himself , but he uses good quality components, and his pre's are exceptional in build quality. Hence the higher price. I guess i'm leaning more towards John's pre - i've had a few of his in the past and they're the canine's cobblers. I dont know what's out there apart from the Stinger and John's MMSR - so it may be that i've only got 2 choices

Prepare thyself.. https://www.youtube.com/watch?v=lDBren6gJVs

It was unique back in th 60's and it still is now. Enjoy , spongey

This what i now have. Not easy to find though. I bought this 20 + years ago https://www.ebay.co.uk/itm/OGDENs-NUT-GONE-FLAKE-in-a-TIN-CAN-1989-IMPORT-SMALL-FACES-CD-5-COASTERS-/380670383926

I've not seen the modern sleeve

Me too. Had the vinyl ( what a cover that is - and then you look inside the cover - officer ) Then bought the round tin CD. It had a great pull out , all concertina'd , and about 6 beer mats that were a copy of the face of the tin. Marvellous. Still got it Love is like an 'ole in the wall A line-up in the warehouse no trouble at all