Cuzzie

I saw it

Nope i am saying what i am saying - mobiles have massively increased the amount we can do on the fly. It all depends on what you are recording for - If you are sharing ideas then your audio recorder on your phone or video recorder on your phone is very easy to do. I have a zoom H2N - which is bargain base simple and its in the room to record band jams, which can then be saved and work out parts from there, same with an audio recorder on the phone. I quite clearly said, how deep you dive and use is another thing, but most people will be able to record something and share a file. So Krow -your DAW is your looper into a PC and store and share - you may or may not have taken the raw bass signal, or you maybe have EQ’d it, popped effects before it, had your drum machine record along to it - you are doing it. Thats the only point more of encouragement not chastisement

DAW is just a Digital Audio Workstation or if you used on a mobile device Mobile Audio Workstation. It incorporates very simple software through to complex software and the whole caboodle including PC, audio interfaces, midi controllers etc. I would say that anyone who records anything no matter how simple is effectively using it, which will be the majority. How deep you delve is dependent on you and the software - simple gain reduction and levels +/- inserting a ready made beat and you have used it. You can use compression, plug ins etc Its up to you, but I would wager nearly everyone uses it in some form

You already know i love this one - nice work

https://www.davapick.com/picks/grip_tip https://www.amazon.co.uk/Plectrum-Dava-Grip-Tip-Pack/dp/B00154OJOI/ref=sr_1_1?crid=38746GK7BWDTQ&dchild=1&keywords=dava+picks&qid=1614506153&sprefix=Dava+%2Caps%2C168&sr=8-1 There you go buddy

Yep it’s all around - we pick out battles and how much we can do

Gripping too tight - try Dava picks as they have a rubber grip area - joy to use and if you rotate them and hit strings with the rubber bit, it takes the click away and gives you more that Motown thud, granted being a bit more sticky on the strings

Yep - as Paul and Stevie said about a fingerboard/nut combination - there is good and bad in everyone - most of my bases i built myself, and i am an assssssssss - I probably shouldn’t use my own stuff.......

Nope its not a mainstream - is Sadowsky mainstream? it turned an approx £5k bass available to anyone into a £10k bass overnight, and more like £20k now, available to practically no one. It’s a phenomenal ergonomic and sounding bass in its Status form. Maybe the thread is ludicrous, maybe it will all get sorted and they will be stellar, but if i remember correctly from back in the thread weren’t the first lot on show a bit on the rushed side? Would Roger himself have brought out a ‘nearly’ prototype or would he have made sure it’s easy bang on before it seeing the light of day? The phrase less haste comes to mind and that is when concern creeps in for a loved brand and person, hence the thread ludicrous as it may be

Fear of the unknown and the love of moaning about stuff that doesn’t really matter, but its great to get knickers in a twist and have a good old moan

Exactly, when it’s a non necessary purchase, which for me essentially what a bass is, i prefer my stars to align.

Thats fine, its a personal choice, as i said they do make some fine instruments, but there are plenty others out there as well. Same for what i choose to read for news - i know this is on a whole other level to basses, but i wont touch a news source from Rupert Murdoch after the phone hacking scandal, especially rated to Milly Dowler. Am i perfect in everything being ethically sourced etc. No, do i try my best, yes, and if i find out about something I don’t agree with i then try to avoid the relevant products, which is difficult bearing in mind so many big companies own lots of other things etc. This isn’t to call anyone else out, or demonise the choice of others - i was asked for examples and gave my personal opinion. On the crux of the issue here,it is why i believe that i and some other people think this arrangement may not produce the best basses possible - if i am wrong i will be happy to admit it.

Nope it’s just different - that click gives you a cut through. You may be playing slightly harder or it may be that because you are using a pick it’s the slightly higher register sound which appears louder compared to your fingers. If it really loud louder use your bass on 75-80% volume with a pick and then turn up for fingers to max - that means you can control on the bass what’s going on. I do have to EQ differently for fingers vs pick though as my spring rolls are quite bass-eeeee, and also I naturally play closer to the bridge with a pick so there is a change in sound

Pretty much around what @AndyTravis is saying. He would ring up shops, and the shop floor guys, not the managers and be pretty aggressive and use these sort of bully boy tactics about selling his units. The guys on the shop floor would get an earful, dear for their jobs and that’s not right for them. Maybe it’s astute business acumen, I’d call it more a d1ck move and bully tactics and I won’t prescribe to it. As Andy also says, he is not alone, although in his case he does it personally instead of the company doing it. Classic Fender example, Sandberg body shape (which is probably a great thing to happen in the end) changed in 2015 - why? Fender would ring round stockists of the Sandberg guitars and say, we are not telling you what to do, however if you continue to stick and sell Sandberg’s, we won’t send our products to you anymore. What do you do when your biggest seller does that? Bully tactics. Sandberg redesigned their line and here we are. My brother has 2 Warwicks, fine basses. I grew up Listening to Norwood Fisher in Fishbone and his Warwick sound and loved it. But Those are a couple of my examples, that’s why I won’t own a Warwick, or condone their actions, or be surprised if they muck stuff up.

The Status one was light years ahead of the boat anchor produced by Warwick. Once the rights were bought via a family member, status were ordered to smash the moulds used to create the all graphite one hence single handedly dramatically hiking up the price of existing ones, producing a crap alternative, consigning something to history that didn’t need to be and this ruined the opportunity for a more ‘normally’ priced terrific bass to be owned and played by more people.

I understand - Geddy’s book of bass was the best and worst present i ever got

Well id did play my mates 72 jazz and it was the mutts

It’s not me its @Reggaebass ! But I wouldn’t mind a vintage either - probably a P tho

Thats weird - its made @Reggaebass quote mine!

Shame you are not down the road from me my good man, or you could try my old shape Sandberg Marlowe DK - i reckon it would be right up your street and more affordable to boot!

Also massively aggressive persona in marketing and distribution and downright nasty at times to sellers

Buzzard bass

Buzzard bass

And i know a pro who takes spare stuff who also looks after his gear - so what does that mean?! We all know it’s about doing what makes you feel comfortable, and no one wants a failure, but if you are covered for eventualities with whatever then its cool, but if it happens to you and you are caught with your pants down, its not a nice situation

I think possibly it runs because not many people will get their hands on these basses to comment, Roger is such a nice guy and HPW is a bit of a tool with a record of ruining stuff