The points being made was not which way anyone would jump, or the decency of the range of DG amps to provide some good sounds, or how to EQ a venue/which presets work where and how they can be tweaked (of course if you play the same venues regularly then the pre-set becomes invaluable as you can set it up for specific venues taking into account the room, and tweak dependent on crowd density), or the cost and how people spend their money so we are getting into mission creep and confounding factors, it was to address the fact it is a new evolution to the line (not the same as) with great capabilities which have much more future proofing in how they can be managed