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Everything posted by tayste_2000
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Cool might have to since Ashdown haven't called me back
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[quote name='odub' post='240794' date='Jul 16 2008, 12:41 PM']Go on then: [attachment=10883:bassandamp.jpg][attachment=10884:IMG_2292.JPG][/quote] That is really really sexy
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Called and they will get back to me. Many thanks
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[quote name='mr pablo' post='240752' date='Jul 16 2008, 12:03 PM']Very nice Dude! [i]IF[/i] it ever comes up for sale shoot me a PM [/quote] Too late I already bought it
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I've got an old Ashdown ABM810 and the wheels have slowly been smashed to pieces so I need to replace them, I emailed Ashdown of course and didn't get a response as I expected so anyone know where I can buy wheels for an 8x10 I can't quite remember but they are either 3 or 4 inch. Cheers
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Ocean's 12 and 13 loads of bass by Justin Meldal-Johnsen Awesome old style grooves
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[quote name='Happy Jack' post='232723' date='Jul 4 2008, 02:42 PM']I use ER-15 plugs with the Sennheiser inserts for IEM. I only use one on stage, so my right ear hears only my bass while my left ear hears the whole band.[/quote] This is reported to damage your hearing only using 1 IEM.
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[quote name='cheddatom' post='232597' date='Jul 4 2008, 12:12 PM']I had another idea - with your pedals it would be quite hard to fade one down, and fade the other up at the same time (unless you're sitting down?) you could wire one of them the opposite way round so that with your foot on both at the same time it would act as a blender type thing.[/quote] Very true I mentioned this on TB a few days ago including the wiring them opposite ways round but then you lose that ability to swell both up at the same time so i't swings and roundabouts really just have to decide which feature is more important to you, studio work with this board I'd mainly be sitting down anyway
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[quote name='AREA' post='232049' date='Jul 3 2008, 02:50 PM']Holy Moses !!!! What a huge Board...But it´s for @Home, isn´t it. Or do you gig with it ???? BTW: I like the Memory Man :wub:[/quote] It's for recording and jams I don't have any live projects currently that would need it, I have another board for my main band.
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You might be thinking of the Morley blender but I maintain it onl;y does effected and clean, either way it's a totally different concept to what I'm doing. Maybe think of the mixer like a PA mixer when you plug 2 guitar's into a pa and one is playing through with the slider at 5, and you bring the other guitarist in and up to 5 the overall sound doesn't get louder, maybe fuller which can sometimes seem louder but only very slightly.
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[quote name='waynepunkdude' post='231956' date='Jul 3 2008, 01:17 PM']That looks like a serious amount of overkill to me.[/quote] Good thing you don't have to use it then isn't it
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[quote name='cheddatom' post='231942' date='Jul 3 2008, 01:07 PM']Can you explain why there is no volume drop? Or is my logic flawed? You know what I mean right: If I route two copies of a mono signal into a mixer (phase issues aside) then the output will be louder than when I fade down one channel and leave the other one up.[/quote] Your logic is flawed so if I split my signal with an active splitter (passive causes problems) when it's summed its more of a case of 1+1=1 instead 1+1=2 it's wierd I think while you expect it to do a 2 in theory in practice it does a 1. The soundclip is the best explanation of this [quote name='cheddatom' post='231942' date='Jul 3 2008, 01:07 PM']I'm not sure I meant a "stereo volume pedal" there is a "blend pedal" or something where you plug in two loops and use the exp pedal to blend between the two, meaning at the middle position it's both loops at equal level, and at either end it's one loop or the other, and everything in between.[/quote] I've never come across one, the closest is a Barge VFB-X which allows you to control the blend level between clean and effected but only 1 chain of effected [quote name='cheddatom' post='231942' date='Jul 3 2008, 01:07 PM']I don't really understand this. If you had one loop clean, and one loop effected, you could fade from the middle position to just the effected version. I think I am misinterpreting you? I will have a listen to the sample when I get chance (at work at the mo') - I really can't wait![/quote] You do misunderstand me here as I'm talking about fading volume and controlling saturation which isn't really effecting volume (well not effecting max volume) when you hear it working it sounds like an overdrive you are turning the gain up on for example so it's getting louder and taking over more of the signal. only this works on many effects. Best example is in the clip near the beginning I'm using delay on one chain and clean in another and I basically swell repeats in, it doesn't swell the delay but I can play for chords and have repeats on 2 and 4 without having to turn the pedal on and off loads during each bar.
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[quote name='cheddatom' post='231881' date='Jul 3 2008, 12:02 PM']OK, I read the story and that's pretty cool. One thing I don't get - does your memory man have two outputs going to the two returns on the LS-2? Also, when you have the two loops going at full volume, and then you mute one of them with the volume pedal, do you get a big drop in level? Cos the one loop you'd hear would be on only half level at the LS-2? It's a great idea, and I have been thinking about something similar, but I was going to use a stereo volume pedal as a blender, rather than use two volume pedals. This way there would be no drop in level (if the loops had the same max level) when switching from one to another, or having them both at once.[/quote] Well there is no drop in level and yes the Stereo Memory Man has both output going to the returns of the LS-2 but it's not stereo it's more like dual mono as I said so each loop and signal chain is still entirely separate till it hit the LS-2 and is summed back together. If you listen to the clip you will hear me using the volume pedals and switching sounds and controlling loops and things and there isn't any volume drop unless I intended there to be for swells The problem with you idea of the stereo pedal is you can't effect either chain you can only do both or the one that is selected and not have say a clean side you can fade out and a noise side on full pelt all the way through.
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[quote name='Higgie' post='231815' date='Jul 3 2008, 10:22 AM']One is better for Actives, one is better for Passives.[/quote] Which also translates one is better with you bass plugged straight in and another is better in the middle of a buffered signal chain
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[quote name='cheddatom' post='231835' date='Jul 3 2008, 10:55 AM']Why do you need two volume pedals? I thought they'd be expression pedals.[/quote] [url="http://www.talkbass.com/forum/showpost.php?p=5939125&postcount=202"]http://www.talkbass.com/forum/showpost.php...p;postcount=202[/url] Read the story
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Done! How hard is it to tell if you have a 25k EB volume pedal? Dare you plug in? Read the story here [url="http://www.talkbass.com/forum/showpost.php?p=5939125&postcount=202"]http://www.talkbass.com/forum/showpost.php...p;postcount=202[/url]
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[quote name='dlloyd' post='231611' date='Jul 2 2008, 10:11 PM']What's the difference? (genuine interest... had an FX25B, which was almost there but not quite, assume it's similar to a later model FX25)[/quote] As the years went by Dod just sourced cheaper and cheaper components, I know a guy with 6 fx25's and as they go from light to dark and then to sparkly they sound worse (not bad) but the best are usually the very light green original ones but he says he's opened them all up and they are all different inside. The FX25b to me is a completely different pedal and no where near as good as even the sparkly green fx25's.
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