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tayste_2000

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Everything posted by tayste_2000

  1. I found it overly sensitive for quite a while it has calmed down now so i assume they made it less accurate. I have a Boss TU-3 on my gigging board so I tune up pre gig and then just tweak in the showing using the TU3 or Jamup tuner, I've noticed anything bad with it. Just a hardware tuner is nice as a solid mute switch
  2. Latest blog for Positive Grid is up http://www.positivegrid.com/2014/08/not-in-the-studio-surely/ Covers my recent studio trip and me trying to cover the basics of how to use this in a studio setting.
  3. Try and get something that does all the IO on the interface and only really look at things that use the dock/lightning connector
  4. I sold the hardcase with another original I had (silly me) and it never came with a protection racket case but definitely something to consider if I keep it.
  5. Finally decided it's time to move this on, for 6 years this was my main bass but my style, music and requirements have shifted so much in the past year it's barely been used. This is a 2002 Overwater Original (I use to refer to it as a Progress 3 but given the body shape the correct term is original) these are very rare and extremely expensive to get made, somewhere around the 4 grand mark if ordering today. So you've got the benefits of the 3 band eq and locking jack etc over the 70's Originals. It's a lovely cross between a jazz and a thunderbird. It is well used and has a few battle scars that I've tried to show in the pictures, nothing structural or that would affect performance, if it had a bit more you'd call it relic'd and I could charge more, there is some buckle rash but it's very hard to show in the pictures, I'd suggest anyone interested come try it first. This is very versatile bass but naturally a bright sound, I prefer a murkier muddy sound these day, it's like playing a very angry piano, of the 6 Overwaters I've had this is the best. It's 36 inch scale so the B is really tight and for 4 years I was tuned down a full step and it was like thunder. But it's all these things that make me realise it's the time to sell, I'm not detuning, I'm largely running 4's with flats into mushy valve amps and it seems a waste to have this sat around (other than it looks lovely in the lounge) Currently it's strung with D'Addario Half Rounds and will come with a Fodera double gig bag, (please note the bag is quite worn and a couple of times the zip has split in small places, oddly it was only when sitting against a wall and not when being carried. I think this is largely due to the weight of having 2 basses in it and a lot of crap in the front pocket) Interesting story (to me at least), Overwater have only given 1 bass ace ever and they say when you are famous (and great) as him you can have a free bass too. That man was John Entwistle and the top of his bass is the slice above the top on this one. After John's death it was bought by Joy Division/New Order's Peter Hook where it now resides in his collection. So there is a nice tenuous claim to fame. Open to offers but not really interested in any trades at this time, thanks.
  6. 1 of 10 made in the so called Nipple pink colour, I did question the colour of their nipples when I got it but whatever. Selling the last of the ones I've owned as again I've not used it in a while. This is an absolutely fantastic low gain overdrive/tube simulator, there are loads of reviews and soundclips online of it. A real gem and increasingly hard to find. [IMG]http://i62.tinypic.com/35b5stu.jpg[/IMG] Open to offers but not really interested in trades at this time.
  7. [quote name='p58' timestamp='1407161073' post='2517883'] very interesting topic, I would like to say THANK YOU tayste for inspiration and comprehensive description in that amazing blog series. it influenced me to borrow irig hd and purchase jamup + packs during this summer sale. I don´t know why, but i would like to go with less described way - with a USB Class Compliant interface, so I can power my ipad and use midi oriented controllers...but who knows how it will end I don´t need to end with "all packed in bass guitar case", so I would probably prefer something like IO dock 2/foot controller/DI/tuner and not use bluetooth controllers...but again, who knows, am only exploring the possibilities, and to be honest, the idea that I will be able to replace my board + SVT VR/SVT810 rig with an Ipad and couple of gadgets is pretty crazy and also scary [/quote] If you wanna go class compliant midi controller route. Apogee Duet and Softstep, you can do the midi over usb that way, would be stunning and with the dual I/O you could do some really cool options.
  8. Anyone not wanting a sonic port but something like the Positive Grid plug HD or Apogee Jam this could be handy http://www.radialeng.com/stagebugsb5.php
  9. Was lucky enough to get to do a gig on my 30th birthday the other week Here is Part 1 I'm using my [url="http://www.tayste.co.uk/2014/07/17/my-birthday-bass/"]birthday bass[/url] into my iPad rig and into the Matamp GT200 MK2 with 2x12 http://www.youtube.com/watch?v=r8PtUbqkuSc Enjoy
  10. Bargains to be had https://twitter.com/positivegrid/status/494204233097674752
  11. Both using a stageclix, I like the flowery reflections
  12. I'd have thought so it was fine in my band running on a 2x12 Matamp cab. It was louder than the Marshall JCM800 Bass I ran last week (100w Valve) But as always volume is relative Weight is roughly 15kg (I want to say less but I don't have scales handy)
  13. Great condition, still rocking the original mullards, no longer needed as using my iPad more and more and of course my Matamp. Works at 16 and 8 ohms, very loud for 50w and pretty light as tube amps go, pots are clean with no noticable noise, same with the amp, it's very quiet (background noise wise) for such an old amp. Open to offers and can ship if required
  14. First blog is up http://www.positivegrid.com/2014/07/welcome-to-the-noise/
  15. It's a package when you open ampkit
  16. You could maybe have ableton transmit midi over wifi as a midi clock while you use the ipad for yourself
  17. Ableton on a laptop might be better for your needs. There will be a way to do it on the iPad I'm just not sure because I'm not doing that sorta thing
  18. [quote name='woodyratm' timestamp='1405456803' post='2502145'] Hey guys - looking for some advise for this... I want to use my ipad mini retina for live stuff. Ideally replacing my entire board possibly... Problem is that my band use backing tracks for prerecorded synth tracks. Normally we use this splitter thingy into the 3.5mm which takes click and synth tracks. So using the basic music app works for that - however I want to use the ipad too for my stuff. [/quote] My band uses this https://itunes.apple.com/gb/app/backtrax/id345007170?mt=8 I've not played around with it but I'd suggest you'd be best looking for something that ties into audiobus and then you can do multi routing, I'd suggest you look at something like the Steinberg UR44 as an interface and see what you can do with the multi IO My band uses multiple iOS devices, I[m on an iPad air, drummer runs backing tracks from an iPad 4 and drum triggers off a 4th gen ipod touch. He could certainly minimise his but it's nice to have redundancy. [quote name='woodyratm' timestamp='1405456803' post='2502145'] Can you run apps together nowadays? And to make matters EVEN harder, we have one song with a midi controlled whammy. Is there any method yet we could use the ipad to do this? Can do the guitar/synth stuff on a laptop but we really want to get away from using it. possibly asking for a miracle haha. If it could do the whammy and backing tracks that might be enough. [/quote] Jamup has a whammy in it, you'll need a midi controller still or an expression pedal plugged into a Blueboard [quote name='woodyratm' timestamp='1405509325' post='2502493'] Righty - further to the above, i've done some digging and looks like I need an app that can transmit Midi CC11 messages? Does such app exist? Also bought audiobus and the multi routing stuff to play with [/quote] Like a sequencer or just something sending a signal on Midi CC11 channel? I've had some luck with ther drum machines being able to chuck anything anywhere largly DM1
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