tayste_2000

Their response. So answers why your dispatch is weird, I imagine you had no idea it was being drop shipped? And clearly no import fees with it coming from Finland. Anyway whatever, mine should arrive 9/10 and then I can put it through it’s paces.

Was that also Guitar Guitar?

Might need just a TS cable (off the top of my head but I could be wrong)

@Russ and @JohnR did you both order yours from Guitar Guitar? I’m probably making a bigger deal that I should but it’s annoyed me they’ve sent out units without fulfilling the preorders. I have an email from them saying sorry if you saw them for sale on the website but we’ve not received our order yet, it should arrive on the 8th. Would love to send them your order numbers to call them out on this if either of you are willing to DM me this info? Again a wholly pointless exercise and I’m glad you both have them, just a little frustrating as I’ve been waiting weeks to order one and will have waited 3 weeks from paying for one when I could have just had one next day several days ago.

Just have to merge 3-4 outputs

I had the same issue with my QC but no alternative way of powering without buying a Sol or DC7, which with the size just made me meh about it all. Anagram I’ll largely power off usb c or if it goes on a board a dc7 since I have one now. And for those thinking it’s a double standard against my issues with the qc well the anagram will fit on a nano with 2 pedals whereas the qc pretty much fills a metro16.

Are you using the supplied power supply? Try running it on USB C

Not a fair comparison once you get a few anagrams int he second hand market it’ll be a £500 difference. Its basically a £700 new difference and really you have to upgrade the power supply to a Cioks DC7 or you get the grounding issues I had which made me send my QC back in a few days. If you can stand the footprint and you have some amazing pedals that you just have to capture without a computer involved then sure. But you can do the capture process using the Anagram you just need a computer attached. My final point on this is, capturing is really overrated, you’ll do it a bit and then you’ll realise most of it is already available for you in the cloud, or you just did it a few times several months ago. I’m annoyed now I preordered mine the other week and don’t have it, don’t even have a shipping notification.

Would have hoped I’d get my preorder notification but nothing yet.

SGFX Beta (MK1 or MK2), whilst more coloured than the Spark, it just sounds perfect and it’s so reactive to your playing

I just preordered one from Guitar Guitar since they’ve said they’ll have it in stock on the 8th September. https://www.guitarguitar.co.uk/product/250415439876008--darkglass-anagram-bass-amp-modeller-and-multi-effects-processor

Try and do as much on the HX as possible, I know it’ll do something like the Ricochet. And what I mean when I recommend something like the Ricochet is you want a momentary octave up ramp/jump. Should be easy to recreate in the stomp

Sorry ignore my suggestion of the Digitech Drop, I should have written Ricochet. https://digitech.com/dp/whammy-ricochet/ This will allow you to do what he does with the whammy but in a smaller pedal. The HX Stomp can do it with a momentary setting or with an expression pedal/footswitch. I’m not quite sure of the specifics but plenty of people have done it. The stomp is definitely the way to go as trying to do it with single pedals whilst fun is less flexible and far more expensive. Twisted to me is a blended signal maybe with a light octaver on it into a filter and then a phase or chorus just to give it more warble. I could imagine that the G5 might be doing this and it’s a really easy sound to get with one of these but 🤷‍♂️ But listening to You can cop these tones easily with the HX

Rabbit hole now. So if I was doing this with single pedals you need a blend, a fuzz maybe two, a filter, a fuzzy filter like the EHX Bassballs or a synth pedal and I feel like a phaser and I’d run all of that into a fairly gritty Sansamp. There is fuzz all over stuff, I’ve never really known where he uses the G5 but then I’ve never been able to get the swirly squelchy sound of Twisted. Which is always where I hear most of the fx. If I had to do it with a small board I’d grab an EHX Bass Big Muff - the new MXR Bass Synth (with a switch for the presets) or a Digitech bass synth wah (depending on budget) - MXR Phase 95 - Sansamp. Big board (no budget) I’d have a split going into a boss or source audio programmable eq pedal into a sansamp or the qstrip for clean and a ehx pog - digitech drop - jhs crimson or a wren and cuff box of war - jhs bender - digitech bass synth wah - digitech synth wah - mxr bass synth - analogman mini chorus - into a gritty sansamp then blend them back together and run that into a Neve DI or your choice of clean di box. I’d probably use the gigrig wetter box and have the expression pedal for controlling the blend. I’d also likely shove my Subdecay Noise Theory and a Mojohand 442 or Dod 440 in there. Grab a Stingray, that would do me and be hella fun to play. If I was doing it with a multi, I could cop the tones with a Zoom MS60b+ (it has a g5 emulation in it) but wouldn’t give me the switching I’d need live so I’d be on the HX Stomp or Anagram. I could probably do most of it with the MXR Bass Synth from what I’ve seen. I’m enjoying this thread too much.

No better, all hail the MXR 😂😂😂

Long live the MXR 😅

I came across this at the weekend. I could spend ages picking out fx here, there’s definitely octaver use, I always felt the EHX Bassballs was a big part of the sound, a big part of the pedalboard was an old Korg G5. With a multi you’re going to have to programme it in, picking out the sounds and effects in use. Other than that it’s well over a grand in various pedals I’d say to get the various textures going on. I found this picture which looks simpler than his older board https://www.facebook.com/OfficialCassLewis/photos/pb.100063918541965.-2207520000/1972539592847681/?type=3&locale=pt_BR But there are definitely a bunch of pedals under the Digitech Synth Wah and the Korg G5.