tayste_2000
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Everything posted by tayste_2000
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2x boss fs-6 I think behringer make a clone Using trs cables you'll be able to add 4 switches (I believe)
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Nothing that I know of but, you can amp the same midi control to do multiple things in loopy so 1 button press could do everything you're asking. Remember you can add foot switches and get 8 commands going through a single blueboard I'm also not sure you can run 2 blueboard a at a time if you can let me know I'd love one doing programme changes and 1 doing command changes
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So you want to send loopy more than 1 control at a time?
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Standard, I've used it with a crappy bespeco expression pedal, you just have to remember to calibrate it in the blueboard app. I think the line 6 or boss expression pedals would probably be fine for it.
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Depends on the floor tuner. I have 2 iOS rigs now, 1 is a sonic port in my gig bag that goes everywhere with me and the other is a sonic port on a board with a Boss TU-3, Stageclix wireless and soon a Wireless IEM transmitter. The only reason I have the tuner on the board is because I can, it sits off stage, means I can mute and allows me to run other feeds out etc. But I'll happily gig using just the jamup tuner.
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That will likely mean Jamup is more accurate. To me it's similar to when I used strobe tuners accurate to 0.1 cent (Boss TU-2 is 3 cent accuracy)
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I found it overly sensitive for quite a while it has calmed down now so i assume they made it less accurate. I have a Boss TU-3 on my gigging board so I tune up pre gig and then just tweak in the showing using the TU3 or Jamup tuner, I've noticed anything bad with it. Just a hardware tuner is nice as a solid mute switch
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Latest blog for Positive Grid is up http://www.positivegrid.com/2014/08/not-in-the-studio-surely/ Covers my recent studio trip and me trying to cover the basics of how to use this in a studio setting.
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Try and get something that does all the IO on the interface and only really look at things that use the dock/lightning connector
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I sold the hardcase with another original I had (silly me) and it never came with a protection racket case but definitely something to consider if I keep it.
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Finally decided it's time to move this on, for 6 years this was my main bass but my style, music and requirements have shifted so much in the past year it's barely been used. This is a 2002 Overwater Original (I use to refer to it as a Progress 3 but given the body shape the correct term is original) these are very rare and extremely expensive to get made, somewhere around the 4 grand mark if ordering today. So you've got the benefits of the 3 band eq and locking jack etc over the 70's Originals. It's a lovely cross between a jazz and a thunderbird. It is well used and has a few battle scars that I've tried to show in the pictures, nothing structural or that would affect performance, if it had a bit more you'd call it relic'd and I could charge more, there is some buckle rash but it's very hard to show in the pictures, I'd suggest anyone interested come try it first. This is very versatile bass but naturally a bright sound, I prefer a murkier muddy sound these day, it's like playing a very angry piano, of the 6 Overwaters I've had this is the best. It's 36 inch scale so the B is really tight and for 4 years I was tuned down a full step and it was like thunder. But it's all these things that make me realise it's the time to sell, I'm not detuning, I'm largely running 4's with flats into mushy valve amps and it seems a waste to have this sat around (other than it looks lovely in the lounge) Currently it's strung with D'Addario Half Rounds and will come with a Fodera double gig bag, (please note the bag is quite worn and a couple of times the zip has split in small places, oddly it was only when sitting against a wall and not when being carried. I think this is largely due to the weight of having 2 basses in it and a lot of crap in the front pocket) Interesting story (to me at least), Overwater have only given 1 bass ace ever and they say when you are famous (and great) as him you can have a free bass too. That man was John Entwistle and the top of his bass is the slice above the top on this one. After John's death it was bought by Joy Division/New Order's Peter Hook where it now resides in his collection. So there is a nice tenuous claim to fame. Open to offers but not really interested in any trades at this time, thanks.
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1 of 10 made in the so called Nipple pink colour, I did question the colour of their nipples when I got it but whatever. Selling the last of the ones I've owned as again I've not used it in a while. This is an absolutely fantastic low gain overdrive/tube simulator, there are loads of reviews and soundclips online of it. A real gem and increasingly hard to find. [IMG]http://i62.tinypic.com/35b5stu.jpg[/IMG] Open to offers but not really interested in trades at this time.
