lemmywinks

There's a big thread over on TB which lists nut widths IIRC.

Played with pretty bad sickness and diarrhea, was consciously trying to speed up the last few songs of the first set as it was touch and go but fortunately no on stage accidents. Also played with a fractured left clavicle and had to have the strap of my 11.6lb Sire over my right shoulder only which was interesting, have bought a much lighter bass since then!

Ah never saw that, bit cheeky listing it as opened - never used then when it should be parts or repair. The same seller was clearing out the fretless Rockbass Streamers a couple of years ago for close to half price.

These are usually £700-£800 I think, German shop zzoundhouse has a few in stock for a silly price. Even with duty/DHL fee it shouldn't be much over £400 all in so basically half price. https://www.ebay.co.uk/itm/325383923819?hash=item4bc264a86b:g:5TkAAOSwifFjIuoL Possibly a listing error as their other Rockbass Aliens are full price.

In the main yes but there's plenty of original and successful bass designs out there, just most people seem glued to the same old shapes which is a bit frustrating. RE the Ashdown basses I just don't see the point in bringing out a range of basses so similar to what the market is already flooded with. Even with the Gibson 335 copy there's already several similar basses (Epi JC, Warwick Star, Chowny etc) to satisfy that limited market and none of those have the wonky look that the Ashdown one does.

The closest thing he's had to an original bass design is the 44-02 which was basically a modified Fender with some MusicMan bits. The D Lakin basses are just straight up Fender clones, albeit sometimes with slightly different pickup options. Shouldn't be a surprise that the Ashdown basses have ripped off Fender, Reverend (which in turn are very Fender imspired) and Gibson, in fact they did Gibson last time around with that T-Bird copy.. Would be nice to see an original Ashdown bass but there's two issues with that - they'd have to get someone to design it for them and it would probably bomb in terms of sales regardless of how good it looked.

The Ibanez 1005SMS might be worth a look, 30"-32" scale, will weigh next to nothing and is already headless so no dive. Around a grand new but they drop a fair bit of value second hand, one on Facebook for £550 at the moment: https://www.facebook.com/marketplace/item/528215912522450/?hoisted=false&ref=search&referral_code=null&referral_story_type=post&tracking=browse_serp%3Adb6a1fad-90c2-42ee-aac5-0562656f9e20

Was that the eBay bargain from a bit ago?

At the budget end an Aria GT can be had for next to nothing, one on eBay for £140 at the moment if you're local, seller's pics don't do it justice as they're very pretty basses. MM pickup but with an Aerodyne/P style body and Aria's standard F-style neck so somewhere between a P and a J, more of a slim P. Very underrated basses.

Just a heads up the FUN10 10% expires on 22/12 and the 5% seller discount expires on 23/12, as well as there being 3 left it might be worth buying now and thinking about it later. Well at least that's what I did and this is most likely some sort of attempt to rationalise it.

That's showing for me as well, auto applies an extra £5.66 as well as the FUN10 10% discount. So now there's only 3 left. Don't even need it, however it will do as a stopgap until I source a fretless parlour bass.

There's 5 available from this seller for £113 delivered, if you have the current FUN10 code (I do and am trying hard not to buy one) they're £102: https://www.ebay.co.uk/itm/363555959883

This is an obvious lie, if you crashed your Volvo in your drive you would be fixing the garden wall, not the car.

Love this finish, what's it called?

Maybe our young protege could take a lesson from the master and install a rail type pickup from John Hutchinson of Janika Guitars in Nottingham?

https://www.ebay.co.uk/itm/374416143868?hash=item572cf0f5fc:g:cfcAAOSwATdjj~1D&amdata=enc%3AAQAHAAAAkJI9WfA5a%2BMoj4UHuAZQ5Ak6cDqdu4msxqQhl13efqKI2JNaDCfvFaCYo%2FKHB3cJ2LSW0neoLeMNqFcWPd8CxI2OXRdWEAkx2nqPbIIhgRovhv4DTl4omskUNS2JT7j97DkVBy38wB7raVMkhk%2FY%2BaO4u8XQdO%2FI%2BHrWrTdSyD%2BPKNg97Zfuo5s7OA7CcP%2F5qg%3D%3D|tkp%3ABk9SR6jxg_6lYQ Seems like a decent price for an 80s Jaopanese Aria, dunno what they usually go for.

It's not terrible, decent amateur attempt where nothing has gone badly wrong and nothing more really. We've all seen worse on this particular part of the forum but conversely there's also a lot of far more polished, accurate and skilled work from members on here who build instruments to a very high standard in their spare time. I don't think you're going to have much luck passing it off as a pro luthier job because, well... look at it. As already mentioned it's a niche within a niche within a niche - how many people will want a headless Bongo 6er? Single digits probably. Now from that number think how many people will want to part with £2k for an instrument that needs a full refin. The potential customer base is probably zero unfortunately. I'd take the body off, sand it back and stain it to at least get it saleable for a little bit of elbow grease and minimal cost. Maybe introduce some softer lines in the headstock part too, for all its inherent ugliness the Bongo is a bass with some nicely flowing lines, those harsh angles look out of place.

Whatever the headstock arrangement that's a lovely looking bass.

Although I know possibly less than zero about Foderas it's easy to spot a fake, that's way too nice and the fakes are always shaped with a rusty spoon, especially the rear contours and the neck heel. Just don't get the thinking behind it, seems a bit of a gimmick which isn't something you'd expect with Fodera which have always struck me as simple basses done to an impeccable standard.

I really like the idea, even just putting a bag over the Bongo headstock would be an improvement so lopping it off completely gets my vote. Bongos are amazing instruments but also unspeakably hideous at the same time. The execution is poor though - bare wood, odd shaping choices and wonky lines all over the place. Needs some work to put right and a full refin, price is a bit wacky but if you have the skills to fix it and wait until the inevitable price drop it could be a good buy. Kudos to the seller for showing the work done, warts and all.

What's the thinking behind this, surely there's not much (if any) effect on how the speaking length of the string sounds?

I mean if the OP likes the cab, is absolutely sure he won't need to add another at some point and the price is right then he should just go for it. I wouldn't let the possibility of tripping over, knocking the volume knob up to max and blowing the drivers be the difference between me buying a cab or not and I'm not sure anybody else would either. Most people would pick the 8ohm version as it's the same deal but with more flexibility which is the main concern IMO.

It's going to make zero difference in this case, you can make a Traveller 102 go pop with that amp regarless of the impedance. Hence why you make adjustments to volume or low end if the cab is struggling. The reason to go for 8ohms is to not be stuck using a single cab, not out of fear of damaging the drivers which you can do with most setups.

Will be fine, you're better off with an 8ohm as that means you can add an extra cab if the opportunity presents itself. With 4ohms if you need more volume you're stuck really. You're no more likely to blow your cab with a 4ohm load than you are with 8ohms, similarly you can blow a cab with less power than it's rated for. If it sounds like it's struggling then turn the volume down or roll off a bit of low end. Unfortunately the myth that a 4ohm load means you amp will be pumping a ton of extra power to the cabs is one that refuses to die on forums, same with using watts to rate power handling.

Good stuff, should make some youngsters happy knowing they have a great cab to play through. Wish the rehearsal rooms I use had that sort of kit!