SpondonBassed

I've just watched the David Lynch film. What has he got against the band to make something as awful as that? I skipped through and found nothing I could watch. The mix was bad too. Much sibilance in the vocals.

It never fails to amaze me how quickly BBC4 viewers descend into the inevitable round of knob gags.

That is nicely simple. £13 isn't bad when you get the branding with it I suppose.

I have difficulty walking and talking at the same time. Heck no.

Except if you adopt one having learned how to do without, don't forget. It'd be pointless having it otherwise.

I've been involved in the making of a couple of ukuleles. Don't larf. It's fun! It's my house mate's thing really and I am on hand with my engineering knowledge and workshop facilities. The acoustic bodies are made from thin sheet and he bought the parts with the sides pre-steamed from a chap not too far from here. We made a former to hold the sides to size and curvature while kerfings were bonded in along with structural blocks for the neck and bridge ends. The top and back were then bonded to the kerfings. After his first one he decided to make one "freestyle" from material that was to hand. This was to have a piezo pick-up, pre-amp and tuner built in. His building style is, let's say, casual. He made a biscuit tin shaped cylindrical body from hardboard with slotted ply wrapped around the sides to avoid steaming and setting. The thing weighed as much as a solid body at the end. Although technically hollow, the acoustic volume is low enough for practice on your own in a quiet room but not much more. Fortunately it sounds flippin' ACE through his amp. The example you have given where a full cavity is routed out looks like the sides are a LOT thicker proportionately than that above. It won't be loud. PS: These were all set necks with no truss rod.

Of the three, I had picked that one to record. Dang

I am not sure about you being at a loss. If you feel that way, fair enough. Do bear this in mind though; Although I'd love to appreciate things for what they are without looking under the bonnet, so to speak, it is just not in my nature. I envy the ability to not question what makes it tick. Don't ever change Mick. We wouldn't have the sense of balance that we currently enjoy without the purely aesthetic viewpoint.

Now that makes more sense to me than the polarised views on foam muting that are sometimes expressed, as if from on top of a soap box.

Is that like an orangery? I'd hate to have to clean the floor in that room.

The Musicman system requires that you stop for setting it doesn't it? If palm muting is off the cards and you aren't able to instinctively mute with your fretting hand, the gadget might help To me it just seems like more paraphernalia to distract from inadequacies in my technique. Oh, and I bet it's shyte for metal.

That neck is a piece of art just by itself. I love the engineering. Normally such clean lines can only be achieved by putting a block of metal into a five axis CNC milling machine and relying on software. It's a credit to your correct use of hand and machine tools in combination. I like the thread inserts too. They contribute greatly to the sense that this is a soundly made instrument.

Is that the TAB for it?

It reminds me of the scene from Day of The Triffids when they look out to see the house is surrounded... Just imagine if you could animate the legs on those stands.

I believe wraps are good for metal.

They've heard about your meat pies haven't they? (All those spare necks and body parts you have scattered about the place)

I don't want to put a dampener on things but I already do that with my palm.

That's got to be the best name drop I've heard this month! (Not taking the weewee or anything like)

Squeaky bum time then. Before you mark out the cut, be aware that jazz pick-ups are not all to a standard size. Sometimes the lugs are placed differently as well. There have been a few comments on the issue in recent build topics. Until you have the pick-up in your possession it would be wise not to commit to any dimensions that you have been quoted.

Thanks. That's reassuring. The two stage retention system inspires more confidence than either stage on its own. It's hard enough to get a decent range of DBEs to choose from in standard scale length and even more difficult to get a set of five. So far, I've not needed to put a clamping mod on either of my paddle basses but lots of folk do. I'd favour your clamping arrangement over one grub screw per string if it came to. PS: It's all come together well. Although unfinished, it looks nicely proportioned

Is that two strings per clamp Jez?

A volute! Respect.

It might be worth taking a look at a kit build or even making one from scratch. I'm sure you will find the Build Diaries of interest even if you still intend to buy one off the shelf.

No shortage of ideas to tease out then. Good man. I'd say you're right about necks being the challenge. If you think, the neck is what it all comes down to in the end and like the Chapman Stick, all you need is a beam with anchorage for strings and pick-ups in between. The body is dressing to a degree.