SpondonBassed

Thank you. That is as concise an answer as I could hope for.

Congrats and good luck with the venture. I noticed the screw holes for the palm rest or pick-up cover (whasisname?). I suppose the pick guard and body are pre-drilled for that whether you want it or not?

Thanks Phil. I was curious because of the dreaded 50Hz mains hum that sometimes gets past all of the screening and countermeasures. For a moment I thought that might have been a design consideration when 50Hz was stated to be a good frequency for reflex bass cabs to be tuned to. I'm really only scratching the surface in this subject although as a young man, lots of folk had speaker cabinets off me. I'd buy the drivers and crossovers at Oxford Street on my frequent trips from Dublin to London and put them in cabinets that I'd make to order. I'd do two and three-way speaker pairs. The Punt/Sterling (pre-Euro) exchange rate and price differences between the two countries meant I could do this with no expense to myself and at the same time I got to play with basic speaker enclosure projects. If I was right in the head I could have made good money from my hobby. It wouldn't have been so much fun however.

I think that's fairly easy to deal with. The specified port area should be a constant whether it is one port or many, circular or otherwise, no?

...and they said the Japanese introduced Karaoke to Britain. Good old Auntie Beeb.

I would say that the only responsibility the house band has is to hand you an instrument that is in tune. That's not cast in stone either. I'd love to agree with you though. I've done an Open Mic where I've been caught out by an insistence that I play the house bass despite having my own with me. I was stood in the wrong spot for the monitor too because the cable was short and routed badly. I was more crap than usual because of it so I get your point. Next time I went to that pub it was with @PaulWarningand Wendy as their guest. I suppose because we appeared as a trio for the first few numbers I didn't get pressed into using the house bass. I was still rubbish but I felt much more capable and probably sounded a bit better too. When I came away I revised my ideas about these sorts of sessions. Like yourself, I will always want to play my own bass but I am ready to go regardless. Getting asked to step up when you aren't ready is also something I have experienced. It didn't go very well but it won me the notoriety of a short piece of video on twitter when someone kindly clipped out a relatively botch-free part of my meagre effort. I did have my own bass for that but I could just as easily been handed the house bass. My point is that you can't predict what you'll be given but you are expected to make do. I see it as a necessary part of my development on my way to becoming a well-rounded player to meet these circumstance and cope. 'standard set-up' - what is that anyway? We had a thread a while ago where BC members compared action at the 12 fret. I'm still trying to pick the bones out of that one. Oh yes, OT; my housemate gave me a lift to the local OMs and I got a taxi home each time. @Len_derby was kind enough to invite me and give me a lift to the other OM out of town. Last year was the busiest bass year I've had. That's not saying a lot by average standards but it is a booster for my timid ego. This year I aim to build on it. No car though. Wish me luck.

Could you smuggle two bodies past a road block with it? Heeheehee. Looks like you've found a good home for it. Nice.

Is it though?

Sweet (I know it's a Hot Chocolate quote really)

Welcome John. Ah. Fingers. Take care to pick up good habits now and you will avoid painful repercussions in later life. You will find plenty of pointers here.

Welcome Rodd. 'Gearitis' is mostly called GAS (Gear Aquisition Syndrome) by folks of this parish. You'll feel right at home.

Is there not a danger that buying a large case would encourage you to occupy the space just because it's available? You could end up carrying more than is necessary. Not so much for the pros who have to be ready for all eventualities but maybe for us wannabes who are legging it more?

The two are synonymous in my mind. The only thing about the skewed footprint is to avoid direct reflections from opposing walls in case of resonance. You could equally say that it is a bad thing to skew a square of speakers by 45 degrees to the (square) room because of unpredictable corner effects. I still have one area in the room where the bass is exaggerated but only the one. My house mate usually sits there and he loves it so - smiles all around.

...And when you share a house it's hardly self-indulgent at all. Heeheehee. I really have to watch myself. It would not take much more for Channel 4 to become interested in me for one of their Hoarder Yukumentaries. I take your point however, it is nice to have everything to hand.

I must apologise to you both, I didn't realise it was for two basses despite it being clearly described as such! I just happened to glance at it on my way out and didn't take the time to read through properly. I am sure that someone will be up for this however.

Thanks Mark. I can appreciate that the tighter break angle makes the difference on through stringers. My touch, being relatively inexperienced as I am, can sometimes be a bit too heavy. From what @kevin_lindsay and yourself said I suppose string movement is only an issue for the inexperienced or heavy handed players if it occurs at all. It makes more sense to have the saddles staggered above all else so I'm really only nit-picking out of ignorance.

I daren't put wall hangers up in the main part of the house because it is two hundred years old and I am wary of loading the old plaster and brickwork with much more than a picture frame's weight. It would not make sense to have basses on the wall when their cases take up space anyway. All but the one I have out for the day are stored in their cases and those are neatly strewn hither and thither in the front music room. Some of Jack's uke's are on table stands because he has made more of them than he could afford cases for. I consider them as ornamental and they aren't in the way as much as my stuff is.

And that's just his wallet. Ask @Silvia Bluejay. (Heeheehee fond regards to you both)

Nudge nudge - If you go to a second poster featuring basses, I hope you will remember the first ten of us by way of a loyalty discount on ordering a second poster. - Wink wink.

@dmccombe7

Where do you stand on drivers giving up their cars when they feel it would be safer for everyone concerned? I said I would never become one of those old boys who is clearly out of their depth in traffic due to old-age related issues. Not only do I have the onset of cataracts but I have increasing rage issues because of the way that my grey hair attracts abuse from mardy twenty-somethings who think they have the right to take over the world. I've always asked if my sight is okay for driving at each eye test and it is officially. Despite the official all-clear from my optician I have found that in some circumstances I wasn't seeing everything I should. That would be reason enough but there is the added complication. My biggest fault is that I react to abuse without thinking. Twice in the past I have got out of the car and intimidated an abusive driver back into his car after he'd decided to come over and sort me out! The number of times that I have had to use my road experience to prevent an accident because of some youth's bravado getting him into trouble is remarkable. It looked inevitable that this could only progress to the point where I am the problem so I have stopped driving. I have no anger issues now. I am not about to go back to that either. Trust me. You lot are much safer now that I do not own a car or motorcycle. Can you imagine me behind the wheel of a white van?

Great photograph mate. I hope it's on your band's promo site.

I'm sceptical about that. Do you say that they wont move even when you're digging a hard groove into the strings near the bridge?

I used to buy some of the Hi-Fi magazines of the seventies and eighties. I even took some of the magazine covers off and put them up as posters in my bedroom so that I could drool over the turntables and tape decks that were beautifully photographed and displayed on thick glossy paper. I think you need to identify which type of speaker enclosures you have before you decide on placement as the reflex (ported) types can be tricky. Infinite baffle (sealed cab) type enclosures are a little less fussy about placement. One of the tips from back then that I tend to use on a set up is to not follow the shape of the room by squaring up to the corners, especially on multi speaker systems. Instead, I skew the footprint by a few degrees within the room and get less hot and cold spots. My latest living room amp did its own eq set-up with the speakers in this position and I rarely find a problem. Sometimes I need to tweak the eq for older media because there were vast differences in how the recordings were made but I always come back to the setting that the Denon has stored in memory for the room. Yes. Domestic audio is definitely another fuel source for GAS. You might have noticed that I was resisting @HowieBass's invitation to get exited about flagship speakers. @ all the older members; Does anyone else have a problem with how Hi-Def is sometimes seen as Hi-Fi? It's a slight thread departure but I don't believe that Hi-Def is always faithful to the original sound. Most of the time it is fine but every now and again you get a harsh reminder that micro-processors are behind the sound. For instance; why can't many disc players cope with tracks on audio discs that are intended to run into each other? Why can't there be the smooth transition that was intended? Sudden stalls and occasional aliasing are commonplace too but no-one else seems to find them as annoying as I do. Meh! My turntable might need the fluff cleaning from its needle occasionally but I can hear that it needs cleaning before it skips or distorts too badly and it gets cleaned before the build up of surface crap around the tip of the needle is even visible. Unless there is surface damage on a vinyl disc my music is NEVER interrupted. Sorry, the red mist was beginning to descend upon me. I'll go and have a cold shower. Heeheehee

Story of my life. All the Watts but no idea!