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Everything posted by SpondonBassed
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[quote name='Dandelion' timestamp='1495609959' post='3305180'] Eire on a G string. [/quote] For a Northern Ireland band that would certainly provoke conversation... at the very least. Eire being the Republic and all. Nice play on words though.
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Communication, wonderful thing, apparently
SpondonBassed replied to MoonBassAlpha's topic in General Discussion
[quote name='MoonBassAlpha' timestamp='1495556725' post='3304795'] Oh well, off I go. Wish us luck (and lack of damage!) [/quote] Belated good wishes. Good to hear it went well. -
Communication, wonderful thing, apparently
SpondonBassed replied to MoonBassAlpha's topic in General Discussion
[quote name='blue' timestamp='1495554490' post='3304748'] There was one exception involving an invisible bear. Blue [/quote] Was it better than the average rear Boo Boo? Hahahahaha! Priceless. -
Communication, wonderful thing, apparently
SpondonBassed replied to MoonBassAlpha's topic in General Discussion
[quote name='blue' timestamp='1495553688' post='3304733'] ...Even when I was a teen, I had reservations about guys that ask and want to use other people's [color=#ff0000][i]rear[/i][/color]. Blue [/quote] Understandable. It's always polite to ask before you steam right in though. -
[quote name='acidbass' timestamp='1495557675' post='3304813'] Hi all Appealing to the collective wit of Basschat here! Been asked last minute to put together a jazz trio for an awards dinner run by a large NI-based publication. It's going to be a classy affair and we are doing 2 hours at the welcome drinks reception, all standards. Format is drums, piano and upright with some vocals. Any ideas for a classy, cool, humourous or witty name? I am stumped and terrible at these things! We are pretty young (mid 20s) and fresh so something modern would work too - we don't mind having a bit of fun with it! I should add that part of the payment will be in the form of a full page advert in said publication. Cheers all! Danny [/quote] [color=#800080][b][i][size=6]3 Jive Live[/size][/i][/b][/color]
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Unbelievably, people are still trying to defend the 80s.
SpondonBassed replied to Happy Jack's topic in General Discussion
[quote name='KevB' timestamp='1495529105' post='3304416'] If you concentrate on the pop stuff then inevitably you will come up with a lot of cack. There were loads of great rock and neo-prog bands knocking about in the 80's. Some of them even charted. Eg you won't see Gillan on that link - 5 top 20 albums and 6 top 30 singles just between 1980-83. ACDC, Aerosmith, Def Leppard, Bon Jovi, Guns n Roses. Colossal album sales in 80's and they were just the commercial acts. Lots of musically interesting stuff with narrower appeal too. A whole different 80's to the one represented in the BBC link. [/quote] Come on though, it is dear old Auntie Beeb. You know, the one who let Musical Youth sing "Pass the Dutchie", the cleaned up version, on Blue Peter. Impartial programming at all times of course. Yeah right. -
What period/style of music inspired you to start playing?
SpondonBassed replied to TheGreek's topic in General Discussion
It was hearing Maccer's bass on jukeboxes as a small child that did it for me. You couldn't really feel it on TV, radio or domestic low-fi record players. In the café however... wow! It took many years for the seed to germinate into a deep love for the deep notes but it definitely started there. -
They'll be fine for a piccolo bass. While I like a nicely turned knurl, I wouldn't feel happy tuning this way despite the reduction gearing. It's just about okay on the direct pull tuners on a Steinberger bridge but even then I wish sometimes for more positive finger engagement that knurling simply does not give you. It isn't an issue on the Steinys so much because they're fairly stable and less likely to drift off tune. On a headstock however...
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Unbelievably, people are still trying to defend the 80s.
SpondonBassed replied to Happy Jack's topic in General Discussion
[quote name='barneyg42' timestamp='1495514981' post='3304300'] He should have left his VISOR on!! [/quote] I thought he had the visor fitted after that music vid as a direct consequence of retinal trauma from seeing that huge red codpiece! -
Unbelievably, people are still trying to defend the 80s.
SpondonBassed replied to Happy Jack's topic in General Discussion
[quote name='barneyg42' timestamp='1495485669' post='3304180'] 80s at its best imho!! [media]http://youtu.be/MZjAantupsA[/media] [/quote] Geordi La Forge (LeVar Burton) from Star Trek TNG is in this vid. -
[quote name='Tuco' timestamp='1495396898' post='3303487'] Thought I was blacklisted as far as credit / finance is concerned due to a mobile phone bill(s) a couple of years ago, so it was with tongue planted firmly in cheek when I tried to get a Bass Whammy on the knock from G.A.K. BUT THEY ONLY BLOODY WENT FOR IT!! Only drawback being : I have to 'borrow' at least £250. The Bass Whammy is £139 so I've a bit to play with IF I decide to throw caution to the wind and go for it. You know what tho?? There really is NOTHING I particularly want / need (except the Whammy, I stupidly sold mine recently and have SERIOUS sellers remorse!!!) without spending TOO much. I thought about a Dirty Robot but being a BSW owner, decided against. I also thought about a Freqout but jogged that idea on. A superego would be nice but being a Freeze owner yada yada (plus at £199 it's a trifle expensive). I also toyed with the idea of a 3 way crossover so I could finally build that 3 stack system of my dreams, but decided against that for s few reasons Hahahahahaha What made the shortlist is a Boss RC3 looper. I'm sure I could utilise one, not for soloing over myself (I'm no soloist) but just to add some weird textures to some tracks in my electronica outfit. Any thoughts for or against anything chaps and chapesses ?? Any bright ideas before I tick that 'I have read the t&c' box ?? [/quote] I would say you're better off without credit.
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Unbelievably, people are still trying to defend the 80s.
SpondonBassed replied to Happy Jack's topic in General Discussion
If I remember right not all was well in the trouser area at the time. Larry Blackmon tried to out-trouser everyone. The effect was so shocking that a massive public outcry resulted in MC Hammer being forced to knit a pair of Snailsburys gold lamé carrier bags together about his nethers before he was allowed to strut on national TV. [attachment=245784:LarryBlackmonCodpiece.png] The Eighties were worrying in many ways. The threat of global nuclear war was only one thing to fret about. -
Shonky generator outdoor gig - which amp?
SpondonBassed replied to Beer of the Bass's topic in General Discussion
[quote name='blue' timestamp='1495329807' post='3303031'] You guys still have hippies? Blue [/quote] I think it's fairer to say we have druggies who prefer the term hippie, new age traveller, druid etc. If you want me, I'll be in my flame-proof bunker. -
Slap and 12 string basses... and it's funkstastic!
SpondonBassed replied to mcnach's topic in General Discussion
[quote name='mcnach' timestamp='1495299487' post='3302847'] Slap has been badly abused... [/quote] Social services take note. -
[quote name='Geek99' timestamp='1495272407' post='3302584'] Sure but I only play st OM nights and get zero practice time so it's my best option [/quote] Fair enough. (You're not a nun either are you?)
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[quote name='Al Krow' timestamp='1495267094' post='3302508'] I A/B'd some basses recently and the hum / buzz on the single coil basses was VERY noticeable when compared to a double coil / humbucker. Interestingly my mate said he did not have the same issue when he played at home, which is outside London. Don't know if the fact that his was an older generation bass(circa 2000)would have made a difference i.e. does coil hum get worse over time? Just wondering whether others have noticed a difference between being playing in cities, particularly e.g. London with tube / train lines never too far away? Perhaps another illustration of this is that the hum on our guitarist's single coil PUP Fender Strat is particularly noticeable when my band has rehearsed in studios under railway arches. Is there a straightforward solution to this which does not effect the tone of the bass or require a different set of PUPs? If not, I think choosing the humbucker rather than single coil option (or at least a combination single coil J plus humbucker) on a replacement bass will need to be part of the equation for me. Cheers AK [/quote] Have you got fluorescent lighting under the arches? I'd say there is a fair chance that a low ceiling with those would be more suspect whilst not discounting trackside equipment interference completely. Also, are you sure you haven't got an earth loop in there somewhere? We were chatting about bridge grounding at the bass bash last week and there are things you can do to get an improvement. I am quite sure someone will be along with that shortly.
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I should think these really earn their keep for top heavy eq settings on rigs with HF drivers. I wont need one just yet as I don't put much treble out.
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[quote name='BassAgent' timestamp='1495223400' post='3302338'] I used one at my graduation concert, on a 5-string with high C in an alternate tuning (can't remember what it was ) to play a James Vincent McMorrow song. [url="https://www.youtube.com/watch?v=AtmYzr4pcD0"]https://www.youtube....h?v=AtmYzr4pcD0[/url] [/quote] Beautiful. Best of all... neither of you looked like nuns!
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[quote name='Geek99' timestamp='1495208447' post='3302187'] i shamelessly use a capo when I'm feeling too tired to think about moving a pattern to another key I've not troubled what anyone else thinks [/quote] I like the idea as a "get out of jail free" option to have in the bag when jamming but I'd want to relearn, in my own time, the tune on an open fretboard later. I don't have any tunes in my rep that require special tunings other than drop D for which I have a five. I like to keep things simple.
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[quote name='mikel' timestamp='1495186157' post='3301921'] You missed one....Fashion. My bro bought a Precision in 1981 when we were in the same band, as it was the bass to have, it was a Fender after all. It had a number of dead spots on the neck, and he was not surprisingly for a newbie, a little shocked. He was told by experienced bassists to learn how to play around them. He wished he hadnt traded in the Rick. [/quote] I dunno Mikel. I reckon fashion is a symptom of snobbery or snobbery a symptom of fashion. Whatever way around they are they often go hand in hand. I bought a Squier fretless Jazz in the eighties out of brand [i]snobbery[/i] because it had the F word on it in familiar lettering. It had all the looks. Favourable comments from everyone who saw it gave me a boost and made me feel [i]fashionable[/i]. In the first week of ownership I thought I'd found a shallow depression around the 10th and 11th fret position on the D string where the notes dropped off a little. Back at the shop it was examined and found to be okay. It was a dead spot. I was told to try a new set of strings. About that time I had discovered a problem with the guitar's massive headstock. During practice in a small bedroom belonging to the drummer I'd have trouble avoiding the doorways, walls and heads of my band mates. He had both bed and drum kit in there and we'd fit in as best we could. As we were a four piece band it was cozy to say the least and the guitar felt even more clumsy and unwieldy than usual. I went back to playing my mate's left handed guitar while I arranged to trade the Squier in for the Vantage that I still own. In fairness there are many things that guitarists and bassists "play around" to get the desired result. Often it is an unconscious thing, particularly with time served players. Sometimes it is such a thorn in your side that it will make you reluctant to plug the instrument in at all.
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So... you don't actually need to dress as a nun to get good use from one? Much relieved. I'll have a crate of those then please.
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[quote name='Roger2611' timestamp='1495128142' post='3301531'] Thanks guys, I had assumed that latency was likely to be the biggest issue, interestingly a number of the links above look to be to quite old software requiring systems like Windows 98 to work so hopefully there is newer faster technology available. [/quote] Digital technology inevitably suffers from lag simply because of the analogue-digital-analogue process. It can only get so fast before physical limitations stop further refinement. It was said above that <10ms lag is acceptable. If that is the consensus of those who regularly use Internet connections for rehearsal then there already is sufficiently fast tech available. It is merely a question of identifying it then being in a position to afford it.
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[quote name='Baxter' timestamp='1493203523' post='3286415'] I've did it with my squier VM telecaster bass, the 70s style one with the big humbucker. I went the whole hog though with a vintage neck tint and darkened headstock face and old stle decal. I don't see any harm in it, I enjoy having it done - it's for me alone and there's no malice in it. I fancied a 70s style telebass to go with my 51RI so I had both TB models but I'd have to sell my 77 Jazz or my child to fund one. Did it cheap with the squier and the paintwork and some extra chrome. I like it. The question is now, do I go for a cream or parchment scratchplate or leave it black? [/quote] Why not replace the body with a flying V? It's a proper bitsa then. I'm only pulling your leg. I am all for customising according to personal taste. That's why it's called customising. I just don't like unlicensed mass produced stuff.
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[quote name='josie' timestamp='1495149644' post='3301728'] Has anyone here used - or seen a bass player using - a capo? There's a fairly naff trio local to me whose bass player uses a capo for almost every song. Often on a different fret to the two guitarists, which makes it even more peculiar. I understand that, on a standard 6-string guitar, there's an offset from the G to B string, which makes it hard to transpose, so the capo effectively shifts the nut. And that that's why a 5-string bass player who wants to go higher rather than lower tunes to high C rather than to B. But on a standard 4-string bass, why not just learn where the notes are on the fret board and play them? Or am I missing something??? [/quote] Good question. I'd hate to have to use one myself but it's simply because it reminds me of nuns with guitars trying to be "down with the youth". [attachment=245577:NunGuitarCapo.png]
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It's going to be laggy. Not sure what the best work-around is for that but one idea would be to get an audio only connection so that there is less data to be encoded and decoded in real time.