Owen

I feel myself inexorably being drawn into this .

There is the answer, right there.

I did this using a QSC KW112 and a KW118 (or whatever it is) sub. On it's own the KW112 with the deep switch engaged was lush. I was prepared for a tsunami of LF joy with the sub. Active 1Kw 18" driver. It was a massive let down. Yes there was more LF goodness but also an awful lot of LF badness.

There is stuff I have owned but sold that I really liked elements of. Getting captures of those would make this very attractive indeed.

It almost makes me want to try fretless. Again.

Now you are talking.

I have GAS for a really good setup with some fret levelling and a new nut. I live in a really good setup free zone. My GAS is and shall be unrequited.

I paid, it came. Would you expect anything else from Chris? Nope.

Very yes.

And the i found this from the one I just posted above

Matthew Ramsey: bass

One new set of Newtone strings - .55 to .140 with hex cores. It feels tighter and better. To be honest, I think I am right on the edge of what will work with the lower strings (possibly over the edge) and it is going to need some very careful setting up. But I have started so I will finish, and I do love an adventure! It will now be sent to a proper grown up to route a hole for the Delano pickup. If I had one of those Shaper Origin DIY CNC doobries I would do it myself. But then I would have to send it to a grown up who could actually measure properly to tidy up my mess.

Just laying it down like a boss. On the subject of that, I ran into this on Tiny Desk. Given the reaction (good) of some of the other musicians to things he does he is not a long standing member. However he is totally nailing the whole set, beginning to end.

using a sustain pedal allows you to keep the synth sound sustained, while you can play along with the bass/guitar. H A P P Y D A Y S

Possibly too wide for my 5 stringer. But when it comes back from a respray I will measure up.

That looks very classy indeed. I wish I lived close to someone like Mr Wilkes. The concept of being able to interact face to face with someone who really knows what they are doing is very attractive.

Oooooooh! Aftermarket mutes! Oooooh! I did not know they existed.

Twice I have needed obscure cables. Twice john has come up trumps.

I often think that if the sound is not "the bomb" without EQ then I am cheating. Strangely no recording engineers I have ever worked with have the same issue.