Owen

As I was writing that, I knew it was woolly. You could mirror the shapes of the cutouts of the body in black on a white pickguard. Or, another idea would be to look at the black lines in the body and extend them "across" the pickguard. If that makes sense.

Could you print it in black and white incorporating the shapes the main body's holes are?

So unfair!

Deeper Underground trivia question. At what point in the track is there a stray low note? At what point is it copied and pasted for it's 2nd appearance?

I played an Epiphone Newport the other day. I could not find anything not to like.

https://www.gusguitars.com/news.php?news_id=35

Welcome to a whole new world of design!

Ah, The Meatball. My pedal nemesis. I got several great sounds out of it. But could never replicate them. Ever. This says more about me than it does about it.

Boss slicer does it and you can sync it via midi. Not that I EVER found a place I could use it. The one time I tried, the keys player humoured me for about 30 minutes and then did it with his left hand.

Ah, the joy of variety

The body was lush though.

Without a doubt. But that body is lush.

Must post faster.

It looks lovely. But "Shipping offered only to the lower 48 states". So that is us in the UK out of the race.

Not wrong!

https://www.ebay.co.uk/itm/156441998613?mkcid=16&mkevt=1&mkrid=711-127632-2357-0&ssspo=42k2BX4-Svi&sssrc=4429486&ssuid=g-S2GOEbSbm&var=&widget_ver=artemis&media=COPY

To be fair to sound engineers, both experienced and fresh, if Barry on keys is playing as if there is no one else in the band, has reduced motor skills so is smacking all sorts of extra notes, is riding that sustain pedal, is giving it his finest Con Belto with octegenarian vibrato while speeding up and is partially deaf so cannot hear anyone else there is not much you can do. I am fully aware that was a long sentence. Obv I changed Jim's name to Barry to hide his identity. But the point stands. Any band, no matter what the venue, can suck badly if there is no musical discipline or any mic technique. The nature of volunteers is that this could happen on a Sunday morning or evening. And the congregation/audience will presume it is the sound bod cos the band must be OK. Sound bods do not have it easy.

I hate compressors. How dare anything question my use of dynamics? This is because I can never set them right. I love the Spectracomp because multiband is lush and lots of proper grown ups have set it up right in really easy to try presets. I know I should be learning and creating my own signature sound, but life is too short. I know what my favourite preset is. I like it so much that I own 3. One for my Sunday morning residency, one for my pedalboard and one for recording at home. All with the same preset.

Clearly, we are not discussing Double Bass strings here!