I lke things to be in their place.
To bring this back on topic I did a series of gigs where backline was provided. The SVT experience was new to me and I cannot deny that I enjoyed it. But one venue had a knackered specimen which did not work. They wheeled out a Turbosound sidefill for me. The LF extension was addictive. I am convinced I was hearing an octave which was just not present from the SVT. A 5 string 40" scale NS EUB gets really solid on the B with the right cab behind it.
My experience with my NS was that changing strings changed the sound, but changing bridge height was pretty radical as well. I went to a set of Inno Honeys with a jacked up bridge and it was literally like a different instrument.
If it was not metallic orange with a matching headstock, I would consider it. I am so shallow, I will confess publically that I bought it primarily for the colour. The fact that is is nice to play and sounds good is a double bonus.
It's the neck. Just fabulous. I have actually owned a full fat US one back in the day but was not as neck aware at the time so missed it. I am kicking myself now.