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Owen

⭐Supporting Member⭐
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Everything posted by Owen

  1. I have a friend who needs to convert a garage to give music lessons. There will be no drums so there is no need for super soundproofing. Can I share a plan and ask for advice?
  2. I think it is a Maholo, yes. Mine was obviously built on a different day from your's This one is all good and Jez did add the finishing touches.
  3. I bought this new as a 5 string Uke. I have always wanted to try the super short scale thing. I put proper machine heads on it because the originals were made of cheese. You can see the origianal screw holes. Jez (Jabba_the_gut)(he is a wood whisperer) did all the hardcore woodwork which needed doing to turn it into a properly functioning instrument. The reality is that a 21" scale length is just too short for the B to work. But I had to try. If you fancy a 5 string strung E to C at proper bass pitch, then this is it. If you fancy one of those new fangled octave up basses strung B to G then this is it. It is properly set up and is frankly a lot of fun as well as sounding like a proper bass - until you get to the bottom B. It has the same preamp as it originally had when it was a 5 string Bass Uke. Vol/bass/mid/treble. The vol has a center detent in it. Crazy. Fancy it you know you do!
  4. I am very far from being an expert. But in my experience if a piece of kit is not turned on it can have the buzz thing happening. Also induction loops sometimes do very weird things. I do not know if either of these are involved.
  5. I had forgotten about the side jack aspect. That does change things. The shodiest piece of work I ever had done was a side jack on a MONSTEROUSLY expensive custom I had had made for me. I took it to the local guitar shop for a side jack to be installed. "How difficult can it be to do a tidy and aesthetically pleasing job?" I thought. Too difficult for the bodger masquerading as a tech. And when it was done, there was nothing I could do to rectify it. I am still angry when I think about it.
  6. I have people to do that for me. As in, my tech abilities are zero so I do not even try. I had an Audere once with the variable impedance switch. It did something bonkers to the pickups. In a good way. Should I have left that bass as it was? Absolutely.
  7. I have recently been messing with Sadowsky preamps and have found them very pleasing. They do a drop in Jazz plate.
  8. This gives my dream of being a luthier wings.
  9. You are a bad man. On reflection I would probably pickup a tribute 2nd hand and mash that (including smoothing off that headstock). I could even have it painted as a relic! Now I am excited! I could even have it done in blue sparkle and have a suite of Basses by Leo in the same colours.
  10. I played an L1000 and really fancied it. Because I cannot spell bass without a B then the concept of L1000-ing a L2500 is quite attractive. I realise that pickup placement is a thing, but I have to explore ALL the options. I also need to get out more.
  11. I set the limit in my head at what I could shift it for easily. That equation did not work on this one.
  12. I originally had a bid of 1500 placed, but I costed the extra 26% + whatever the fee for someone to pack and courier it to me would be and I backed out.
  13. I cannot answer definitively, but I never sing and my seal is better with an open mouth.
  14. I have owned several Bongos. None of them came with that option.
  15. It is not a real Bongo until it has a dink at the end of the headstock. Get to it.
  16. Nice looking bass! As an aside I also have an MTD Kingston and despite the fact that I "should" sell it I just cannot part with it. They are criminally underrated.
  17. Honestly, it is a long time since I did it, but I was bending notes up "almost" a semitone or sharpening slightly to make it happen. Sometimes pressing the string really hard into the fret was enough to make the difference. But it was definitely a thing.
  18. In keyboard world and guitar world, equal temprement does it's thing and it is fine. In my experinece, playing a fretted bass with an orchestra, very few of whom are tied to equal temprament, means quite a lot of bending notes to fit in where they "should" be.
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