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mybass

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Everything posted by mybass

  1. [quote name='BigJim' timestamp='1341566527' post='1720956'] Pete Stroud! Selling your no1 fretless bass! why mate? I can vouch for this bass, it's freeing amazing and Pete is a lovely guy who doesn't smell at all!!! [/quote] BigJim..haha. thanks for giving me the 'all clear' on the cologne front.......(not the bass in video for sale....yet?)
  2. [quote name='Bobby K' timestamp='1341578145' post='1721203'] Very nice playing Pete [/quote] thanks Bobby K....twas a subtle sunny afternoons playing with "BAD INFLUENCE' in a country pub garden.
  3. [quote name='ikay' timestamp='1341568431' post='1721002'] Pete, is this the same bass as the one in this video? Nice playing by the way! [media]http://www.youtube.com/watch?v=9kN68vhHYpk[/media] [/quote] iKay....well found! No it isn't the same bass as the one for sale. The one in the video is very well gigged and is slightly different in shape, pups and is UK rippled ash body wood.
  4. Asking price £800 but will consider very close offers..... I need to move this bass on a.s.a.p. Hopefully the mp3 sound sample has attached okay..it is a very straight forward recording into a desk and copied across, no effects or compression. 4 string fretless bass. Bass weighs in at around 6lb 12oz. SINGLE piece Swamp Ash body with 'Tru Oil' finish... 3 piece maple neck wood (some very nice figure/flame) Ebony fingerboard Walnut piece on back of headstock. Schaller 3D bridge black Schaller machine tuners black Seymour Duncan Active Jazz pups with vol/tone/vol/tone The bass was one of two (the other sold) made by me for a shop which has unfortunately been having hard times so this bass has been sitting at home. It is ungigged. The Nut width is almost 40mm The f/board is about 6mm thick and is a compound radius from approx 10" to 16". Side dot 3mm markers on the note ie. on the 'F' 'G' 'A' etc to 24 'note/fret' length. The neck thickness has been left thicker on this bass than normal as I felt the lightness of the Swamp Ash body could do with a little more meatier a neck.....at least it is there to thin down if wanted. No dedicated case for this bass. Please note....I have played mainly fretless bass for many years, designed and built for myself but also for custom orders and I have always used the best parts available as noted here, no cheapo copied parts.....
  5. I would always go for two separate boxes over one large.
  6. [quote name='Acebassmusic' timestamp='1337528605' post='1661432'] More stuff to clear out and make space Here are 2 Elecrovoice SX200 PA cab which are great for vocals etc. They are pretty clean with some minor knocks. They can either be used on their own or with subs. They are each 300w RMS rated at 8 ohms. I was using them as monitors for the band so they havent been pushed very hard. They come complete with padded covers by Falcon and also the plastic stands that allow you to use the cabs at the correct angle as monitors. I'm looking for £200 for the lot + shipping [/quote]PM'd today 5pm
  7. [quote name='lollington' timestamp='1336659503' post='1649068'] Hello folks Does anyone have experience using both the SM58 and SM58 Beta microphones from Shure? This will be my first stage mic and I wonder if there is much benefit in splashing out a few extra $$$ for the beta. Cheers [/quote] The 58 is just a little 'muddier' in the lows compared to the cleaner and crisper Beta. They are industry 'standard' because although very good, I think their advertising helps sell more than anyone else. We can tend to forget a few other makes.....Electrovoice N/Ds (758??) as used by a singer I work with, an excellent mic for 'his' voice which is bluesy deep and growly. There is also a Beyer model quoted to me just yesterday that was used by many singers that was considered a top mic. I recently bought a Rode M1which is also very good that I prefer for BVs over the 58 as it is just that little cleaner in the lows. Be wary that Shure is probably the most 'pirated/copied' mic on the planet. Shure say they regularly close 'fake' factories in China with the help of the Chinese authorities. Their website can help you ascertain a real and a fake but even Shure's mic weight specifications seem not to be correct and I think this is to confuse the fakers (sic!).
  8. [quote name='macieq' timestamp='1335773157' post='1635594'] I'm not selling it for the time being [/quote] If you are NOT selling it for the time being, then change the thread to NOT FOR SALE NOW?
  9. [quote name='alstocko' timestamp='1335210564' post='1627415'] Here I am regrettably putting up my beloved Markbass 102 H (not HF!) cab for sale. I bought this from user brick about 4 months ago and has been essential to my tone. It's a beautiful amp, light as all MBs are, and an extremely clear and punchy tone. It's double ported at the front, making it more responsive in the low end compared to the newer HF series 2x10 cabs. The tradeoff being a bit more weight added to the amp (I think it's about 23 Kgs, still light!) I love the sound I get through this amp, unfortunately, it's too big for the majority of my gigs (being an actively gigging music student with no car at the moment). It has an adjustable tweeter, is 8 Ohms and rates at 400W RMS. In incredible condition as it has had little gigging use (unsure with the previous owner) Here are some snaps of the beaut (from an iPhone camera so quality isn't amazing) [attachment=105866:IMG_01281.JPG][attachment=105860:IMG_02731.JPG] [attachment=105861:IMG_02741.JPG][attachment=105862:IMG_02751.JPG] [attachment=105863:IMG_02761.JPG][attachment=105864:IMG_02771.JPG] [attachment=105865:IMG_02781.JPG] Will sell for £250 collected from Hull, but buyer can arrange courier as I have a box from brick. Peace, Alec [/quote] you keep saying "amp" and you mean cabinet, slightly confusing on the first read through....and these are excellent cabs.
  10. mybass

    PAULO SILVER

    Good dealings with Paulo in Portugal, helped as much as possible and emailed plenty to get the deal sorted.... cheers Paulo......
  11. [quote name='Paulo Silva' timestamp='1335204398' post='1627266'] I've just bought some seymour duncan pickups and pots to Pete and he was really great to deal with! He sent detailed pics of everything and the package that he sent arrived just today to my country. Thanks Pete [/quote] Paulo, thanks for the 'feedback' (and everyone) so the post was pretty quick, cool stuff, hope the pickups work out okay.
  12. [quote name='Skezza' timestamp='1334428542' post='1616180'] Last night I did a gig using my Markbass CMD102P with a Trace Elliot 1518c compact. We were in a Marquee using another bands PA which has been set up in situe for the last 4 days. I arrived early to set up. I had a great on stage sound slightly compressed burpy jazz to pretty thunderous 5 string precision sounds and I was well happy. So off I went to the bar. When we did the sound check about 90 minutes before going on stage the sound guy had 2 issues: 1 he told me the output from the Markbass was too hot and I would have to back off my onstage volume. I thought line out was a fixed line level and was not affected by the volume on the amps front end. 2 He said I was very toppy with no bottom end. I had wind the blend knob round so I just had a the P pickup on -normally I use both P and J (with more j than P ) I spend hours getting a great sound. Usually the Markbass gives me an awesome sound AND my onstage sound last night was great. I am now concerned that this could be a problem in future as I have only used the Marbass with my Peavey desk (where it has been fine) up until last night. Could it be anything to do with the pre post eq settings ? skez [/quote] Doesn't the CM102P have a level output? If yours hasn't, I think your first stage GAIN (not 'Master' out) fixes the level that the line out from the amp to front of house desk works at. Try backing this 'GAIN' level off to help front of house desk and use the amp's 'master' output to boost your stage levels. Beware, some engineers are not savvy with all (bass) amplifiers presented to them from the myriad bands that they have to work with. If one of them says he has a problem with your amp, get him to stick a mike on the cabinet (many will have both an amp Di and mike working anyway). Or....Di straight off the bass and leave amp/cab alone.......not my preference though because (especially with fretless) I find there is more chance the engineer will not understand what you like your bass to sound like.
  13. [quote name='molan' timestamp='1334254098' post='1613368'] Haven't listened to much of this yet but it's been getting good reviews and has the, ever tasteful, Hutch Hutchinson on bass on most tracks I think. Available to listen, officially, either in entirety or track by track here: [url="http://www.npr.org/2012/04/01/148930343/first-listen-bonnie-raitt-slipstream?ft=1&f=1039"]http://www.npr.org/2...eam?ft=1&f=1039[/url] [/quote] I'll buy it so she gets the money!
  14. [quote name='tonyf' timestamp='1334223548' post='1612663'] I'm probably not the first to post this kind of thing and I'm guessing I won't be the last but I'd like to praise the amazing customer focus and attention to detail of Mark at Bass Direct. Firstly, a couple of weeks ago, he spent ages engaged with me whilst I was in the shop looking at amps and cabs. I'd originally gone in there with the intention of looking at one amp but from spending loads of time listening to what I wanted and asking exactly the right questions, suggested something totally different. Gotta admit, my initial thought was "yeah, but it's more expensive so I'll be spending more cash" but he was right on the money, the Genz heads and Berg cabinets I tried were EXACTLY what I was hearing in my head. Anyway, more importantly, I'd brought some accessories whilst I was there which included a set of DR Sunbeams for my Yamaha Nathan East. Wanted to try something different and again, Mark gave me some great advice on what suited the kind of tone, tension and feel I was after. Went to string up last night and the B string started to unravel as it wound around the string post. No problem, these things happen. A quick email to Mark last night and I get a call first thing to tell me he's dispatching a replacement via first class post. A prime example of brilliant service. Thanks Mark. Tony [/quote] He is a top man and obviously cares about 'bass' and all that goes with it, including the players.
  15. [quote name='Paulo Silva' timestamp='1333355249' post='1600293'] this pickups are still availabel? can you ship to Portugal? thanks [/quote] Paulo, I have sent you a PM.....
  16. [b]I used this on a tour just once years ago and then forgot I had it until clearing out loads of stuff.[/b] [b]Great little unit plugs straight into the bass guitar's output and using headphones, listen[/b] [b]away without disturbing anyone else! An external mp3 player can be plugged in to play along to.[/b] [b]A few minor scuff marks. Works on a single 9v battery. [/b] [b]It is pretty much a no frills unit compared to some later ones but does have 'volume-filter-normal-bright-distortion!' On/Off switch. Phones and Aux inputs.[/b] [b]Handy little unit.[/b] [b]£15 included UK post [/b]
  17. Peavey "PV 900" stereo power amp...300watt @ 4ohms per side. It was only ever used in my bass rig, maybe100 gigs or so and has been stored in f/case for a few years unused. Very clean condition. All seems to be working okay. I did power it up but with no bass preamp anymore, I used a Shure mic into a small mic mixer and both channels produced sound and volume knob worked fine. Asking £185...its heavy so collection or possible meet up sometime is best. (Please note ... I also have a much more expensive Peavey GPS 1500 to power up and check out. I've no doubt this one is working well too. It is 750 watts @ 2ohm per side. Same as condition and used only for bass rig. Price to be determined as yet, please note though that the GPS series are quite a bit more expensive than the "PV 900" series. Anyone wanting both amps may get a good deal on an all metal flight case, slightly 'crusty' but with fully working latches. I will post pics of BOTH amps, the lower one being the PV 900 initially for sale here.
  18. [quote name='mybass' timestamp='1330111394' post='1553022'] [size=5]Going to EBAY soon........[/size] [size=5]Seymour Duncan active jazz set with built in EQ switches, very handy indeed if you want active pickups [/size] [size=5]without having an internal box to fit, especially good for tight control cavities. Runs off a 9 volt battery, according to SD's site will last 1000 hours.[/size] [size=5]Used so obviously some marks. Pretty certain it will 100k pots you will need. I can scout around for wiring diagram if wanted.[/size] [size=5]The wiring is a bit short due to the pups being in and out of several of my basses. (These are the second 'upgraded' to more even output series with the embossed lettering, not white printed 'Seymour Duncan).[/size] £62... includes post for UK.... [/quote] friday BUMP
  19. [quote name='leftybassman392' timestamp='1331822282' post='1579462'] Some time ago I had a massive clearout of my studio gear and P.A. system. Most of the stuff duly went to good homes at the time, but a few things went unsold and I kind of forgot about it all in the house move. Well now it's clearout time Mk.2 I have photos of everything in the list - everything was in good working order and excellent condition last time I used it and has been kept safe, clean and dust-free in the meantime. Items will (where appropriate) be powered up over the next couple of days just to make sure. If you want to check my feedback, there's a link in my sig. Here's the list with ballpark prices I'm thinking of, but as always they are negotiable - if in doubt, make me an offer and we'll talk about it: [b]MOTU Midi timepiece AV[/b]. It's the Parallel version and hence does [b]not [/b]have a USB connection. Around 12 years old as I recall (possibly a little more). Still has all the original packaging and user manual. [color=#ff0000]£50 ono[/color] [b]SPL Vitalizer (model 9319[/b]). Approx. 16 - 17 years old but still in very good order. Jack sockets for I/O [color=#ff0000]£25 ono[/color] [b]SPL Vitalizer Jack (model 9736). [/b]Approx 12 years old. Successor to the above. Also in spanking good nick. [color=#ff0000]£30 ono[/color] Here's a link to the SPL product archive to tell you what these units do. [url="http://spl.info/produktarchiv.html"]http://spl.info/produktarchiv.html[/url] [b]Gemini PL-01[/b]. 7-way mains power distributor. Does what it says on the tin. Very useful for powering outboard P.A. racks. Will be supplied with a number of multiway kettle leads. [color=#ff0000]£15 ono[/color] Link to the above items for sale: [url="http://i1109.photobucket.com/albums/h440/muso392/DSCN0413_333.jpg"]http://i1109.photobu...SCN0413_333.jpg[/url] [s][b]Warwick Rockcase[/b]. 4U rack flightcase. DWISOTT. [color=#ff0000]£20 ono [/color][/s][color=#ff0000]SOLD PENDING[/color] [s][b]Torque TSM 100 passive wedge monitor[/b]. You know what it does! Rated at 100w RMS 8ohm. Switchable horn. [color=#ff0000]£25 ono [/color][/s][color=#ff0000]SOLD PENDING[/color] [s][b]Mackie Tapco 6306[/b]. 6 way mixer. 2xmic + 2x stereo i/p. Deceptively versatile little unit with lots of I/O. I used it for acoustic duets. Comes in a generic padded ali flightcase box, with a hefty external psu. Includes manual. Later rebadged as the MIX 60, which is where you can find it on the Mackie website under discontinued products. [color=#ff0000]£30 ono [/color][/s][color=#ff0000]SOLD PENDING[/color] [u][b]NEW ITEMS[/b][/u]:- [b]Studiospares enhanced 24-way patchbay[/b]. I have 2 of these. Standard 1/4" jacks throughout. Sold as a pair. [color=#ff0000]£15 ono[/color] [b]Quantegy DAT master tapes[/b]. R-48. 2 boxes, 19 tapes in all. New and unopened. [color=#ff0000]£20 ono[/color] I've tried to price everything to sell. If you want several items get in touch and we'll see what we can do. Queries, you know where to find me. Some items can be posted easily, others not! Happy to deliver pretty much anywhere in the Midlands for a bit of petrol money. [/quote] PM'd SPL 9736
  20. [quote name='S9_S12_Bass' timestamp='1332234197' post='1585056'] Hello everyone, I am currently working on my USA pbass and have decided on keeping it as a natural finish. I have sanded the body down to the wood so now I would like to get the wood a little brighter, like if you were to get a damp cloth and wipe the wood. Do I need to use beeswax or wood stain? Or what's the best option here? Once that is done will it be ok to then spray lacquer over the top? I have done some searching on this but still didnt feel I had an answer. Thanks! [/quote] http://sport.birchwoodcasey.com/Finishing.aspx
  21. [quote name='S9_S12_Bass' timestamp='1332234197' post='1585056'] Hello everyone, I am currently working on my USA pbass and have decided on keeping it as a natural finish. I have sanded the body down to the wood so now I would like to get the wood a little brighter, like if you were to get a damp cloth and wipe the wood. Do I need to use beeswax or wood stain? Or what's the best option here? Once that is done will it be ok to then spray lacquer over the top? I have done some searching on this but still didnt feel I had an answer. Thanks! [/quote] A decent option that works is 'Tru Oil' aka gunstock oil and you can buy it thru Ebay.....the most common manufacturer is Birchwood Casey, about £8 for 240ml bottle. I don't think your wood will need a 'filler.base coat'. I think Birchwood Casey website has details of applying the stuff.
  22. [quote name='essexbasscat' timestamp='1332002800' post='1582005'] One for the luthier types After levelling frets, many luthiers crown the newly ground frets with a fret file, creating a rounded contact surface. The newly rounded frets are then often polished with fine grade wire wool, typically 000 or 0000 to remove any tooling marks. However, that's not always the case. I've come across more than a few basses and heaps of guitars with flat areas at the point where the fret meets the string. Les Pauls come to mind straight away. Does anyone know how the freshly ground flat fret surface can be polished without taking all week while maintaining the newly ground tolerances ? I usually use a straight beam with sandpaper attached to grind the frets flat, but I recall someone mentioning that jewellers polishing compound can be used. If this is so, how is it used with a long flat beam ? Thanks all EBC [/quote] http://www.ss-sci.com/micromesh.htm Try getting this stuff....I use it a lot
  23. [quote name='mybass' timestamp='1330111394' post='1553022'] [size=5]Seymour Duncan active jazz set with built in EQ switches, very handy indeed if you want active pickups [/size] [size=5]without having an internal box to fit, especially good for tight control cavities. Runs off a 9 volt battery, according to SD's site will last 1000 hours.[/size] [size=5]Used so obviously some marks. Pretty certain it will 100k pots you will need. I can scout around for wiring diagram if wanted.[/size] [size=5]The wiring is a bit short due to the pups being in and out of several of my basses. (These are the second 'upgraded' to more even output series with the embossed lettering, not white printed 'Seymour Duncan).[/size] £62... includes post for UK.... [/quote] BUMP
  24. [quote name='garry' timestamp='1331740726' post='1578095'] As above really - the barrel jack on my corvette was a bit flaky, a common fault on warwicks i'm told. i got a replacement and soldered it in seemingly without a hitch, tested and seemed to work fine - yippee! then at a gig recently, at the soundcheck - no sound..... check amp - not on mute, check tuner pedal - on bypass... everything plugged in. checked various connections then found that the sound came thru full blast if i pulled the cable jack around 4-5mm out of the socket on the bass. When i pushed it fully in it cut out again I bodged a solution on the night by sticking a pound coin and a 5p under the angled jack, to set the distance, then putting a hell of a lot of tape over that to hold the jack still. Is it likely ive cocked up the soldering (looked good to me ) ? or is there something else i could check, before taking it to a man who knows what he's doing? cheers G [/quote] Barrel /female sockets are a problem. I've just today replaced a stereo one with a mono one (didn't have a battery running active pups where the 2nd positive connection connects to the battery when the jack plug is inserted). The problem was apparent when I turned the jack cable lead and the signal cut out at a certain point in the turn. The mono barrel one seems to have cured this. Also, I have found that some jack plugs are ever so slightly 'thinner' than say neutrik jack plugs when measured with a digital vernier gauge. This can lead to the jack plug being loose within the barrel. In fact it was a gold plated jack plug that was thinner than a normal neutrik jack plug. Soundcraft barrel ones are pretty good.
  25. [quote name='mybass' timestamp='1330467301' post='1558083'] Bump [/quote]BUMP
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