knirirr

There's a large outer box and a smaller inner one; the inner originally contained a Telecaster. Available for collection or I might be able to drop off locally if I'm heading your way at some point.

Personally, not since school, but the cricket club appears to be a popular social venue in the town. They have bands playing on Friday evenings during the summer, with a covered outdoor stage set up for that purpose. There are even Hook Norton beers at the bar.

Last night's gig was at Charlbury Cricket Club. It went nicely, though I had some trouble remembering which tune was which (I blame concussion from the previous gig).

Is this the sort of thing you mean?

An EUB on a stand might be even better: https://www.thomann.de/gb/ibanez_ub804_mob.htm

I too was involved in a coronation garden party performance; a gig at 13:00 at such an event (Charlbury), then off to a rehearsal for a show next week, then to another pub gig (Royal Oak at Ramsden) for a gig at 18:00. If you play in that latter pub and are over 6' tall take care when hurrying out of the bar to the car park; I missed the first two of three sets due to sitting in an ambulance dealing with the head wound obtained from that door frame, having ducked enough for the first one but not for the sneaky second frame just behind it...

How about https://youtu.be/3U_jem9q_mg ? I think the bass helps a lot on this one though.

I’m reminded of a time that a rock guitarist joined me for a session in a jazz group. Seeing a few bars of Dm7 on the chart he asked what he might be expected to play over that. I suggested D dorian/C major to keep it simple. “What? Don’t know it!” “What scales do you know, then?” ”The blues scale, and the other one.”

A lot of the stuff I listen to is ripped from CD or vinyl. Some has been purchased as digital downloads (e.g. from Bandcamp). I have no use whatsoever for the usual streaming services but all my music is on a Plex server at home so it is accessible from any of my devices wherever I have a network collection. Apple music, when I tried that, was horribly buggy and for some reason wouldn't sync to all my devices. Their usual troubleshooting steps (reboot, reboot everything else, wipe data and restore, wipe and don't restore) were of no use.

Even though I suspect I wouldn't like it I've often fancied a go on a Rickenbacker, 4001 or 4003. I noticed that some people in this thread mentioned that a double bass would be on their list. Do any of you own Rickenbackers and live in/near Oxfordshire? Perhaps we could come to some arrangement...

Last night's gig was in a tiny venue - the Three Horseshoes in Charlbury. The scroll of my bass was a couple of inches under the ceiling and it had to stay in place, held upright, during the interval as there was nowhere to put it down. The rooms were very cramped as well. Good gig, though - the audience appeared very pleased with the music. I was also incredibly lucky and found a large parking space right outside the front door of the pub. Though the band advertises as jazz the BL wants material that is easier on the general public's ear and so it tends to involve quite a few long grooves with obvious blues or reggae influence.

I've always assumed that James Brown's lyrics don't actually mean much and are essentially a form of scat. Approx. 40 seconds into this one is a favourite example: https://youtu.be/asJpYyVROqg?t=39 It may well be that I'm simply too square to get it, though.

Still unavailable and jealously guarded!

This is no longer available.

Indeed! Though relatively trivial, I recall lending my instrument to someone who within seconds of starting to play it struck the wall beside him rather firmly with the headstock. Presumably he saw my look of dismay, for he immediately informed me that there was no need for concern for "they're made for getting a bit beaten up, aren't they?" Though not bass related, I can't resist mentioning that I have a fencing text from 1707 which gives instruction on who must pay for a broken foil (answer; whoever is holding the handle at the moment it breaks). Perhaps jam sessions ought to operate a similar rule.

Recently, I noticed that PMT have started selling a house brand, "Antiquity". Here are some examples: https://www.pmtonline.co.uk/products/bass/bassguitars/electricbassguitar?manufacturer=10814 I can't find much online about them, though I saw a mention that they are made in the Harley Benton factory. Has anyone tried anything from the range, and, if so, do you have any comments on the quality (or the width) etc. ?

Sorry about that. A shame; it would be good if someone could make use of this.

For the "not many different notes" interpretation, I offer this. Very relaxing after a jazz woodbine, I'm told.

In need of some repair but still works, i.e. one may sit on it safely and it is comfortable. Will require collection in Chipping Norton, but it may be possible for me to drop it off in Oxford, depending on time and exact location.

It was quite an effective method, apparently. I think I was even in tune the first time I gigged that bass (choice of notes is another matter).

From time to time I regret selling my first bass. But, I fear that I wouldn't get much use out of it if I still had it, as is proven by the "for sale" section here...

"Carter takes a train" usually does the trick for me.

Although I realise that rounds are very popular, I've never understood why as I don't find the either the tone or the feel appealing, plus there is the finger noise to deal with. My first bass was an unlined fretless, a long time ago. Eventually I sold it as I didn't like the tone, but it had rounds on and at the time I had no idea that flats existed and would have fixed that issue. I've never got on with frets, it's almost always been unlined fretless, EUB or DB since.