Burns-bass

Sounds like you love it as much as I do!

I’d happily never listen to any of these guys, ever. That’s the beauty of music!

Indeed. I don't want to drag this into a Vulfpeck good v bad discussion. As with music, so with people - we all love what we love. If it makes you happy, then all power to you!

Agreed. There is some incredible new music out there. What I’ve found as I’ve become older is that I have no time to seek out new music or be challenged by it. Some of the best albums are ones I’ve grown to cherish not instantaneously loved. When I was growing up music was everything - what I did, how I socialised and how I met many of the people who mean the most to me. Now it’s something I listen to on the way to and from somewhere, what I play when I’m working and (briefly) what I can immerse myself in and enjoy. Believing that the past was somehow better is a national obsession in this country. This thread in itself typifies that. Rather than fixate on what’s not around, embrace what is and get people to recommend you some new music. I have recently discovered Michael Kiwanuka and Vaudou Game. (I also share the OPs dislike of Vulfpeck and Snarky Puppy. It’s academic jazz funk stripped of any passion).

Anyone who has the decency to phone these days sounds like a keeper to me.

This isn’t an investment but a speculative asset. Unlike a gold ring, for example, it holds no intrinsic value. When my dad saw my 66 custom colour jazz he described how simple it would be to strip it off and repaint it. When I explained how much it would affect the value he just laughed.

It just becomes nonsensical after a while. I play DB too and a completely had carved and entirely bespoke double bass created by Martin Penning would be about £25,000. This is the culmination of decades of craft, the best quality materials and the highest quality workmanship. This is a production line bass, built from cheap and replaceable parts by unskilled tradespeople. Madness.

I sold one like this for a good price (maybe it was this one). Can’t remember exactly what it was, but possibly around £1500? I got it in a partial trade for a 64 Jazz and it was an exquisite bass. It somehow felt a little cold to me when I played it. I think it was guilt when compared to the one I traded with it and certainly no criticism of the bass. Anyway, I love these instruments and I think what he does is fantastic and I love this one. I nearly bought it, in fact, but have no disposable cash.

Phone them up and demand to speak to the manager. Personally I’ve received good service from PMT (Bristol) and they’ve been fair and reasonable. Perhaps it’s the individual rather than the business. I hope it gets sorted for you.

Sorry to hear this. I’ve never received such poor Service and hope it’s sorted for you. Nobody deserves that when you’re spending over a grand!

The authenticity of that jazz has been debated on here and the consensus was not good!

I bought a classic bass and it’s absolutely wonderful.

I love the rule that you don’t play open strings.

This is most of their output. Alice Cooper does a fantastic show on the radio from his own abode.

This bloke needs a beat down.

As with all these things I can never discern a difference. Personally, to me (and I’m sure I’ll sound like a heretic) a P bass sounds like a P and jazz a jazz, woods and necks don’t make much difference.

What a wonderful story. I once agreed to buy a vintage Precision from a chap who was giving up. Turns out he was seriously ill. He drove to my workplace and gave me a lift to the bank. When I’d bought the guitar we had a beer. £900 for a completely original 1969 Precision. Still remember the lady on the front desk calling me up!

These strings get better with age, not worse. Stuck a new set on a vintage P and it’s gone heaven.

Here’s mine. I’ve had a fair few but I’ve paired it down to one. Objectively speaking, it’s probably not as good as the modern Fenders, but, just look at it! It’s a 66 with the lollipop tuners. All original bar the jack socket which had to be replaced.

That’s a great resource, as is this book: