Burns-bass
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Everything posted by Burns-bass
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The only difference I can see is that paint has transferred from the body to the parts and matches exactly. This means those parts must have been there from the beginning. The assumption must be that the paint wasn't fully dry when it was built and so there was this transference. If this hasn't happened then perhaps the bass has been rebuilt? I could be wrong! I'll weigh the bass later today and update the listing. I have just pulled it out for a quick few moments and it sounds and feels amazing.
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It’s all good, I’m intrigued too! I checked the bass over myself according to my limited knowledge (and some insight and feedback from a Basschat legend) and the provenance is clear, as well as the history. This information here is really useful and should hopefully assure a potential buyer that this is a genuine and unchanged vintage Fender.
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*Trade deal currently in progress* I've come to a point where I'm looking to sell my 1964 Fender Jazz Bass. It's in completely original condition (feel free to insert the superlative of your choice here). This is original to the scr ew, with the original case and pickup covers. It's a 'true' pre-CBS model with clay dots on the fretboard, super strong pickups and a genuinely fantastic build quality. It plays and sounds wonderfully. There's a little play wear (all pictured I hope), but the neck is almost blemish free and remarkably clean (this seems honest) and the fretboard is straight, clean as it was when it left the factory. Truss rod has never been turned (by me, but seemingly by nobody else either) and the bass has never been stripped down (this was confirmed by Kebo and David and I certainly haven’t taken it apart) the screws are tight and it feels right (I’ve owned many vintage Fenders, and you get a feeling). Grey bottom pickups are all original too. The scratch plate has never been off the bass and I want to keep it that way, as it is immaculate (this one can stay, as the scratchplate genuinely is blemish free). You can black-light the finish to check its originality and I'm happy to provide provide more pictures if required. Period details are all correct (clay dots, pot dates, smaller screws on the scratchplate etc.) I searched for years to find this one, but the truth is it's so beautiful, I rarely get to play it and instead leave it snugly secured in its case, instead preferring to play my '66 which is battered and bruised. Take a look at the images here, and you'll get a good idea about this guitar. It's not mint (not immaculate either, see below), but all lighthearted joking aside it’s in very good condition (DM me if you disagree, but I think that’s fair enough). History I know the history of this bass, and can provide all details of provenance. I purchased it from Cotswold Bass Guitars as part of a trade earlier this year. David purchased it from Kebo Bass Works in the States who have confirmed this to me, and I have their written appraisal and feedback. They originally purchased it from the relatives of the original owner who sold it after his death. I can provide all of this to the new owner. Terms I won't send this of course, you'll need to come and take a look at it in person. I'm based in Bristol, and run my own business, so it's no problem to fit around you. Feel free to DM me. I'm not looking for trades on this as I need the money to invest in my business. Why am I selling? As I mention above, my business is growing and we've recently won some new contracts. I'll use the proceeds from this sale to invest, which is why I want a cash sale. Price Given I've always wanted one and searched long and hard for it, I know the value. I've advertised it for £8,995 which is a fair price in context what's out there in the market, but there's always a deal to be done. I've previously sold a number of high value guitars on here, and can supply references and whatever else you might need. I've now reduced this to £8,750. This is one of the best condition examples for sale in the world at the moment. Trades I've had a couple of emails about this. I would be interested in a trade against a vintage Fender (has to be all original), possibly a Wal or other high end bass. I do need cash for the business, but if something will sell or I can enjoy it then I"m interested. This is a dream bass for someone, but I appreciate the cost is high.
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Understand. The idea that talent is the ultimate deciding factor is flawed. As I’m sure you know, the best jobs are offered to people who know people who know. Talent is important, but contacts are better.
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There’s no tension between the two. You can have both, or neither. Often thise with incredible ability have no passion. Often those with limited ability have great contacts. There’s no point worrying about what could have been, just enjoy what is.
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I’m not sure this is true. I understand the jazz language and what Jaco was doing, but I still think that later on in his career it was aimless plodding and pedestrian, and cliched too. When he was on fire it was magical, but too often you got the typical and cliched rapid fire Jaco licks. I guess it was the same with a lot of these incredibly talented guys who extinguished that creative flame (or threw too much fuel into the fire). His debut album is incredible, of that there is no doubt. The way he managed to make the electric bass a serious jazz instrument is important too.
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There’s enough music out there for everyone... I’ve found elements I like in all genres and had my own jazz funk moment but I now find it interminable and in some cases unlistenable. But when Jaco plays tastefully it’s fantastic.
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Was going to say the same thing. we use InDesign, but I appreciate he creative cloud is pretty expensive. Canva is a great little package if you’re looking for something simple, free and intuitive.
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This thread has been really useful. Thanks everyone.
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Will do. I’m not touting for work, but I’m more than happy to offer some advice and all that on branding and video stuff. I’m sure it’s not just me either with these skills, perhaps we could do a little guide?
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The video thing is simple. My business (I won't plug it, as that's crass) would create a couple of edits (branded and unbranded) of the same video which you could use. In fact, most video production companies should, it's not particularly time-consuming to do. At the same time they should also be getting you some professional quality stills as well. One thing most bands do is focus on the product, when they should be focusing on the experience. A promo video should include feedback from those there, quick snippets from those involved, some nice pull quotes etc. You're there to make people happy so show happy people... Is your band branded well? When people spend lots of money on a band (or, more accurately what they consider is a lot of money) a good brand can really reassure them they're serious. It can be expensive (although doesn't need to be), but is a great investment that will pay off if it's done properly. Funnily enough I was speaking to an events manager who provides services for weddings yesterday, and we concluded that weddings (and business in general) is all about trust. The couple need to trust that the other person will turn up, naturally, but also that everything will come together on one day and create something special. Get the trust, you get the gig. Good luck. I love a wedding with a brilliant live band, long may they continue.
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Let's list all the vintage/used bass shops!
Burns-bass replied to ZilchWoolham's topic in General Discussion
Oh, Cotswold Bass Guitars was (is?) a great place to get a reasonably priced vintage Fender. Website seems to be down, but before it went down it had the most incredible 65 LPB Fender Precision, which I wanted but couldn't afford at the time. -
Let's list all the vintage/used bass shops!
Burns-bass replied to ZilchWoolham's topic in General Discussion
I know David (sort of) and there's always a deal to be done. He's also pretty fair with trade ins, although is very picky. Nice chap and very accommodating too. -
Some really useful advice here, thanks. What Abersold books would you suggest checking out? A tip to accompany this is to use Real Player and programme chord changes in (unless they already are in there...), and practice 4 bar lines.
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I will buy some of these books.
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The second time you play the B, the note is slid into and slightly bent too. This is why when you hear pub bands that play it it can feel a bit too 'straight'. Never liked the band when I was a skinny indie boy wearing size 28 inch jeans. Now I'm fuller of waist I can reflect on it being a banging tune and an awful lot of fun to play. Fingering wise, I always used 4 - 1 - 4.
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Where are you based?
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Great gear you've moved on and wished you hadn't?
Burns-bass replied to Al Krow's topic in General Discussion
I built my ultimate Jaco relic. a 1960 nitro finish jazz (absolutely smashed and previously owned by Fender expert Barry Matthews and played by John Entwistle) matched with a vintage Fender neck that had the fretboard replaced with a non-lined ebony board. All that was done for legendary session bassist Dave Markee. Added some Wizard pickups and it was amazing. Sold it for a little over £1000 I think. Still miss that. -
Genuine bargain for a WEM Dominator 25
Burns-bass replied to Happy Jack's topic in eBay - Weird and Wonderful
[quote name='pete.young' timestamp='1509892168' post='3402346'] Slightly better bargain than this - https://www.ebay.co.uk/itm/WEM-Watkins-original-Starfinder-4-x-12-Guitar-Cabinet-empty-like-Pink-Floyd/263288161825?_trkparms=aid%3D222007%26algo%3DSIM.MBE%26ao%3D2%26asc%3D49131%26meid%3D983b6f4e60844d5dba9b398b4f9bf886%26pid%3D100005%26rk%3D3%26rkt%3D6%26sd%3D362125211624&_trksid=p2047675.c100005.m1851 - bloody hell, 1600 quid for an empty WEM cabinet, what is he smoking? [/quote] He’s delusional.