Burns-bass

I disagree that set up is unimportant, in fact it's absolutely essential. So many people give up the instrument quickly; becoming frustrated at battling with an instrument that's basically unplayable. Not to mention the risk of suffering a physical injury. Unless you buy a cheap instrument someone here has loved then you'll struggle for £600. I bought mine from a touring pro for £400 (friend needs the space). Even though this was used for gigs a new set of Spirocores helped. When a luthier checked it over it needed a lot of work, but £400 later I've a wonderful bass. If you're new to bass buying blind (even if you see it as an amateur you won't really know what you're buying) is dangerous. If I had the cash again I'd still do what I did because I love the way my bass sounds and feels, but I would consider investing in buying through a luthier who can set up the instrument properly. Sorry for babbling. Last thing to be aware of is that as soon as you start, if you can break through the initial fear and technical challenges, you might become hooked - which can be expensive. My focus for 2017 is figuring out how to pay for the Bryant bass I'm having built. If anyone needs any odd jobs doing, let me know!

Also, make sure you get a bit of history on the bass. I met the seller (recommended through a friend) and my bass had toured the country as part of a Buddy Holly musical apparently. Quirky bit of background. I'm currently getting one built so I will have to take of that instruments history all by myself!

Absolutely! I was referred to the incredible upright bass master that is Martin Penning by my teacher. He's helped me an awful lot with getting my old knackered (but cherished) bass to a wonderful playing and sounding instrument. An upright bass is a complex piece of design and engineering held together with glue and pressure. I certainly have no idea how it works, I'll defer to a pro.

Best advice I had was to get a DB teacher and get them to advise you. They should understand your technique and your requirement. They can also spot potentially expensive issues (although a luthier will help with that). Of course don't but sight unseen, but more importantly, listen to the bass! Cheap ones can sound great, but it's often hard to tell until someone plays it for you.

You can find Mexican Strats for about £200. I'd save a few more quid and get one of those...

Seems you've got this sorted, but I'd always recommend a Simon & Patrick. These are beautiful guitars that are fantastically well made and cheap as chips online.

It's brilliant. Just get out the real book, get rid of the bass and crack on. This is why I wasn't able to progress years ago (honest).

I had no idea how utterly amazing that iReal thing was. I'd never seen it before, but it's absolutely brilliant. Thanks!

Geoff is a legend. I really enjoy how straightforward they are. It's no substitute for real lessons, but they're a constant reminder of new things to try and how to avoid common issues. Incredibly generous really.

That's great. I have that DVD somewhere - an unopened present from the wife. I haven't opened it because I assumed I wasn't good enough. It seems that maybe I am!

I'd be interested in knowing where you got those exercises from - be great if you could provide a link (happy to pay if it's a book etc.)

I love the way they've used a bamboo bin as a stand. I also love the way they've placed the face of a wood finish bass against asphalt. Really generates confidence...

I'm not able to play for hours a day, so a practice diary helps me structure things. I do an 80 bar warm up following 2 pages of the Walking Bass book. I then spend about 20 minutes on scales and arpeggios (alternate between the cycle of 5ths and 4ths) and then what time left I spend playing along with a Walking Bass book. It's not nearly enough to get me making rapid progress, but family life mean it's all I can do at the moment... can't imagine the others in my office would be happy if I smuggled in a DB.

I'm having a similar issue. I can play scales and arpeggios for an eternity but as soon as I need to play songs or tracks I'm knackered within minutes.

I think the guitar is worthless. I'll offer you £10.

As long as you've tried it you won't be disappointed.

Precisions are funny things. They're currently less popular than Jazzes, and more of them were made of course. I purchased a 63' all original and in great condition for £4200 this time last year, and that was from a dealer. If I were buying it for investment value, I'd make sure to buy an original bass. If it's to play, or for recording etc. then it doesn't matter. I use a 73' Jazz which has a replaced set of pickups and pots which gives me the oomph I need.

The best bass in your budget is going to be a Marcus Miller Sire. These are top instruments at a bargain price! They record very well indeed. Another good choice would be a vintage series Squier. Don't be put off the Squier name these are quality basses too (and cheaper than a Sire!). In fact, if you shop around you should be able to pick up the Squier and an Epiphone for £300.

My vintage Fenders get a set up every 5 years!

The only rule is playing what the music demands. If you can make it work musically, the play anywhere and everywhere. If your playing affects the band, and stifles the groove, then tone it down. It's about being a conscious player and it comes naturally to some and needs to be learned by others. I'm in the second camp here...

Thanks guys. After the advice I've decided to save the cash and concentrate on the DB. I've now worked out a bit of time everyday to spend (30 minutes) on the stuff I need to concentrate on (scales and technique) and I can do a lot of the theory off the bass or on an electric. If I get the urge I can finally fix my 60s Burns upright (which is in a few bits at the moment and never really worked). I guess I was trying to compensate for being at home by purchasing a new toy, but it seems there's no need.