Burns-bass

I gig a fair bit and have a lovely EBS 350 amp in a flight case. It’s solid, sounds amazing and always delivers - but it’s heavy. I take an Elf as a backup but was wondering if the Tonehammer 500 would be as loud and effective. Any experiences to share?

Very true but would affect value, of course:

All good. I’ve bought a few bits from them and they’ve always been more than excellent. Perhaps they have fixed this issue. I just wanted to share my experience as it’s a good price for a really lovely bass.

Just a warning. I bought this bass (https://richtonemusic.co.uk/fender-mustang-bass-1975-sunburst-hard-case-2nd-hand/) and had it delivered. When I tried to change to flats the increased tension necessitated a turn on the truss rod. Unfortunately, the rod has seized which either means it needs some pretty major lubrication or it's at the end of its travel. I pointed this out to them and they agreed to a rapid return. It was picked up yesterday and my refund was processed today. (Happy days) Unfortunately, they seem to have just advertised it for sale again without acknowledging the issue. They may have fixed it in the last 3 hours, which is great. But I'd exercise caution. Other than the truss rod it was a lovely bass, so here's hoping they have fixed it!

Musicians Union worth a look. Home insurance is fine if you’re doing it purely for pleasure. Covers bands where you earn cash can be classed as professional use and you’re not covered.

I had a horrendous hangover so I politely spoke to the pub owner and went home for a nap.

The Hercules bass stand is my favourite and you can often get them cheaply on eBay. I estimate you’ll be out gigging in a few months when word gets around…

So sorry to hear this.

I had an issue on Fender where I got a rattle from the G string. The reason was that the saddle wasn’t compressing the spring and the spring would make a sound. Easy fix once identified (and not Fenders fault!)

It also doesn’t take into account variations. A custom colour instrument will be worth more than a refin, for example. What’s interesting is that Andy Baxter has the best collection of vintage basses I’ve ever seen, but there’s barely any turnover. That’s more significant than the graph here.

yeah it’s a shame. The 60s one here has some red flags. Refinishes can hide all manner of previous horrors, wrong decal applied, inconsistent dates between parts. (Hung around the shop floor? BS) Theres no guarantee its anything like what somebody says it is unless it’s supported by rock solid provenance. If we start considering guitars as antiques or pieces of art, this will become more important.

Not sure about that one. There are too many inconsistencies, parts look too nice, I recently picked up a vintage bass from a well known retailer. Fitted new strings and tried to adjust the truss rod and it’s seized. Finished with vintage and instead gone for Vintera for something that actually works. (Old one off for a refund)

Looks cool. Never lean it against the wall balanced against the neck though, it’s a receipt for disaster. Find a corner (preferably one away from a radiator!) and place if there.

I hate selling them when you have to send them. That’s one reason for not buying too many.