bobbass4k

[quote name='discreet' timestamp='1373654728' post='2140327'] It's hot, isn't it? ...I'm typing this whilst wearing one of the current mrs discreet's dresses. Very cool and liberating! Hey, I've just thought - d'you think there might be any YouTube videos of a man wearing a dress and playing the bass guitar? Just wondering... [/quote] I seriously doubt there's a market for that, I mean what next, a flamboyant drummer who looks like he's turned up to the wrong gig? People aren't [i]that[/i] easily amused...

[quote name='The Dark Lord' timestamp='1373645682' post='2140178'] I'm not interested in your rants or protestations mate. I've just blocked you from my content. Say what you like to everyone else. [/quote] Is this the internet equivalent of sticking your fingers in your ears and going "lalalala I'm not listening!"? I fail to see what this deliberate embrace of ignorance accomplishes.

What exactly is this thread about? Musically... meh, they're not terrible but I've heard it before, done much better. Aesthetically... well that's something of a minefield, they're attractive women sure (even the drummer, personally), but does, and should that matter? Watching that video, and other stuff I've seen of them, it seems undeniable that they're being sold on their sex appeal and gender, but is that a problem? I haven't a clue, there's a[i] lot [/i]of bands with attractive female members that are obscure because the music has limited appeal, so it's hardly an instant ticket to fame, case in point: [media]http://www.youtube.com/watch?v=63guoWW5Y3E[/media] Gender attitudes in music is hardly and issue we're going to settle on our quaint little forum, is it even an issue? Who knows, I'm going to go listen to some Rolo Tomassi, Wye Oak, Future of the Left, Bo Ningen, Deerhoof, Joy Formidable, St Vincent, and other excellent bands with female members. Is that positive sexism? I don't know, quit asking.

Well I've done a complete 180°, spent a lot of time making intricate glitchy beats and then I picked up a guitar and blasted out a riff that is pretty much perfect, so I might still marry the two together but I'm definitely aiming at more of a post-hardcore feel. I haven't listened to any of the very early entries yet either, I don't want to colour my own idea, plus I prefer to know how much better everyone else's is after I've finished mine.

[quote name='steve-soar' timestamp='1372961547' post='2132227'] Mine would be to get rid of the BBC and all the corporate bullshit that promotes the mediocre music. [/quote] While I hate to disagree with someone who puts Cardiacs, Swans, Godflesh and Cocteau Twins on any sort of list, the BBC introducing stage has put some great bands on and given them some decent exposure.

I'm also going, there's a couple of other BC'ers on the bill too with Castrovalva and ANTA.

[quote name='the boy' timestamp='1372891817' post='2131437'] I like it Milty. No one has any lyrics in their pieces. Can there be lyrics? Are there rules? What's the deal? I have a chorus in my head for this picture. [/quote] There can definitely be lyrics/vocals, it's just most of us can't sing so we tend to get more instrumentals, we had quite a few with vocals last month though. Got an idea in motion, I'm getting my Aphex Twin on, dark glitchy electronic vibes going on, although I've been listening to a lot of Cardiacs today, so that might sneak in there a bit, which would be interesting.

[quote name='Stephen Houghton' timestamp='1372811988' post='2130350'] Does anyone know what city is in the picture? Stumped for an idea this month at the moment, but it ain't over till the fat lady sings, que the wife Only kidding, she cant sing [/quote] New York, from the top of the Empire State Building by the look of it.

Does anyone know a VST sampler that's as good as Impulse in Ableton? I use Impulse for all my glirchy drum stuff and it's ace, but I do all my other stuff in Reaper so it would be nice to not work on the glitchy drum stuff in isolation but all the sampler plug-ins i've seen aren't as good as Impulse, I need the level of control over each sample you get with Impulse.

If I may open up a can of worms, what, may I ask, constitutes "good" lyrics for you? Coherent story, rhyme, realism, symbolism, wit? Does the subject matter? Me, I like symbolism and/or wit, I actually find I don't mind what the songs about if the lyrics are well written, for example, this is a song about balancing everyday practicalities with satanic orgies (naughty language and 7/8 keyboard riff warning): [media]http://www.youtube.com/watch?v=1OcWdkHVaDM[/media] And I think the most beautiful lyrics I've ever heard are essentially a breakup song, but drenched in lovely metaphor: [media]http://www.youtube.com/watch?v=XAc5JCKfgZ0[/media] "Where I see us in far away skies, I could not say, where I am lost the darkness falls upon the day" may be one of the best lyrics ever written.

Good lyrics are a nice bonus, my favourite band also has my favourite lyrics, but I still think they'd be my favourite band if the lyrics were crap. Similarly, great lyrics aren't really enough to sway me on a band if the music is terrible. Lyrics are just as subjective as music though, I find the modern indie stuff that revels in realism to be extremely tedious, give me bleak abstract symbolism or sharpened insightful wit.

Yeah September was the first. Lovely pic urb, got an unnecessarily complicated idea forming already.

They're not a terrible band by any means, but like you I always feel a bit teased by their music, there's hints of great stuff that I love but it's always fleeting.

They're at the apex of this wave of "new folk" stuff that they do, which is why the band is popular. As for why the "stuff" itself is popular, I have nary a clue. For some reason people got bored of electric guitars and now find the specific combination of vaguely esoteric stringed instruments, dull superfluous vocal harmonies and tweed waistcoats to be utterly captivating. Matters of social class are irrelevant in music, or at least they should be, so I don't really care that they look like the kind of insulated, naive public school boys who might accidentally kill a high class prostitute in a Chelsea nightclub, art should stand on its own subjective merit. It just so happens that their art, subjectively speaking, is utterly risible s**t.

Been a good year thus far: Amplifier - Echo Street Tanner Merrit - Doubt The Joy Formidable - Wolf's Law Humanfly - Awesome Science Cult of Luna - Vertikal Palms - S/T Mogwai - Les Revenants Clutch - Earth Rocker Autechre - Exai QOTSA - ...Like Clockwork And probably some others, I've found most people are being a bit tepid about Like Clockwork too, but I love it, it's a [i]huge[/i] step up from Era Vulgaris. The rest of the year looks just as good too, new O'brother, new Future Of The Left, new Losers, new stuff I don't even realize is coming out yet.

[quote name='SpaceChick' timestamp='1372258473' post='2123507'] And I don't know which combination of two of the above three are least or most disturbing Nige - re your comment on the page before, bless you sweetheart ((hugs)) x [/quote] Despite my best efforts, only the first and third things are true, and they happened simultaneously, and I wasn't actually programming drums at the time. SO IT WAS ALL LIES, well mostly lies: [media]http://www.youtube.com/watch?v=in9Qdzxc1HM#t=0m11s[/media]

[quote name='discreet' timestamp='1372251119' post='2123359'] I recorded my track in my underpants, if that helps..? [/quote] I programmed the drums for mine while nude, slathered in thousand island dressing and being walked on by a belligerent Chinese woman* *unfortunatley, only two of these things are true.

[quote name='Bilbo' timestamp='1372245973' post='2123263'] Damn! Should've added a backbeat! [/quote] And what exactly is wrong with backbeats? (he said, sheepishly...)

EZ Drummer is what I use, it's pretty involved, and programming realistic sounding acoustic drum tracks from the ground up is an extremely difficult art I hope to master one day. All my composition comp entries except the drunk Santa one use it if you fancy a listen.

[url="https://soundcloud.com/bobbass4k/luna-desertis-tenebris"]https://soundcloud.c...sertis-tenebris[/url] Contrary to how it normally is I actually finished writing within a week but it's taken ages to get it sounding even halfway decent. Not everyone's cup of tea but it came together quite nicely, although I think I may have overdone it slightly on the first bit, there's too much going on so it never really locks into a groove like I'd intended. Also please forgive me the pretentious latin title, I was a bit stuck.

Recognisable might be a bit of a stretch but I love this: [media]http://www.youtube.com/watch?v=rBDVKJRXmGQ[/media]

http://www.spin.com/articles/stream-palms-debut-chino-moreno-isis-deftones/ It's pretty great, maybe a bit... aimless, but good stuff nonetheless.

I was going to have a bash this month, but it seems unnecessary now, my composition competition entry has been an absolute bugger to mix, I just can't seem to get a decent sound out of the VST's and I've had to do a lot of rescue jobs, you should see the EQ on one of the ambient tracks...

Has anyone floated the idea of a remix competition yet? Could be kind of cool although I suspect it would attract the same crowd as the composition and mix competitions and 3 things a month is probably too much even for the die-hard. Might be kind of cool as a one off for the composition competition? We all remix one of the previous winners, if they're happy to part with the stems. Just a thought.

They'll do a demo video pretty soon I imagine, does sound interesting, depends how well it handles actives though, the impedance buffer on the Mastotron is probably the greatest control ever put on a pedal. I've been interested in the loop gate for a while too, that could open up a whole new world of options.