bobbass4k

This is about my hi fi speakers but I Couldn't think of a better place for it. I left my speakers (obviously unwisely...) In a room where children are allowed to roam free and wreak havoc, and they have poked the dust caps on the main drivers and the tweeters, the main ones are paper but the tweeters are aluminium. Does this actually affect performance and if it does how can it be rectified?

http://www.youtube.com/watch?v=KcY3UF6_IaM Basically the last 5 minutes is a solo, and it's a perfect solo, it's about melody not technical w***ery. Not sure I'd call it a solo really but the guitar melody that comes in at 4:27 is just sublime, as is the whole song, it's a masterclass in melody. http://www.youtube.com/watch?v=rNlU0zA8zOU

http://www.youtube.com/watch?v=-aSiKxC7p_w Had to upload it for a potential band for some reason they insisted on actually seeing me play...

http://www.spin.com/articles/stream-future-lefts-ferocious-plot-against-common-sense Oh it's good. It's very good.

Aah yea, it's the HBE Hematoma, It looked MXR sized to me.

No idea what the chequered one is, could be a custom switching unit or something. He used a Prunes and Custard and Octave Multiplexers for the Resistance touring. All the Way Huge stuff is new though, he's probably experimenting in the studio. The pedal drawers are only half out though, his Resistance setup is here: http://www.musewiki.org/images/Bass_Guitar_Magazine_2009-10-04_h.jpg http://www.musewiki.org/images/Bass_Guitar_Magazine_2009-10-04_g.jpg

The problem essentially comes down to peoples ideas of what a bass [i]should [/i]sound like or what the bassist is [i]supposed [/i]to be playing. Without wishing to offend anyone I think most of the players who question the value of effects are of the pub covers or generic rock ilk, who have a somewhat traditional view of bass as fulfilling a specified role. But look at a bass. What is it? It's 4 wires streched across a plank of wood with a couple of magnets and some electronics. It's an instrument for making sound, who's to say that one way of playing it is more valid than any other. I use effects because there are sounds I want to make that my bass can't produce. If I can make them with a bass and some pedals, why shouldn't I? Why should I have to not use those sounds or switch to a different instrument? I just don't see the point of not doing something that I [i]can [/i]do because of some arbitrary "traditions".

http://www.youtube.com/watch?v=QsrGycCuMTo Possibly the best lyricist of his generation.

Not sure it's necessary to be honest, i've had plenty of good deals with people who've only had a few posts, in fact the only bad deal I've ever had on here was with an "established" member. A lot of people find sale threads on here through google and register to buy stuff, in fact that's how I found bassworld back in the good 'ol days. As long as you're sensible and exercise caution I don't see the issue in dealing with new members.

[quote name='LukeFRC' timestamp='1337622608' post='1662989'] yeah, would be way easier if they were all in own boxes. As it is they are a little bit of a project. I suppose I could offer to get enclosures and the parts for them but then wouldn't be able to let them go as cheaply... the muff as a circuit and bits, it works but wouldn't be in a box so would need an enclosure and a few parts to finish the true bypass circuit.... BTW I'm not PMing anyone back yet but making a mental note of who got there first in terms of dibs. [/quote] Not wanting to turn this into a sale thread but that's no problem for me, got a drilled and enclosure and loads of jacks lying around.

Yup, I'd be tempted by the muff for the right price, drop me A PM. As long as they work people will buy them.

Someones probably told him he's the best bassist they've ever seen or he can play a few Vic Wooten tunes. True masters recognise that there's always more to learn.

[quote name='basstech' timestamp='1337197172' post='1657090'] There must be a total of 3 bass pedals that sound good to my ears - the rest sound .......well, crap - and yet I keep seeing 'em held in high esteem by some people.....(Big Muff springs to mind)..... Surely if you've got a good basic rig, a preamp, chorus and compressor that's all you need?? Am I missing something or is it just clever marketing by manufacturers? [/quote] [sigh] It's a matter of subjective test and the music you're playing. Take away Justin Chancellors pedals and Tool won't sound like Tool anymore, he needs the sounds the pedals create to play the music that they play. You obviously don't think those kinds of sounds are good and don't play music that requires them. That's fine, for the vast majority of musical styles and bassists, bass > cable> amp is the sound they need and want. But please don't assume that you're right and those of us who use pedals are wrong. There is no right and wrong here, just subjective taste. [/sigh over]

http://www.youtube.com/watch?v=ZJK3KwmExMk I currently operate on the principle that anyone who dislikes this song dislikes music. Naughty language/nonsensical lyrics warning: not for those of a sensitive or overly sensible disposition.

Now this: http://www.youtube.com/watch?v=4cmNy50dHzA I always feel the need to kick something after listening to FOTL

http://www.youtube.com/watch?v=XjZgiv2F1QY

Sometimes it is justified, a bassist friend of my housemates came round once and I let him have a jam on my gear, for some reason I assumed he knew what he was doing. He plugged in to my tube amp and flicked both switches on simultaneously and then complained there was no sound coming out. After that no one was allowed near the gear without an extensive and patronising lecture.

My view has always been if the bypassed signal chain is affecting the tone so badly that it affects pitch then somethings wrong, my tuner always gives the same reading at the start or the end.

http://www.youtube.com/watch?v=UifrckJBjS0 I love his bass tone, it sounds kind fo flappy and badly recorded but it cuts through perfectly, not an easy thing to do with 3 guitars.

Boss DD-3/6/7 probably has the best features to size ratio. I don't think my DD-20 is that big, it's smaller than a time factor or a dl-4 and I think it's got the most features short of a time factor

[attachment=106400:2012-04-28_20-11-14_872.jpg] The current setup, actually mostly happy, except for the lack of a filter and I' hankering for a mastotron again. If anyone has the very specific desire to swap a Mastotron for an Ultra Fuzz let me know...

DR DDT's are the perfect thing, by some engineering witchcraft the tension doesn't really vary that much. I go from D# standard to drop B quite regularly with mine and I've never noticed a tension difference. I have a 0.05 to 0.11 set and the 0.11 is perfectly playable in B, flaps a little in A, so a 0.125 should be fine in A#. The intonation is perfect in evey tuning, and they make lows a lot more distinct.