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Everything posted by bobbass4k
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The absolute essentials for the muse sound are a grindy distortion, a gated fuzz, an octaver (perferably a boss oc-2) and a filter. These will get you most of the synth sounds hes uses, and you'll also need them individually. An important part of his sound is that everything is blended with clean bass, not sure if any multis can do that, but the ls-2 is your cheapest stompbox solution for blending.
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[quote name='risingson' post='990772' date='Oct 16 2010, 11:59 PM']Even if it does work, surely you would find the chemical in the piss and isolate it to use instead of... well, just pissing on your hands.[/quote] The chemical is ammonia, which you wouldnt want to be dipping yer hands in unless it was very diluted, say for example, the dilution found in human urine.........
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[url="http://www.johnnyshredfreak.com/"]http://www.johnnyshredfreak.com/[/url]?
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Not sure if it was his horrible thin tinny tone, but that sounded awful. So much fret clank.
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What are you listening to right now?
bobbass4k replied to Sarah5string's topic in General Discussion
Masters of Reality's new record(s) Pine/Cross Dover Why did it take me a year to listen to this again? Awesome stuff -
What are you listening to right now?
bobbass4k replied to Sarah5string's topic in General Discussion
[quote name='bartelby' post='988276' date='Oct 14 2010, 06:48 PM']They seem to be trying to be a darker more twisted version of TOOL both musically and visually. I really like it.[/quote] Unfortunately trying is no longer applicable, ISIS called it a day in june. I'd have given a kidney to be at their final show. They did support tool on one tour as I recall. -
One of the first things we were taught in our uni physics lab was lasers will kill you if you so much as blink at them cockeyed. They're not actually that dangerous, as long as you don't look directly into the beam, or put an appendage in the beam (depending on power and energy output). You SHOULD be fine with scanning lasers, i've seen them in plenty of clubs and such mounted on the celing point at the dance floor, i wouldn't put it at eye level though. What colour is it?
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Currently on DR DDT's as I'm a drop C whore. But I had hi-beams before, which i'll go back to if I go back to standard
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What are you listening to right now?
bobbass4k replied to Sarah5string's topic in General Discussion
Amplifier - The consultancy Can't wait for the new album(s) -
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Had a bit of an oceansize listening fest and finally got unfamiliar and sleeping dogs down pat. Both absolutely awesome basslines, and a masterclass in playing in odd time sigs but still keeping it groovy (which the whole band is a masterclass in to be honest): Since I assume 95% of you will have had no idea what songs or band I was referring too. Both displaying the heavier side of the band, but heavy as it should be done, interesting and complex as hell. I urge you all to listen, there's a lot worse things you could do with 14 minutes.
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[quote name='cameltoe' post='981017' date='Oct 7 2010, 10:20 PM']Any chance one of the tube amps you wanted was my LB?[/quote] Sorry man, she looks lovely, and If i was just gonna be practicing/recording I'd definitley be interested, but I really wanna get back into gigging, so not really looking for anything under 100w
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Used them for a while, decent strings for the price, wear out a bit quickly for my liking, and the sound quite dull once they do wear out, but decent enough.
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Just wanted to give an uncharacteristic plug. It was new string time and i've been playing in Drop C quite a lot lately so I was gonna get some heavy gauge high-beams, but came across these instead, so I bought a pack of these in my regular gauge (0.045-0.105). They claim they're specially engineered or some such to provide better intonation and tension when detuning. I was a tad skeptical, but I'm glad I bought them. The intonation difference is noticeable, quick fret changes on the low C and G are a lot less muddy, but the main selling point for me is the feel, they somehow maintain pretty much the same tension in any tuning, I used to hate the slackness of playing in Drop C, and I used to get a lot of fret buzz, no more. They also stay in tuning magnificently, with my old strings I'd have to retune the low C every 5 minutes for a while until it kept it's tuning, not with these, tuned up once after I restrung and haven't had to do it since. If you drop tune, you need these strings. That is all.
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Morely do one, barge concepts do a blender with an expression pedal input, but you'd have to get one second hand and it'd be pricey.
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[quote name='deej' post='972437' date='Sep 30 2010, 10:24 AM']You use the wah in the GR's loop? Ive never thought about doing that before. I could easily rock that board, good stuff![/quote] Yea just something I thought i'd try when hooking the board back up, it sounds pretty sweet
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Still not much change, famous last words I know but I'm liking this setup: I need to get some proper patch cables to replace the bcrappy brightly coloured place holders, but that's pretty much it, might re-add a trem too (sold the seek-trem for a quick cash injection and i'm missing it).
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There'll be an exhaustive list somewhere. I say ye google. To actuallt be vaguely helpful, an envelope filter is a filter that affects the signal based on the amplitude of the input signal (basically how hard you play). In most filters (up sweep), playing harder makes the filter effect stronger. It's called an envelope filter because there's a trhing called the signal envelope that's actually kinda complicated. I'm not sure I can really explain what a filter itself is without using the words quack and squelch. So it makes your bass quack and squelch. There are different types of filter that use different methods to control the filter effect. A wah is basically a manual a filter (hence why envelope filters are sometimes called auto-wahs, although this is wrong because any filter that you don't have to control manually is an auto-wah), you can get sequencer controlled filters and LFO controlled filters and other things, but envelope filters are the most popular among bassists.
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People generally put it immediately befor or after dirt, it's personal preference which, wah>dirt is much subtler, but i love dirt>wah, gives a very synthy vocal sound. The eq adds an interesting twist though, i assume the eq's there to add low end back to the dirt? If so i'd put it after the eq, but if you put it before the eq you could tweak the eq to get some interesting tones out of the wah
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What are you listening to right now?
bobbass4k replied to Sarah5string's topic in General Discussion
[quote name='risingson' post='967247' date='Sep 24 2010, 11:45 PM']A friend of mine is supporting those guys for the second time in the next few days. Not my thing personally but interesting music, liked 'The Charm Offensive'![/quote] Cool, which band is he in, TTNG or Mojo Fury? I'm off to see them in london so I won't see mojo fury (they're been replaced by the awesome Yndi Halda, who'll probably have time to play one song)