bobbass4k

Bought a behringer limiter off him. Great to deal with, came exactly when he said it would very well packaged

Scott Reeder (Kyuss' third and best bassist) Nick Oliveri (in his kyuss days) Dominic Aitchison (Mogwai) Cliff Burton (Metallica) Chris Wolstenholme (Muse, okay, only a few songs live, but still) Jesse Keeler (Death from above 1979) The guy out of do make say think

+1 To Silent Fly's Modded bad monkey, can't speak to the reliability as i've only had it a week, but it seems sturdy enough. Plenty of range, i got it cause i wanted to balance out my insanely-high-gain-screechy-full-on-angry-synthy fuzz which it certainly does, it can get dirty, but it also does subtle. I havent tried the stock pedal, but i would imagine there is low end loss, so i'd say it's worth getting a modded one, if anything mine ADDS low end in the "deep" mode, love it. If you're looking for something really subtle, you migt want to try devi ever's year of the rat, you'll have a hard time getting one in this country though, they used to be cheap to get from america, but with the economy dying a slow grisly death and all, they wont be as cheap as they used to be edit: forgot grygrx did a review of the YOTR, video and sound samples [url="http://bassfuzz.com/2008/06/28/devi-ever-year-of-the-rat-pedal-review/"]here[/url]

I realise something pretty fundamental is missing from my pedal "board", i'm gonna build one as soon as i get back to uni. Not pictured is my crybaby bass which is back in canters and my newly procured behringer limiter which is yet to arrive. Unfortunately pictured is my cat who wouldn't move out of the way...... I'm pretty happy with this setup for now, once i get a board and some decent cabling (I'm thinking george l's probably) it'll stay like this for a while though i'll probably sell the limiter, i only really bought it out of curiosity to see if its worth me bothering with a limiter/compressor, and at £11 from bassmankev i cant really complain. My next steps after a board and cabling will probably be a decent pedal tuner to replace the korg crap'o'matic, and maybe a feedback loop pedal (mobius or an ls2). This board does what i want it to, which is making very strange noises, but also sensible noises. But always noises.

[quote name='yorick' post='368493' date='Jan 2 2009, 02:28 PM']zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz [/quote] why do people keep falling asleep when i talk? Maybe i could derive some sort of tensor calculus equations to find out.......

A joy to deal with, very patient with my faffing around, great pedal came very quickly and well packaged cheers

[quote name='~tl' post='364891' date='Dec 28 2008, 03:38 PM']It means it takes 3.89nS (that's 0.00000000389 seconds) for a signal to travel down a 1m cable... [/quote] Only in the moving reference frame of the cable (S'), in the reference frame of an inertial observer(S) , by time dilation it would be recorded as 7.63nS, and by the lorentz contraction, the length of another 1m cable at rest would be recorded as 0.51m by an observer moving at 0.86c from the reference frame of the cable (S')........ just thought i'd prove to all you taxpayers that the tutition fee loan from the government for my astrophysics degree is money well spent........

[quote name='Matty' post='366286' date='Dec 30 2008, 02:58 PM']me likes, sounds a bit Justin Chancellor esque.[/quote] Yea, definitley sounds like it, i'm quite intrigued, but my pedalboards pretty much set for now, interesting idea for a pedal though, that may be my next pruchase when i have some money.....

I can get a perfect TIRO sound with my cherry pop (its quite a gated synthy fuzz) and the envelope filter patch on my xp-100 set heel down, that gives it a really bassy subby kick. Can get a a good hysteria sound with the cherry pop, fuzz intensty higher and tone at mids and some mild chorus, occasionaly use one of the other autowah patches on the xp-100 to give it a synthy edge. The cherry pop does an overall good synthy fuzz, and the envelope filter on the xp-100 set at heel down gives a really great bassy tone, fits in a lot of muse songs

Hey people, just took the plunge and bought [url="http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&ssPageName=STRK:MEWNX:IT&item=130275905854"]this[/url], thanks for the advice people!

[quote name='ahpook' post='357939' date='Dec 18 2008, 02:26 PM']plus the one...i got mine a year or so ago. i'm willing to part with it, bobbass - if you're interested[/quote] Thanks for the offer, but im not really after a small stone. If anyones got a coolcat chorus, old metal sky blue one, a new style electric mistress, or a small clone, they're willing to part with drop me a pm

It's christmas time, and i'm getting an extra present this year, £500 completely free from the government because i sit around drinking beer and go to just enough lectures not to get kicked out . As usual, student loan time = new pedal time, i'm gonna add a modded Bad Monkey (SilentFly, if you're reading this, you will have a PM sometime soon) and a chorus to my board.......and actually build a board. Ahem. My initial thought was a CEB-3, but looking around a lot of other things are catching my attention, the small clone, the nano-clone, the cool cat even the phase 90, but mostly the new electric mistress, it looks quite interesting, any advice on any of these? I've heard good things about the cool cat for high end stuff, which is mostly what i'd be using it for. Anybody got any experience with the electric mistress? Is the chorus good on it's own? I'd definitley use its flanger and filter capabilities too, and i dont mind the chorus not being fantastic cheers

i used to have to do this quite a bit, i borrowed my guitarists loop pedal, played the bassline before the song or something, and just kicked it in when i needed it while still playing guitar/keyboard/digeridoo/paint tin (it was a weird band). The only disadvantage is you have to record the loop in perfect time and then everyone has to play along in perfect time. Worked well for me, and you get to keep your bass sound, but if you dont wann go that route, i'd second the pk-5

[quote name='lateralus462' post='327699' date='Nov 12 2008, 03:52 PM']dunlop wah seems to be the way to go then - bit of a bugger cos they're pretty expensive.[/quote] I remember a while back someone mentioned that the only difference between the bass crybaby and a regular crybaby was one or 2 components, and they were gonna try modifiying a regular one, might be wirth looking into seen as the regular ones are about half the price, can't remember who it was though

[quote name='cheddatom' post='327586' date='Nov 12 2008, 01:49 PM']There are some great wahs on the Digitech XP-100 as well[/quote] Have to disagree with you there, they're good for guitar, but i've only ever found the "dark and deep" usable for bass, the wahs were designed for guitar and they cut out the lows completely, i've A/B'ed them all against my crybaby and to me the crybaby sounds better, but that could just be me

I've got a crybaby bass, 105q, it's very good, but it's a very traditional wah, and the lowest you can set the tone filter is the mid frequencies, so you can't get a massive low end sweep. You may want to have a look at the digitech synth wah, the msd earthquake, but that's pricey, the morley dual wah, i think fulltone do one too, theres plenty to choose from, it all depends on personal taste, do you want a massive low end sweep, or are you gonna use it more for mid and high freqs?

i would tell them whenever you can, whenevers comfortable, as long as you agree to do all the remaining gigs you've got booked,it sounds like a pretty amiable split, so if they decide to go on, you should probably help them audition a new bassist, that seems like the best way to do it if its an amiable split.

thanks for the advice people, i'll probably end up going for a bad monkey, a cream pie's gonna be too hard/pricey to get hold of, and a barber's gonna be too pricey. Looking into it HA does 2 mods, a regular one a bass specific one, but i'll probably have to import on form america, so i'll give you a pm silent fly and see how your prices compare cheers people

I know, all i seem to do is make posts asking for advice on pedals, bear with me I'm considering wandering in to the minefield that is midprice boutique Overdrive pedals I've got my cherry pop fuzz, which i adore, but its a very full on synthy angry fuzz, with insane gain in the membrane, so i'm conisdering balancing it out with a low gain, more subtle overdrive, with very very good low end response. My first thought was a cream pie (very unfortunate name), but i got very confused looking into them, no-one seems to sell them new or second hand, and they're made by 2 different companies, any cream pie experts (i'm looking at you tayste) care to clarify where i can get one, how much they generally go for etc.? I'm also looking at a barber ltd special recipe or a humphrey audio modded bad monkey, any advice on any of these? cheers

I recently bought my Xp-100 whammy and giga-delay off evilBay. The xp-100 i probably over paid for (£140 inc. Shipping) but i think i got a pretty good deal on the giga-delay, (£120 inc. shipping), the guy said it was in pretty good condition, but if it hadn't had the pedalboard velcro on the bottom, i would have thought it was new, not so much as a blemish. I do see what you mean though, i've been watching [url="http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&Item=320310032034&Category=22669&_trksid=p3907.m29"]this[/url], i know they're rare and sought after, but £360? It'll probably go for over £400

[quote name='Protium' post='309433' date='Oct 18 2008, 08:05 PM']What is the small white box with the green knob (top right)?[/quote] Looks to me a Catalinbread Serrano Picoso, a very highly rated boost pedal

Tool - Schism I just bought an xp-100 whammy, so i'm having a tool binge, tool aren't for everyone, but i love justin chancellors style, it's a challenge for me because i play with fingers as close to the neck as i can, i dont like playing near the bridge or using a pick, but he's got some great bass lines

I've recently fixed my project fretless (I defretted my first bass), as i've previously only ever put groundwounds on it, I was wondering if anyone could reccomend some economy (<£20) flatwounds? I'm after a warm, but not flat tone (which has been my experience of grounds). I only really use it for noodling, so i dont want to spend a bomb, thusfar [url="http://www.stringsdirect.co.uk/products/601-picato_stainless_steel_flatwound_bass_45_105"]these[/url] picato's look pretty good, any opinions?