Danuman

Cheers, all good points. I just looked at it in daylight, and it’s not good. I’m going to have to talk to a roofing specialist. Thanks, I will do, but it’s not looking good. 🙈

Well, it seems I’ve had some bad luck. We were on holiday for a bit, so today for the first time in about two weeks I went to my study/music room, when I noticed a smell. I thought maybe it was something in the bin, or maybe my son (6) had been up here, but I didn’t find anything. After playing for a bit I decided it was bad enough that I really should find out what was causing the smell. It seems quite a lot of rain got in through the (closed) air vent above the non-opening window in our (fairly new) dormer - probably during storm Benjamin the other week. We’ve only been living in this house for about six months, and the weather apparently hadn’t been too terrible over here, so I never even thought to check. Unfortunately, this means it’s very likely that all of my amplification equipment was stood on a sodden piece of rug for about ten days… Two Vanderkley cabs (mould in the covers), a Genz Benz shuttle in a wet gig bag, an Eden WT550 head in a gator case and a 2008 Deluxe Reverb. The soldering station on the windowsill is standing in a puddle of orange liquid. Fortunately it seems my guitars have been spared. So how bad do you think this is? Obviously, I’ve moved everything to a dry place and I won’t be powering any of it on for a bit, but is there anything else I should (or shouldn’t) be doing? Thanks for reading, all tips are gratefully received!

Wow, has it been seven years already? Anyway… happy to report my Clarett 4pre is still going strong. My unit does have loopback, by the way. Seems a strange feature to phase out… Years ago, I recorded a bunch of guitar overdubs with a Motu 8pre, I think… seemed like a quality unit. The guitars came out great, so that was a nice experience. Hope you enjoy it as well, best of luck!

This is absolutely brilliant. I bought a secondhand five-string P - determined to do exactly this - but it turned out to be a 35-inch scale and now I’ve lost my bottle a little bit… The combination makes so much sense to me. Well done!

I'm not too fond of this idea, but I appreciate the thought. This bridge seems terrific for throwing basses off lol I briefly owned a Sub-series Ray4 that felt exceptionally cheap, so I know what you mean. I must admit there's enough little things with this one too, but it's made from some really nice pieces of wood. Maybe because it's an early one, or maybe I was just lucky.

I like this idea, but I guess I'd have to find vintage style saddles that fit my current bridge, which could be tricky... worth a try, though!

Thanks, this is exactly the kind of thing I was looking for!

Last year I managed to grab a Sterling Ray34ca that had been hanging in a local music shop for well over a decade. It's the one with the pencil neck, 2-band preamp and retro styling. It's an incredible player, but I would like to reduce the string spacing to 18mm. I don't have particularly large hands, and the more demanding 16ths-type stuff on high tempos is causing my plucking hand to cramp up. For that reason, I have Hipshot bridges on all my basses. I even have a spare one in my parts drawer, but it doesn't sit well on top of the threaded inserts, unfortunately. I've looked around for aftermarket stuff, and I'm guessing there's nothing available. I don't want to remove the inserts, and I would prefer not do any irreversible mods (other than maybe some drilling). I've looked into having saddles custom-made with 18mm spacing, but I have no idea where to begin, really. Do any of you lovely Basschatters know how I might reduce the string spacing on a bridge of this type? Cheers, Dan

Congrats! I really like the look of that neck, great colour combo.

I’ve had a very similar experience, unfortunately. The B sounds workable fresh out of the package, but what little zing is in there disappears a bit too soon. Since the other strings have a nice and strong piano-like quality to them, the difference is kind of hard to miss. Too bad, really. I bought a P35 bridge to see if it might alleviate the problem, but unfortunately it’s not a direct replacement... I haven’t felt like going ahead with it.

Looking forward to finding just one of them when the washing is done.

That’s exactly how I would’ve specced it. Man, that’s cool. 😎

I’ve had a hankering for a butterscotch ‘51 (preferably a ‘54, actually, with contouring) for quite some time, but they never seem to come up... I’ve driven myself mad researching custom parts, but after shipping/customs (am in the Netherlands) it tends to get a bit expensive for a parts build. Nice job on the sort-of ‘51 @Cuzzie!

I didn’t quite get around to it, what with all the distractions of the past few months. As I mentioned it’s not a direct replacement, but the holes for through-body stringing do line up. I’m guessing that means I’m going to have to plug and redrill. I have some friends who are quite capable luthiers, so I was going to ask one of them for help. I may still do just that, but to be honest, I’m not sure.

I never regretted selling anything before I - sort of accidentally - sold my ‘boring’ black Fender MIM after I replaced all of the bits and ended up with two P’s. On a related note, this is how I finally learned that objective improvements do not necessarily lead to a better sounding instrument. If anything, the new neck is too good, if you can believe it. Sold it for peanuts, too. I’m a terrible businessman. 😂