MoonBassAlpha

If you like that tone, you'll probably also love: [url="http://www.youtube.com/watch?v=PD4-O8LfwZY"]The bass at 1.36[/url] This thick sort of tone doesn't really make it on to recordings much these days.

...you might be interested in the for sale section: [url="http://basschat.co.uk/index.php?showtopic=68115&st=0&gopid=661727&#entry661727"]lookey here![/url] Cheers Jules (sorry if this isn't appropriate for this forum, no offence intended) Sold now.

We play pretty much no covers, but we do "A day in the Life" (the Beatles, for you youngsters) on acoustic and fretless and it always goes down amazingly well. Shouldn't really work, but it does!

Thanks for that! It looks like music is starting at about 9. We should be on at 10ish. Cheers Jules

I'd agree, the Shuttle 3.0 isn't really loud with an 8 ohm cab (BF Compact, in my case) which can be good and bad, inasmuch as it doesn't feel like it ia moving a lot of air, BUT, at higher settings you do move the output stage into it's soft clipping/limiting phase which I find articulates rather like a valve amp power stage. It's not an unpleasant "I'm clipping nastily and am going to blow up soon" sound, but a certain amount of grit is added that you might like. With the 6.0 you might find that it's too loud to comfortably get it to that stage. Hope this helps. Cheers Jules

My other band, The Mark Bosley Band, are playing at The Stocks Bar at the Crown and Thistle pub/hotel. We are a 3-piece playing original rock and acoustic, not too heavy. Witches are a well reviewed Oxford band, and Twizz Twangle (an oddball!) is also performing. I believe it is free to get in too. Deep Joy. Cheers Jules

PS, I used to ride Harleys (coupel of Sportsters followed by a Fat Boy) Am I the only one who finds the image of riding a Fat Boy at a Biker Do a bit disturbing?

[quote name='7string' post='656609' date='Nov 17 2009, 12:46 AM']Just my 2 cents: For the body (and back of the neck if it's the same) use a cloth dipped in very hot water and squeezed out to hardly wet at all. Do a small area at a time and follow with a dry rag straight away. Any dirt that isn't moved by that can be treated with saliva (which works a treat), de-ionised water (if the saliva thing is not to your taste) or naptha (lighter fluid). A combination of these 3 will usually do the trick. For the bridge parts, take them off the bass if you can, grab a toothbrush and use naptha to clean. For smaller parts, dip them in a mixture of naptha and 3-in-1 oil, then into acetone (nail varnish remover), then into another bath of acetone. This works really well, cleaning and lubricating the parts at the same time. If you have a unlacquered board (rosewood etc), then clean it with naptha and those cotton cosmetic pad things. It's amazing how much stuff comes off a board. As others have said, use 0000 grade wire wool for the frets and either mask the board off completely or use something so you don't hit the board. Don't use anything but 0000 as it'll leave big scratches. All this will take quite a while, but it'll be so worth it when you've finished. [/quote] May sound obvious, but don't get acetone anywhere near painted/lacquered parts, unless you WANT to remove the finish.

[quote name='Mr. Foxen' post='657156' date='Nov 17 2009, 04:19 PM']Fairly sure that is a big no, think Pledge has silicone in it, which will ruin everything if you ever want to refinish your bass.[/quote] How?

Lil ol' Steinbergers were popular with reggae types some years ago, and weigh not a lot.

Oops, trying a bit too hard![attachment=36599:m_bde358...43885_1_.jpg] If you look really closely there's a corner of a Compact to be seen! "Carried from Iffley village to the Isis Tavern, Oxford, and still had the strength left to play!" (A bit long for a catchphrase though...)

I loved the electroluninescent panels on the old ones too. I dont know why they stopped with them. The power transistors are dead cheap to replace if they blow too - 2n3055 if anyone is remotely interested...

I had US Masters make me a lined fretless with black lines on Pau Ferro and side dot markers ON the fret positions on 3.5.7 etc. From a distance it looks like a plain board, but I find the lines useful when recording for that extra precision on the jumps etc. The first neck they sent had the markers between the frets, useless IMO, and they let me keep it and sent another. The whole process took nearly a year though! Masters have a unique neck fixing/pocket so no off-the-shelf neck would fit, but I'm [u]really[/u] pleased with the result. Jules

I can't believe Alex hasn't chipped in on this one - must be too busy building speakers!