bnt

Brioche Over Troubled Water - Simon and Garfunkel

Been There Done That - Dr. Dre

Wasn't That A Party? - The irish Rovers & others

Big Log - Robert Plant

Sunset Grill - Don Henley

So In Loaf - OMD

Today - Talk Talk

Hell’s Bells - Bruford

I don't play the harmonica yet ... but I ordered one from Thomann and it'll be here early next week. It's their own 16-hole Chromatic 64 model. I work in quite an old, large building with whole wings that are unoccupied, and I'm often walking about, so my idea is that I can carry the harmonica wherever I go and try things out in-between other work. I find myself wishing I had some instrument on me to try whatever happens to be running through my head that day. A Chromatic makes more sense to me because I'm already moderately musically-literate, and the Solo tuning looks sensible. I don't see myself playing much Blues, Chicago or otherwise, though I might try that later.

Good Grief - Bastille

Jack of Diamonds - Trad, Blind Lemon Jefferson & many more.

Turning … Turning Back - Alex de Grassi

Touch Me - Samantha Fox

Spanish Fly - Van Halen

Maniac - Michael Sembello

Lovin' You - Minnie Riperton

Stop! - Sam Brown

The Seventh Wave - Sting

Going Nowhere - Therapy?

It's Too Late - Carole King

Stainsby Girls - Chris Rea

Speaking of Thomann: Pigtronix Octavia Fuzz Micro is on sale at the moment, just £42. I’m tempted - the full size pedal gets the nod from @Al Krow here. edit: and they were all gone by Friday evening!

I see Thomann have some interesting pedal bargains at the moment e.g. Pigtronix Gatekeeper, Chromatic Tuner, Octava Micro Fuzz or Philosopher’s Tone Micro = £42 each Super 1313 Analog Delay = £66 Line6 DL4 Mk.II Silver Anniversary = £174 Hotone Ampero Mini = £139 Peterson StroboClip HD = £34. Not including shipping, of course!

I Wish It Would Rain Down - Phil Collins

That's all I use mine on. One thing that gets kind-of overlooked about Klons is that the Gain control is essentially a Blend control. It's not quite that simple electronically, but I can hear no difference between zero gain and bypassed tones. If you're interested in the circuit details, there's a good analysis here. There are actually three signal paths: the distortion section, feed-forward network 1 (which sends some clean lows forward) and feed-forward network 2, which comes in more as gain is reduced, balancing the distortion stage.