bnt

The Orchids Aren’t Alright - The Offspring

Jungle Gardenia - Mike Oldfield

Slave to the Rhythm - Grace Jones

Cognac Queen - Megan Thee Stallion

Bang The Drum All Day - Todd Rundgren

It Wasn't Me - Shaggy

Does It Really Happen? - Yes

Blues for Los Angeles - Bill Frisell

Ain't Nothin' Goin' On but the Rent - Gwen Guthrie

Confusion - ELO

This Town - Marillion

Ibanez have added a couple of less expensive models to the range, the EHB600 and 605. Standard scale only so far, no multi- or short-scale. There’s also a champagne burst finish not shown in the video. G4M has them listed at £729 and £799 respectively. The most interesting part to me would be the pickups, a type I haven’t seen before called α1. They’ll be cheap, but I don’t mind that if they’re good.

Would I Lie To You? - Eurythmics

When A Man Loves A Woman - Percy Sledge

It’s All Gone - Chris Rea

One Of Us - ABBA

Holloway Girl - Marillion

Shock To The System - Yes

Electricity - OMD

I meant the f-hole shape specifically, not the general idea of a long & thin soundhole. I have one of these guitars and it’s no problem. but this gives me the willies:

I do not like to see f-holes. They just bug me. They are just about acceptable in their original context: violin, viola, cello and double bass - though I don’t think they look right on the double bass. Put them on any other instrument and I am out. Yes, I’m looking at you, Ampeg and Paul Gilbert.

and the MD-200.

Tea for the Tillerman - Cat Steven’s

Elbow the Letter - R.E.M.

Spanish Fly - Eddie Van Halen