Agree about the D.Lakin headstock...its like they just gave up. the Marcus Miller bass one just looks unfinished. Like it came from a 'build your own bass' kit. Sadowsky one is fine IMO, I have a Mayones Jabba 4 and again, it looks 'fine' a bit uninspired. I know its not all about aesthetics but its nice to play a pretty bass all the same.
Hi Everyone
I joined a band last Feb/Mar that was pretty much defunct for over a year for want of a bassist. Anyway when I joined we quickly dusted off and get going again pretty quickly playing indie alternative covers. It was me and one of the bands 'founders' that pretty much organised all the gigs. I pulled in a really talented rhythm guitarist and that really transformed our sound.....then the drummer quit (he was in about 5 other bands) So I managed to hunt down a replacement, then the singer and co-founder quit...again I think I've secured new singer/guitarist. At this stage the only original band member is the remaining founder (LG). At this point though is it basically a new band? Or like Fleetwood mac do we drive on with the original 'ethos'. Is this strange? - I dont think this has happened to me in my 30+ years of playing in bands.
That’s not ideal at all, I was literally moments away from pulling the trigger on this amp a couple of weeks ago, instead I bought a small mark bass practice amp (801). I think I’ll hold on a while.
I once had an Orange Terror bass that gave up the ghost on me on 2 separate occasions at gigs. Ever since I always carry a backup. I got rid of the Orange BTW.
I’ve been playing a secondhand Ashdown CTM-100 for a year now with no issues. You just need to remember 2 things. Always have a load and don’t move the. When they’re hot and you’ll have no problems (with well made ones). They’re worth it IMO.
Its a disease, every time I whittle my collection to the bare essential of gear, just to keep afloat, I get the fever. I've a serious addiction to tube heads that I know wont be sated until I own a sandbox WB-100.
Hi People, Where I'm from (SE Ireland) there seems to be a serious dearth of decent drummers. Most good ones are in at least 5 bands. Our excellent drummer has recently decided to quit our band (we're a bunch of old fogeys and he's a young lad destined for stardom), so it looks like we'll be doing semi-acoustic gigs until another one comes on the scene as we're not really into electric drum machines. Is this the same situation in your neck of the woods?
I owened the pf-350 for a short while and I found it to be a very warm , clean sounding head. Solidly built also . I thought it should have been louder though. I understand I was playing at 250w through an 8 ohm genz cab but I thought it still should have had more headroom than it had. My current valve head is just 100w and it would eat the pf350 for breakfast.
For such an unusual shaped amp I would have thought they would provide a decent case for it. Id prefer the PF50t if it came in a traditional 'box' case. I wonder could one be retro fitted around it? It looks a little vulnerable.
Sell a kidney or turn to petty theft, do whatever you have to do and get yourself a valve amp. You wont regret it. I have nothing against SS amps at all and some are great (in truth they probably make a bit more sense for bassists) but there's just something about the sound from a valve amp that hard to beat.