I agree. I have tried some really good Class D’s and have an EICH head which is exceptional.
Live I tend to use a Preamp/DI with an FRFR and so very non-traditional.
But a lot of these choices are around weight, portability, setup time, reliability and flexibility.
In the studio this doesn’t apply anywhere near as much - I really would like to have the option to have some real valve tone available in the studio - and lower watts are better for this if I want it cranked.