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fumps

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Posts posted by fumps

  1. [quote name='SpaceChick' timestamp='1368190071' post='2074272']
    I have to say my very simple Ibanez SR300 is a cheap and cheerful bass..... However, it performs!!

    I have tried some very expensive basses, and 95% of them I find I prefer my bargain Ibanez!

    [/quote]
    +1000

    I have the same Bass & my mate who plays a bass worth three times what I paid for mine, would not believe what the Ibanez SR300 cost me. Also this bass impressed Mr Shergold Snickers & he has a beautiful custom bass that I can only dream of owning.

    I think sometimes people confuse cheap things and things that cost's less. There is often a big difference.

  2. [quote name='discreet' timestamp='1368182919' post='2074125']
    Can I [i]really [/i]say what I like..? ;)
    [/quote]
    Yes .....The more I look at it the more I like it lol


    [quote name='MB1' timestamp='1368184786' post='2074152']
    MB1.
    "Thistles!"
    Not really my cup of tea...however...
    It did remind me of an advert for Heinz Soup I think ? where a talking donkey says "Thistles!"
    Either that or ive missed my medication?.....again.
    [/quote]
    Nurse........Nurse MB 1 has had another brain fart .......please can you fetch the straps & the magic pills please.....and a spare one for me please

  3. Hi AntWPF

    I have to say that your approach is very good, very positive attitude towards the comments above, your doing it right mate, ask for feedback & learn from it.
    I like that a lot.

    Welcome to Bass chat I believe with your attitude you will become a good addition to the fold.

  4. [quote name='steve-bbb' timestamp='1368177332' post='2074040']
    snot baffling at all :D

    we'll put our own flavour to this one usually means[b] [i]i/we havent got skill/patience to learn/play/rehearse it faithful to original [/i][/b]

    :ph34r: :P
    [/quote]
    No but the least you do is actually listen to it. lol ....skills now there is an optional extra

  5. Its always baffling when people cover songs & dont learn the original. When I first started playing (I still do this now) I will study the song. I will stick it on a cd & listen to it in the car, I will listen to it over & over again till the timing, layout & every change is committed to my memory. Then I will learn how to play it, that way when I'm playing all the changes are totally natural to me.

    I have been in bands where a guitarist will say "I've listened to it twice, I know what I'm doing" then proceed to miss every change & get the solo wrong.... :huh: ...Ok then!

  6. [quote name='pantherairsoft' timestamp='1368138247' post='2073813']
    Dude, that is a HUGE compliment. Seriously. Thank you... Kinda makes all the hours put into the blog totally worthwhile. For someone to say they are 'inspired' by my music or ramblings is amazing.

    I hope you dig this project too!

    If you ever fancy a day talking pedals and can get to Nottingham, the studio is always open :) Many a basschatter ha already taken me up on it - offers always there.
    [/quote]

    Mate No worries at all. I've been messing for a while with different effects but was struggling with a way to make it work when I came up with the layering of different bass sounds, I have done some extremely rough recordings and was struggling to find how to make the noises that I wanted to make, I was playing the EUB with a Big Muff, a beast of a distortion pedal & going into a synth with a expression pedal & it seemed to click into place. I was still scratching my head though with where to go next with it & now I can kinda see what your doing it's really spurred me on.

    I will take you up on this mate as advice on effects is desperately needed with me. I'm trying to make some sense of all the different sounds you can make & the way they interact with each other. which is bloody hard work with lots of trial & error lol

    I caught the track last night, I like this, it's my kind of music. I'm going to follow this with great interest as I have my own ideas that seem to be in a similar vein to all this. keep up the good work mate, you have a new fan here lol

  7. Awww god!!!

    When I see this kind of stuff on here I start jumping up & down. As I'm at work I cant listen to the track.....grrrr

    This sounds really my kind of thing & I cant wait to give this a listen !

    Shep by the way I'm loving your website. Your style of playing is really what I'm aiming for, The difference with your ideas to mine is multi tracking my bass guitar, then overdubbing my clean acoustic bass & filling a back shadowy deeper Electric Upright Bass behind it all to give it depth (If this makes sense?)

    The next step for me is that on Saturday I'm picking up a Portastudio so finally I will be able to do this with better results.....Shep you've really inspired me & what's more you have convinced me that I'm heading in the right direction.

    Cant wait to hear this

  8. I have an Ibanez SR300. And although some people disagree with me is the most complete Bass I've ever owned.
    I have played higher priced basses that the SR puts to shame. but it all depends on what you are looking for in a bass.

    The SR suits me perfectly the right weight, body size, tone, neck width well just about everything. But you may be different. best thing to do is go into a PMT as they usually have them in stock & have a play. I did it the other way round, I stumbled over one & picked it up not thinking it would be for me & after an hour I still could bring myself to put it down lol

  9. [quote name='thisnameistaken' timestamp='1367518277' post='2066402']


    I've seen him a few times, he's a great player and great fun too. I always think people who play like that have developed the technique out of necessity as much as anything else - wanting to play more than anybody else wants to play will do it - you'll end up with just yourself for accompaniment sometimes!
    [/quote]
    Yeh he's a lovely guy

  10. [quote name='xilddx' timestamp='1367442371' post='2065839']

    Can't argue with that.
    [/quote]
    No definitely not. Thanks Bilbo for answering my question I hope it didn't come across as rude.

    I often wonder about the modern musicians building up their skills & the one thing that strikes me about the people who come along & change the way people see music is the ones who have no idea what the rules are.
    I love to see people who play music with no idea of self consciousness, it just is what they do.

    Recently I posted a video of a guy I've met several times through people I know called Jon Gomm his approach to playing guitar fascinates me. People like him just does things in ways that makes me think that music is an amazing thing it has the power to delight, confuse & change lives.

    I was once asked "why do you play an instrument?" I told her that if you love something you don't need a reason, you just love it, its part of you & will be forever.

  11. [quote name='Bilbo' timestamp='1367417311' post='2065375']
    and I sometimes still hear him today and go 'wow'. There aren't many that do that anymore.
    [/quote]
    Have you heard many new young players ?
    I'm not being pedantic I would just like to know if people who like the greats actually listen to new bands & musicians & listen to how they approach music. (I hope that comes across as a respectful question)

    My way of thinking with this is that the greats are always in the past.....I dont think I've ever heard a living young musician that's considered a "great".

  12. [quote name='EMG456' timestamp='1367367167' post='2064874']
    It's as well that we're all different, eh?

    I can never understand a lot of bass players' attitude to Jaco. I've spoken with a few over the years who don't like the music. don't like the tone, don't like the bass playing tunes up front etc. etc. All this from players who were themselves barely adequate in my opinion - was it jealousy? Or did they really just simply not understand the music?

    I suppose we are now so far away in time from Jaco's heyday that it's ancient history to a lot of younger players.

    So for those who weren't there at the time, I have to tell you that Jaco was a game changer. He took the humble bass guitar and turned it into something extraordinary and we had seen nothing like it. Don't forget that we had no internet, no mobile devices, no youtube - no warning. When I saw him with Weather Report in the late 70's I knew that the way I approach bass could never be the same again, simple as that.

    He was the most complete, rounded, musical bass player I ever expect to see and without a doubt, the bravest and most expressive.

    I guess the problem is that he didn't fit the mould then and he doesn't fit it again now. In an age when many players aspire to playing a Fender bass with flatwound strings which are mostly covered over with big chrome ashtrays, I can see that they won't like the totally "in yer face" sound of Jaco in full flight but hey - there's always time...tastes change and the cycle goes round again. :-)

    One of a kind and my greatest bass hero.

    Cheers

    Ed
    [/quote]

    I can see what your saying but no matter how hard I try, I just dont get it at all. Some listen to him & hear virtuoso bass player. I hear a load of straggled notes battered in odd intervals played with a straight face.

    Although there is a lot of worship aimed at Jaco but what he does I find personally very ugly to my ears. Heavy weather (I bought before this t'interweb thingumy bob) was one of the only albums I gave away after one listen.

    Although he is seen as a legend and as a Bass player I have to worship him......but I dont get it & probably never will.

  13. I have a Zoom MRS-4b Portable recording studio for sale

    It comes with three smart media cards (1x16mb 1x32mb & 1x 128mb) I have used this only a few times since i bought it about six months ago. I am upgrading so dont need it anymore.

    Condition wise it's in perfect working order, comes with PSU, tatty box & instructions.

    I'm pretty sure I paid about £35 for it from a fellow BC'er so am asking this as a delivered price. will only ship to UK though.


    Here is the info:
    With its simple 4-track cassette-like interface, the New and Improved MRS-4B is true digital recording made easy. Just turn the power on and start recording while saving your audio to the supplied 32MB smart media card. Digital recording couldn't get any simpler!The MRS-4B features two-track simultaneous recording on 4 channels, with 8 virtual takes per track giving you a total of 32 total tracks. The long 45mm faders are perfect for critical mixing and the two-band parametric EQ and pan controls give each channel a wide range sound shaping. A large backlit LCD displays input levels, tracks 1-4 and Master L/R output levels. Full digital editing tools such as Copy and Paste, Erase, Exchange and Bounce are all at your fingertips as well as Dynamic Effects such as Compression or Limiting, Cabinet Simulation for guitar, and mic pre settings for great vocals. The new MRS-4B is a complete 4-track recorder offering great digital sound and powerful editing tools, perfect for small projects or laying down your next big hit.

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