
Jebo1
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[quote name='far0n' post='131405' date='Jan 31 2008, 05:03 PM']Realistically you're looking at about say £475-500 for it. They're about £675 brand new from Thomann I think.[/quote] I'd say nearer £350 - £400. If you're nice to your Markbass dealer, you can pick these up for less than £600. I was once an endorsee for Mark Bass. Strange world hey!
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Top end all tube Hiwatt 200 Bass stack for sale
Jebo1 replied to chrisotoole's topic in Amps and Cabs For Sale
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Yeah, I agree with Birdy here. I've got an EBS head and a cabinet and whilst they are great amps, they do't have the recognition and resale value of other manufacturers. Also, you can regularly find them for £600 - £650 new, and I usually set a benchmark of half the retail price for a second hand sale. I'd give you £400 for this cab if I was up in Bolton, but getting there makes it just too expensive. Plus you've only advertised it for a few days as well, sometimes it takes months to sell, Birdy sold his for £320 and got shot of it straight away!
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[quote name='ray_6ao7' post='129919' date='Jan 29 2008, 12:05 PM']Hmm...im thinking the same thing... the story of the negative feedback goes... A guy in america asked to buy the bass and that he would pay the shipping fees...i was fine with this...then he asked if i could declare the bass at a stupidly low value to avoid import tax...which i wasnt over the moon with, as if it got damaged i would potentially lose £1200.00 if it was decared at $300.00...so i told him that there was no way i was going to send it uninsred and to send it fully insured on a 2-3day recorded carrier would only cost £180.00 on royalmail which was much cheaper than fedex and UPS who wanted rougly £300.00...after a few days he came back saying if i wouldnt send it unisured and at a lower value then i could forget about the sale...so i said fine i'll hold onto it and thanks for messing me around...then i left negative feedback, then he did the same...[/quote] Sounds like a typical ebay w£££ker. You can get the negative removed if you file with ebay. I'd put your phone number on the listing and get people to speak to you about it. The only problem I can see is that people don't see through the negative feedback. You do have the option of revising your listing so I'd do that! Good luck, I like tha bass a lot!
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[quote name='Sibob' post='128346' date='Jan 26 2008, 06:00 PM']You can kinda see that its a Bravewood body, I've never seen a vintage fender that has 'aged' like that Still a nice looking bass though. Good luck Si[/quote] My vintage Fender has aged like that. It was toured all over the states during the 60s. Man, it's beaten to death! What I'm trying to say is that Bravewood are the best in the business for 'real' relic finishes, and this bass looks pretty darn good to me. If I was to buy it, I'd have to know that the parts were worth at least as much as the asking price. Neck must be worth £600 - £700 66 bridge £150 - £200 Scratchplate £200 Tuners £200 etc. etc. I'd expect to pay around £2000 - £2500 retail for a 66' refinned jazz, so this seems ok.
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Hi all, this is a turn up for me as it's usually vintage Fenders, but I've got myself a lovely Hammond XB-2 that I'm getting rid of. For those of you that don't know, this is Hammond's portable version which recreats the sound of Hammonds most desirable models, namely the B-series from the late 50s/60s. It has its own draw bars, which mean you can alter the sound on the fly. Basically, this is considered the best Hammond instrument you can get. This was bought new by my band for £1250, and the flight case was a further £150. It's had moderate use (maybe 20 to 30 gigs) but as it's been flight-cased for its entire life, it's in excellent condition. Read about the specs here: [url="http://www.hammondsuzuki.com/xb-2.htm"]http://www.hammondsuzuki.com/xb-2.htm[/url] [b] The Hammond is for sale at £450 (this is an amazing price for it). [/b] It's at our studio in central Bristol and can be tried out if you like. In the flight case, postage is gonna cost. Not interested in any trades (unless you have an EBS head or cab) PM or give me a ring on: 07515773000 Cheers!
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[quote name='Beedster' post='125509' date='Jan 22 2008, 03:31 PM']Lovely bass, but I think you'll find it's a 3- and not a 4-band Lawrie (although having played a 4-band MM it's being a 3 is a positive selling point IMHO) Good luck Chris[/quote] Fair enough, it is what it is! You want that 74 scratchplate yet Chris?
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I've got a 4 band Musicman Stingray in Teal Green. I've had this from new and was bought in Sound Control (grr - rubbish!) in 1998 when it cost me something like £1350. The serial number confirms this (although apparently from the site it says it should be a lined fretless!), although this is the internet, so let's be honest, it's nonsense. This neck has never left the body! The bass has a wonderful fretboard, and plays amazingly well. The frets are in perfect nick as well. She's a real beauty. The neck is straight all the way up it and sounds superb! When you dig in, it sounds like Flea and all the other major Stingray users. The teal green body has a few dings and things on it, scars of being a working bass. There are two noticeable bumps, and a few other knocks which I have pictured, I've also factored these into the price of the bass as well. But then again, perfection is over-rated (as I always say to my girlfriends!). Hopefully the pictures represent this. This bass was gigged for a while, and was also my main teaching bass, which means it was used a lot! It's been sat on a stand for a while. I've got a Stagg hard case to go with the bass, and a new set of Ernie Ball Slinky's as well. I'm looking at £600 for the bass collected, or £620 delivered through Royal Mail Parcelforce 24 (fully insured). This is a great price for a players bass. Leave the mint one at home and take this one! I'm in central Bristol, so either PM me, or give me a ring on 07515773000. I'm around most of the time and can take a day off or so for you to come round. I make a mean cup of tea as well. If you need any more pictures, then please give me a ring or an email. Thanks! If you're looking for trades, then hit me up with vintage Fenders, but nothing else I'm afraid.
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Hi, I'm having a periodic clearout again, and have come accross a ton more stuff! First up I have: 1974 Pickups and pots, all as they were when they were removed from a fully functioning 74 P. Pots date accurately, pickups have a date stamp, these are the real deal! £200 Single early 70s tuners - replace your broken/bent/corroded tuner. For sale with fixing screws, and bushing £35 each (I have 3) 1974 Fender Precision Knobs - all orig. £40 1968 Fender Jazz Bass knobs - only the 2 big ones! £35 1974 Fender Jazz Bass Instruction Manual - Rare as hell! £35 1976 Warranty Card £15 1973 Precision Hang Tag £25 Fender Bassman 50 Owners Manual - 1974 - £25 Err, that's it for now. If you need any pics and stuff then just email me! Cheers, L
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The Rise & rise of the mechanistic 'Music school'
Jebo1 replied to silverfoxnik's topic in General Discussion
I don't think there's a higher form of artistic endeavour than that which is entirely self-directed and achieved under no duress by an individual. The idea of musical tuition is something everyone here agrees with, I certainly benefited from being taught, and I'm sure everyone on here has had positive, illuminating and downright life-changing (in a musical sense) revelations from lessons. No-one denies this. The problem is when music colleges try and sell to influential youngsters the idea that they can obtain all of the musical experience and skills they require to become a well paid (or at least financially solvent) professional musician from a college course taught by (in some cases at least) unsuccessful musicians. I think this is disingenous. Furthermore, these colleges sell the idea that there is a viable and sustainable career in music for all of them in the future, and again this patently isn't the case. A student who studies philosophy for example very rarely goes on to become a professional philosopher, but during the course acquires a number of wholly transferable skills which he or she can then apply in the workplace in a variety of positions. This isn't the case with a professional music course which teaches nothing but a very specialised - and to be honest, not neccesserily in demand - skill set. In this way, people are being mis-led. You put the case for music being an expressive art form beautifully. But the colleges don't sell themselves on an appreciation of musical expression, they are basically saying: "By studying with BIMM/ACM (delete as applicable) we will supply you with the skills you need to go out and become a professional musician" This is a lie. -
I've seen about 10 or so fakes in my experience. They're easy to spot to be honest if you know what you're looking at, but for the wrong person it's an awful shame to have your purchase tainted by some scumbag.
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The Rise & rise of the mechanistic 'Music school'
Jebo1 replied to silverfoxnik's topic in General Discussion
Oh, and the entrance standard to one of the degree courses I have seen (I believe at BIMM) was the same level (of music reading and understanding) I would expect of one of my private students after about 3 months. Whatever there age. -
The Rise & rise of the mechanistic 'Music school'
Jebo1 replied to silverfoxnik's topic in General Discussion
[quote name='Beedster' post='115386' date='Jan 7 2008, 01:03 PM']Education is big money, and very few in education examine the rationale for, or even the ethics of, what they teach. I have been teaching (graduate, postgraduate and doctoral) a very specific area of psychology for years and have just resigned my post because I am fed up with what education has become in the UK, i.e., mass market, exploitative and in many cases, pretty much worthless to the student. My view of the music schools in question are informed by the extremely poor quality teaching materials I've seen from a few, so I agree with Nik's comments. Whether there is a place for full-time, systematic and high-level education in popular music performance akin to that in orchestral performance is a question that perhaps requires more thought than I suspect many of the institutions, and even the students, give it. As somneone said above, it ain't rock and roll really is it Chris Note: All opinions are those of the author and no animals were hurt in the making of this rant [/quote] Probably the most considered analysis of music school tuition I've heard in a long time. Hope you find something more fitting to dedicate your life to mate, sad to hear of more teachers giving up to the sh1t nature of our education system (I know of at least 4 close friends who have done the same...)