Bassman68

Maybe it’s just folklore but I’m sure I read it somewhere that the original Thumb bass was meant to be headless?

I’ve always fancied a Shawaddywaddy covers band… Shoddywaddy

Mr Fister Fisters of Mercy Scissor Fisters Crowded Mouse Sadness

As it’s designed as a floor unit to mount on a pedalboard etc, I see little point in trying to rackmount it? Would it not be better going for one of the rack-unit versions of the receiver? The pedal function tuner alone is worthy of ‘Kill switch’ status if you need to quickly mute the bass? Better to just leave on top of your Ashdown, or if you can rack the amp…Velcro the receiver on top of the flightcase to access the button? To answer a previous question, one of the Cellists in my band uses the non +, non pedal version of this system and we’ve never clashed… Possibly because she’s stayed on the 2.4g network or more likely because I tend to do a frequency sweep during soundcheck to make sure I’m not going to clash with anyone, this is with two other members of the band being wireless & we have 7 IEM systems in operation at any one time.. I love my GLXD16+ system, it’s never let me down & I tend to use it for all my gigs, switching between multiple basses (active & passive, depending on the night.. The battery life is most impressive, having enough juice for 2x1hr sets, 3 nights a week sometimes… If not, I take it back to my hotel room & recharge it for the next few shows.

Done But what are you trying to achieve? There seem to be female Bassists all over the socials… Kinga Glyk, Mohini Dey, Cici von Strangelove, Rhonda Smith, Esperanza Spalding, Daisy Pepper, Ida Nielson….Just off the top of my head, all seem to be doing very well for themselves? I don’t think male dominance has held them back in the industry? Talent is talent as far as I can see?

I’m surprised nobody has mentioned a Stingray 5 yet? I have owned various 5 string basses, Status,Warwick,Alembic but I consider my ‘go-to’ 5 string my Stingray….It’s just so versatile It just sits in any mix, I have travelled,toured, played function work, pubs & it’s always worked for me.. It’s not that “boutique” that I have to worry about where I take it or put it down…Half the time it doesn’t even get a second glance? It can hide in a mix or stand out, depending on eq & also sounds great with versatile eq without backline if on an IEM gig. All things I consider in a ‘Work horse’ if I get a call & have to grab a gigbag…

Following…

Still trying to come to terms with this.. I’ve been out for the last 4 days gigging so had limited time/ internet to follow the story, I was aware that Nick had gone missing but the following news come as a shock… RIP Nick It was a pleasure knowing you, & you’ll be deeply missed..

My trio of Squier P basses The sunburst PJ is a VM The white PJ started life as a Affinity but I acquired a CV 70’s neck from Spacecowboy from this very parish, Hi-mass bridge, custom loom & a set of Toneriders. The orange is a real bitsa, with the original affinity neck from the white one, a ratty body from Orangepeelneil & the rest mostly raided from my spares bin..The Neo Entwistle pickup gives it a great punky JJ rasp

I’ve just got one for a bitsa P-bass I’ve been knocking up. It’s an immense sounding pickup but I’ve experienced the same as yourself, having to mod the scratchplate etc. I also found it easier to mount the pickup with screws rather than foam underneath due to the extra depth of the poles. The slight noise doesn’t bother me as I use a wireless, so no grounding issues when played live.. Still considering an EMG GZR at some point but will see how it goes over the next few months..

I’ve got two CV70’s, A P & J both truss rod cavities look like that…. The truss rod is further inside, it’s not like the old bullet truss rod ends?