I kind of understand the obsession with soling being the be and end all, it’s because of the reverence paid to the formative days of rock guitar and the folk who came out of it. However, when you look at it, why would anyone just sit around and wait for their moment in the spotlight (a lot of jazz players spring to mind here) and not enjoy the whole song? I was in a band where I was one of two guitarists and the other player was an infinitely better lead player than me and so, quite rightly, did most of that work (never a boring widdle fest, always melodic), although we often did some harmony stuff. However, this forced me to embrace more rhythm work and, because of that, I got more into the song and was sawing away, having a great for the whole song, not just the odd 12 bars or so. Perhaps it’s no surprise that I migrated to the bass.