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Everything posted by ezbass
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I would recommend the Tech21 Bass Fly, but they are not cheap. Therefore, why not try the Valeton Bass Dapper, a fly clone at a fraction of the price? Speaking of Valeton, there’s on of their multi fx in the for sale section at the moment. I know nothing about them, however.
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When The Flood Comes - Peter Gabriel
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I’ve thought this for quite some time, they are certainly, as a minimum, their equal, as least in my experience at a bass bash a few years back. I’d love one of @Jabba_the_gut’s builds, especially now as I’m becoming more and more enthralled by short scales and he’s extremely adept at those.
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See Emily Play - PF
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Shame about the Mice (Mouses?). However, two JtG basses are more than suitable replacements.
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Annie I’m Not Your Daddy - Kid Creole
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The Ballad of Bonnie & Clyde - Georgie Fame
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I know that many bassists don't like 'showboaters' ....
ezbass replied to Angel's topic in General Discussion
When I scroll through the likes of Instagram, a lot of what I see is various players up at the dusty end, noodling away through various modes, or some noisy slappity, poppity nonsense (the kind of thing you hear at bass shows). That kind of soloing leaves me cold. This, however, is great because, although all the elements mentioned before are present and correct, he’s actually playing a tune. Proper structure, melodic ideas and rhythm, interspersed with some tasty fills. That’s how it should be done. Any solo that doesn’t reference the actual song, or isn’t a tune within the tune is pointless willy waggling. Thanks for sharing. -
Another voice of appreciation for what is natural colouration in the wood. I’ve had PRSs with more prominent discolourations in the top and the ebony ‘board on my Rob Allen has all sorts of changes in hue, they’re all part of being from a natural resource. Embrace the uniqueness.
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Sshhh! You don’t want the rile up the locals and have them digging out their flaming torches and pitchforks. Head over to Guitar Chat for skinny stringed talk, there’s a few of us there too, but keep it on the QT. 😉
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The Short Scale Bass Appreciation Society!
ezbass replied to Baloney Balderdash's topic in Bass Guitars
Do tell. Wilcock basses have obviously been reading my mind and have made one of their MMs in a trans, ‘burst finish. Nurse, nurse, the screens! I have raging GAS! -
That’s how we lure you in, wait until we fire up the pot with aromatic vegetables for ‘Ex-guitarist Stew’. What, we don’t do that anymore? Look, just because I peed in the broth when you tried to poach me is no reason not to try again with others who might not ‘leak’ as much; no fair! 😩
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Ooh, I shall make myself comfy and enjoy this at a suitable time when I won’t be interrupted.
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Plenty of skinny stringed refugees have made their way to the lower clef to find the joy of bass.
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This is very true. Similarly, but nothing to do with bass guitars, we now have our groceries delivered, which is something I would never have contemplated before moving up here. It's cheaper for me to pay the delivery charge, than it is to drive the 52 mile round trip.
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Yes, it's great when a tone control has a decent taper and isn't either on or off. I find the JMJ's tone control very similar to my old '63 P Bass, which is a good thing. Continue to enjoy your new purchase but beware, these little things are addictive.
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Is now good time to be buying 'quality' musical instruments
ezbass replied to TJ1's topic in General Discussion
Strip the paint off (it'll only go shiny and drag on your hand) and seal it with Danish or Gun Oil. A light knock back with some very fine wire wool afterwards and it'll be silky smooth. Any dents can be streamed out with a wet cloth and soldering iron prior to sealing. -
Not - one - bit. 😆 My daughter would have been about 1 when I first heard Pino on ‘Hat’.
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I’ll get my coat.
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For those with vintage, Fender type instruments that normally need a screwdriver and neck removal to adjust the truss rod, rather than laying out for the Stewmac tool that makes this much easier, get yourself down to B&Q. @mcnach discovered this cheaper alternative that, with a bit of fettling, works a treat:
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Personal influences, but hopefully highlighting some lesser known bass warriors, rather than just the famous names. On that note, a player who impressed my greatly back way before I ever took up bass was one Joe Fagin. He played in a local organ, bass & drums trio at a local boozer. A great player with an even more impressive voice (your may know him from the theme tune to Auf Wiedersehen Pet and some ads around that time). He was the the first person I heard use tritones and double stops. My chums and I got him to show us what he was doing after one show, which he was gracious enough to do. He told us that he’d learnt them from Stanley Clarke, who he had met.
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Ah, but the problem there is that OP asked who it was that turned them onto bass. None of the many exceptional female bass players did in my case (my age and timing being a contributing factor). That is not to say that I’m not aware of them, or that I’m not mightily impressed by their work, it’s just they didn’t turn me on to bass at the time and no offence or bias was implied by their omission. However, a list of female bass players whom I really like since taking up the 4 stringed beast would include: Rhonda Smith Yolanda Charles Tina Weymouth Gail Ann Dorsey There are, of course, others but these would top my list.
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I’m afraid not, at least not my one. He’s an Essex boy. https://en.m.wikipedia.org/wiki/Chris_Childs_(bassist)
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Pino, notably his ‘80s fretless work. Tony Levin, his work with Peter Gabriel Roscoe Beck, he worked with Robben Ford & Eric Johnson, 2 of my all time favourite guitarists. Chris Childs, better known for being a member of Thunder, but I used to see him regularly at a local music venue playing with Bad Influence.
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