ezbass

Secret World - Peter Gabriel

This Used To Be My Playground - Madge

Roundabout - Yes

Royal Orleans - LZ

Assassing - Marillion

Gums & Noses Ashbone U Wish Heartfakers

Ah, the sonic oil monkey.

Storyteller's Night - Magnum

Staring at the Sun - U2

Dreamline - Rush

I've been called worse.

A great many of those I have witnessed 'riding the faders' seemed to have just chucked it all in a bucket and given it a good stir rather than sculpt it. This does not apply to all of those twirling the knobs, I have a close friend who runs a sound reinforcement company and his mixes are superb.

Another term for an engineer without the relevant degree is oily rag (I know this, I was one once). Sound can also mean, reliable, honest etc. Therefore, to avoid any confusion - Sonic Oily Rag?

I'd Rather Go Blind - Etta James and numerous others

I can't think it wouldn't be totally worth it.

Dirty Diana - Michael Jackon

The Clapping Song - Shirley Ellis

Did you fit an Artec? If so, how is it?

White Lines (Don’t Do It) - GMF & Melle Mel

Lick It Up - Kiss

Teenage Rampage - Sweet

Warm Wet Circle - Marillion

Owner of a Lonely Heart - Yes

My first, proper rig was an Ashdown ABM 300 2x10 + 2x10 cab. Sounded good, but was a beast to lug around. Eventually bought another 2x10 cab and replaced the combo with an ABM head. Still bloody heavy and bulky, despite the neodymium speakers I retrofitted. The flat, baked in, scooped tone sounded great soloed, but needed fiddling with live. However, that fliptop is so pretty.

The ebony board on my fretless has shrunk that there is now a definite ridge between board and neck. I’m sure a light sanding would level it all up, but as I don’t feel when playing, I’m disinclined to attack it.* *I reserve the right to attack it at the first available opportunity 😆.