ezbass

Heaven Knows I’m Miserable Now - The Smiths/Claudia Brücken mit ACT

Swan Song - Be Bop Deluxe

Wish Me Luck as You Wave Me Goodbye - Gracie Fields

...Man in the Box - Alice In Chains 🕸

Love Is A Long Road - Tom Petty & The Heartbreakers

Boz Burrell, Bad Company. It's not always about mwah, vibrato and big slides. It is sometimes, though and then you have Tony Franklin with The Firm, Blue Murder, etc. Full disclosure, I'm a fretless fanboy.

The Trees - Rush

Who Let The Dogs Out? - Baha Men

Heavenly Homes - Be Bop Deluxe

I want to like The Smiths, Johnny Marr and Andy Rourke make a very good sound to my ears, but I just can’t abide Morrissey’s voice. I’ve tried, I’ve really tried, but I just can’t do it. I finally got over Geddy’s weird vocal style to the point where I’m a big Rush fan (especially their ‘80s & ‘90s output) but Morrissey can go and do one.

Get On The Good Foot, Part 1 - James Brown

Geek Stink Breath - Green Day

Has it been revealed as spoof or reality yet?

Sleep That Burns - Be Bop Deluxe (couldn’t help myself, sorry).

Boulevard Of Broken Dreams - Green Day

Buy a white body.

Orinoco Flow - Enya

Rock of Ages - Def Leppard

Just as well, because your spectacles and face mask would fall off.

If You Have Ghosts - Ghost

Town Called Malice - The Jam

I’ve always favoured 45-100 as, to my mind at least, it brings more evenness in tone across the strings with the D&G being, on first glance, heavier in overall terms than the E&A. This may all be complete BS, but it’s how I thought about it when I first started out and I haven’t changed since then (except for strings that came with a bass or were free).

Out In The Fields - Gary Moore

https://dust-tone.com

@Citylimits, international person of mystery.