I use my Cub for just home playing these days, which is a bit of a luxury as the Flightcase would be fine, probably better, but the Cub was my first piece of PJB kit and, up until recently, I’ve had no reason to move it on. However, since acquiring a Yamaha Sessioncake, the Cub’s time may be up.
Quite a bit. It’s really doing the ‘heavy lifting‘. I have tried just using the Flightcase, but I’d probably need to run it flat out in a full band situation and it still might be enough. I have, however, used it on its own for jazz trio gigs, where it was more than adequate. Adding the PB300 makes it effortless for rock/pop gigs and also adds a bit more low end. It also lifts the Flightcase up off the floor for better monitoring from the upfiring speakers. I have also used the PB300 with just a Cub or a Bass Buddy as the ‘brain’ and it was just fine.
This one of our set lists from back before the World went to hell in a viral handcart:
Brass In Pocket
When Tomorrow Comes
Something About You
Rosanna
Walking On The Moon
Kayleigh
Don’t Get Me Wrong
Hungry Like The Wolf
Papa Don’t Preach
Wherever I Lay My Hat
Every Little Thing SDI Magic
Walk Like An Egyptian
Back On The Chain Gang
China Girl
Girls Just Wanna Have Fun
Hanging On The Telephone
Video Killed The Radio Star
In The Air Tonight
The Way It Is
Died In Your Arms
Africa
Alone
Holiday
Call Me
We Built This City
Footloose
Kids In America
Atomic
Sweet Dreams
Sledgehammer
Gold
Don’t Stop Believing
Purple Rain
I received a card and text, which is all I really want (a visit just isn’t feasible at the moment). She’s looking pretty spry for 38!
I’m guessing she was about 18 months here.
My MXR M87 arrived today. I’ve put it through it’s paces with a few basses, with both headphones and small amp (I’m at home and there are limits). It’s interesting to see the difference in output of two basses that, to my ears, sounded the same level (the VU is super useful). The M87 sorted out the levels of all three, even bringing a particularly hot, active piezo under control without killing the natural sound and needing to use the active pad on the amp. It’s certainly less squashy than the limiter circuit on the amp (although it can be if you want). I’m impressed and this will now be on all the time. Voted.
My PJB rig (Flightcase + 6x5 powered cab) punches to the back of a fair sized establishment at only half way up (I realise these things are not necessarily linear) and I’ve never felt I need more.
No replies to my post above? This is BC, right? Anyway, too late now.
I've taken delivery of an MXR M87 and I don't see any reason that this won't be permanently on. Gotta love an NPD.
The 80s was a great decade IMO. Yeah, there was some dross, but there was also crap in to 60s and 70s and the 90s is where, for the most part, music went to die (obviously IMO and YMMV). My 80s band do 4 of those in our set and you'll no doubt cover the rest as you go through the decade.
You say delusional (nice man that you are), I say chancers (free lead, big whoop). Having dealt with Andertons in the past, this is disappointing behaviour and makes me glad I didn’t order my recent pedal purchase from them (their last one and might have had ‘in store’ use).
That‘s appalling (looks like it’s had an argument with a studded leather jacket!) and needs to be £150 off. That’s what I got for just a small ding on my old Ric from GG. This is the kind of behaviour that gets retailers a bad reputation.
I’m thinking of getting one myself, as I’m probably removing my preamp/DI pedal from my board to make room for an incoming compressor, but I still want a pedalboard DI option. From a brief search our own @Dood has/had one.
When I refinished a couple of necks some years ago, I used Danish Oil in this way. IIRC, I put on three coats in total, using super fine, wire wool after each coat. Both necks turned out really nicely.
It’s such a great learning experience from that perspective, when mastering, cutting the 200k range just cleaning the track up (something I saw on a YT tutorial that I must find again) was an eye opener. A friend of mine runs a FOH company, does his own home recordings and is a pretty awesome songwriter and guitarist, and I sent my track to him to critique. It was he who suggested some particular compression settings for the bass (I’d already added some to all the tracks anyway) and it just popped. We discussed the result and the way he explained it all suddenly made sense, ergo GAS! 😂
Totally understandable and not unreasonable IMO.
During lockdown, I’ve been doing some home recording, which in itself meant I had to buy some new kit (a Focusrite Solo). As part of the mixing and mastering process, I have a whole new appreciation for compression, which means that, some time next week, I’ll be ordering a compressor for my pedalboard.