ezbass

Stop Your Sobbing - The Pretenders

Waiting for the World to Change - John Mayer

Travelling Without Moving - Jamiroquai

Teach Your Children - CSN&Y

School Days - Stanley Clark

They Don’t Know - Kirsty McColl

This build already looks fantastic. I want it!

Post it on the FB page too perhaps? With the post B word shenanigans, this may prove a tough one to resolve.

I’ve just been reading and watching Scott Whitley waxing lyrical about GHS Super Steels. I was always a D’Addario EXL nickel guy, but the last few years I’ve been using EB Cobalt flatwounds pretty much exclusively (LaBella nylons on my Rob Allen). I was put off of SS strings due to the roughness I experienced once or twice (I don’t recall the make/s). Maybe time for a revisit.

The Sun Always Shines On TV - Aha

That long fill lick, just before he gets onto ‘the sound’ @13:20ish, is pure Geddy from Spirit of Radio. It’s all about the pocket & phrasing. Thanks for posting this.

Highway 61 revisited - Dylan

Sleeping Satellite - Tasmin Archer

Land of Confusion - Genesis

Nope, still slow for me; perhaps a little improved.

You make a very good point there.

Roll The Bones - Rush (hmm, I think I’ve used this before, are we circling?)

No, it's not just you, I'm having the same issue on both Mac and iPad.

Love is Life - Hot Chocolate

All Stood Still - Ultravox

Time Was - Wishbone Ash

Gibson ES guitars are laminate and therefore ply. Still making them that way 50 odd years later.

The Day We Went To Bangor - Fiddler’s Dram

This, right here. I read recently that Fender used alder and ash because there was a cheap local supply available, not because of any particular tone consideration. As @Cuzzie says, it’s the ultimately the construction and that extends to the construction of the ply. If your bass works, it’s all good.