ezbass

Top advice there. Find a therapy that works for you (osteopathy, chiropractic, physiotherapy, massage, etc) and keep it in as good a nick as you can manage with exercises (I use a foam roller for gentle stretching at home myself and visit an osteopath if it gets completely out of whack).

Yeah, it isn’t all about weight, it’s more where the weight is distributed. Various Stingrays I’ve had have been veering towards the ‘boat anchor’ end of the spectrum, but because of the balance, that haven’t felt as heavy as they might. Compare this to a quite light P bass I had that had a fair amount of neck dive and gave me more shoulder pain than the ‘Rays. However, get a bass that is both light and well balanced and you’re in hog heaven.

I owned one of the early releases of the Ray4 alongside a US SUB and full fat US Stingray 4 and 5 strings. It more than held its own in terms of sounding like an Stingray. Where I felt it fell a little short (and I mean just a little) was that the pre-amp was a bit brittle sounding to my ears, although easily fixed with amp eq. The set up on mine wasn’t brilliant on receipt either (a raised fret) and it was quite heavy (even for an MM) but perfectly balanced. It would definitely give you the sound you’re wanting to try.

A Sterling Ray4 will get you right into the proper sound for just £340 and if you buy one and have it delivered, you could try it out at home for up to 7 days and then return it if it didn’t suit you under distance trading rules. https://www.guitarguitar.co.uk/product/150915289490008--music-man-sterling-ray-4-mint-green

Ah, I see. I can’t help you there I’m afraid. I used to run mine with a Mark Bass LMll.

I’m not sure what you mean by sensitive. But if you mean, do they pick up up on nuances in your playing, than yes they’re good, not Phil Jones or Euphonic Audio sensitive, but they do a fine job.

Very much this for me. Oh, and Paul Rogers (absolutely top vocalist) with Queen just sounded wrong to me. Similarly, Brian May playing Alright Now with his signature tone seemed wrong too. That venture was less than the sum of its parts for me.

Owned one, a 1212L. Great sounding cab, very particularly voiced for playing in a band. Doesn't sound great in isolation, but that's not what it was designed for.

I was wondering this too. Oh yeah, porn name - Whiskey Smith

Marvellous job. That rear cavity cover is a fantastic piece of work.

Ramsgate Silent-Hill

Basschat comes through again; marvellous.

When are we going to see these in the UK @Tech21NYC? I'm starting to get fidgety 😬

Reeks of troll. Established film director who doesn’t like artists. Firmly established in his bedroom, under the bridge methinks.

Well done you 👏👏👏 It’s only when their real bread and butter (the exhibitors) start to kick off that anything really happens. We thank you.

There are those irritating little things that, as @ped says, seem to be ubiquitous advert fodder. Then there is the baritone uke...

Three months to go and still no confirmed line up? Very poor indeed. Sounds like it could end up being the guitar show’s sidekick in the long run, or disappear completely. However, I’m going with a bunch of guitar playing chums this year who I don’t see that often (one is another bassist, so I won’t be on my own whilst checking out the bass gear) so it’ll be a fun day anyway.

😢

Aesthetically speaking, I like the P/J config. However, tonally speaking, I’m a fan of a P/P config.

Way too much talented for one band. Absolutely top musicians.

Joe Dart says white too.

Yeah, Danny’s tone is instantly recognisable. Pino’s fretless playing is also unmissable for me. Mick Karn’s is another. Perhaps it’s an unfretted thing.