Steve Browning

Must be a Waterlooville thing! 🙂

A Hammond at full steam is possibly my favourite noise in the world.

You really should look at the stupidly reasonable M-Pulse 600 for sale here. Obviously heavier than the WD800 but 1/3 the price and a truly wonderful amp.

I used to have one of those back in the late 70s. I think you'll find they're actually lead/bass amps.

Were there lights on the amp when it was 'out'? IIRC the PF500 has a purple fault light which signifies the protection kicking in (I think this was the fault for which they became infamous). What's the issue when an amp and mixer into which the amp is DI's are on different mains phases? I know there's something but don't know what the problem is. If no lights were on I wonder if the vibration of the kit being played was affecting a dry joint or something similar? Interesting.

Hello from Waterlooville.

Bought a Fender bridge off Peter. Plenty of communication and super quick delivery with great packaging. Happy to deal with you again, thanks.

I have a fretless one of these. Wonderful basses. Great sounds from the piezo pickup in the bridge. Doesn't say if it's had the Cafe Walter buffer fitted which helps address the fact that the piezo is a fair bit hotter than the Lace Sensor (which I am not sure is active).

I think it's a slow burn. I'm not a fan either but it starts to get really odd/funny as the 'interloper' (without wanting to ruin it for you) becomes more involved. It is a good watch.

Mesa Boogie M-Pulse 600 and 2 x Subway 1x15 cabs This rig has replaced the Bass 400 and Diesel 2x15 I had used (without fault) for about 28 years. They have been going (faultlessly) for about 3 years now. The sound is very similar to the Bass 400 (to my battered ears) and the weight is far less. Nothing else to add really. Rehearsal/tiny gig set up is Mesa Boogie Walkabout 15 Had this one for about 6 months and a previous one for a few years. Again, both played faultlessly. All are typical Boogie. All the sounds you want are there if you can figure out how to find them (the eq is interactive by design) and build quality is always brilliant. Bought my original rig unseen/heard when it was described as the Rolls Royce of bass amps in a review. It was completely right IMHO.

Warm up with Rhythm Stick and then play a 12 bar shuffle in A for the actual soundcheck itself.

I think this is the second year that the singing of Auld Lang Syne, after the fireworks, has featured someone who can't say forgot. WTF???

They used to and Alex started out saying a 15 was the perfect size but science seems to move on. I am like you and don't like anything but a 15 but I accept there may be no real basis for that other than long seated prejudice!

I recently replaced my Hercules rack with the K&M one for the very reason stated above. Basses are more upright in the K&M and take up less space.

Wonderful sounding basses though. Used my A/E fretless (same bass with usual headstock) just last night.

Not sure what you mean here. Do you mean by-pass the amp head (to distinguish it from the active cab) pre-amp? If so you are left with the same issue.

I would say not unless you could get an input straight to the speaker. Most actives seem only to have the mic/line input and so plugging the back of an amp into that is going to embed the speaker voice coil into the wall opposite it, I would suspect. Other may have a different way to make it work but I haven't seen one that would allow for this without modification.

I had a Hondo Rick copy which I pretty much couldn't play (fingerstyle) and later had a Rick 4000 with the same problem. The sound was wrong for the stuff I play in any case. I so wanted it to work!

See, I was right!!

Tghis was a talk he gave at the S E Bass Bash a few years back. Sylvie recorded it and put it up on the site. An excellent talk about simple pre-gig routine of subtle stretches. A-framing was standing with your legs slightly apart and trying to pull your legs together as you stood. I see Jack is responding.