Steve Browning

I hesitate to contradict but the amp is covered. I should have posted this link which explains the inclusion of amps etc (and the associated docs).

As it says on the video (I think), the carrying of the instrument is the declaration and you can go through the green channel.

The other week I went over for 3 gigs. Travelled with gear in the van (as a band). Declared ourselves as musicians and gear on board. Straight through without issue. Travelling with instruments, and the means to make them work (amps etc) is fine. Explained in the clip attached. Worth adding that I travel with the documents he links to printed and carried with me - just in case.

I also answered 2 x 45 but we invariably do more than that. Usually about 50 in the first set and 60 in the second (including encore).

I'd tread carefully!

I've just had Luminlay dots fitted to 3 basses and they are good. I've also had large dots added to another and they work fine too. The Luminlay are for low light conditions and are charged by an ultra violet torch.

Angled into bass makes sense but looks all wrong to me, unless the jack is on the side.

The very first one was School's Out by Alice Cooper. I really liked the change from the busy verse to the simple chorus. I didn't really want to learn any others until Rythym Stick. I wanted to learn it to understand how he created it. Naturally I found I could play it but would never have thought of it. I have learned a few Pino fretless lines from Paul Young and David Gilmour. Those were just because I liked them.

Unlikely. There's a concession for musical instruments being carried. I've taken advantage of that gigging in Europe post Brexit. If you weren't travelling with it then whole different thing. The OP was buying from Thomann.

You'd be charged 19% German VAT if buying in Germany. You wouldn't be charged anything coming back in as you're travelling with your instrument, in all likelihood. There isn't a retail export scheme any more.

Always used to use 30' cables and now use 20' - 6m ones.

Well, when pressed! I know it wasn't grape, but a vine attempt nonetheless.

If it's any consolation. I've looked at all of the pictures and liked the two fretless Precisions, 'cos they're the only ones I actually liked. Each to their own.

In fairness, he's got #2 covered. Helped design the microdrives in set top boxes, too.

I used to work with a guy who midi'd everything and had all the settings saved with the song title so it was a simple scroll for him to be ready. Way beyond my ability but certainly made for no gaps betweeen songs (maybe 2 seconds).

If I'm using a crib sheet, it's on the floor and in big letters.

I guess my milestone basses (as in personal milestones) would be: 1. Columbus Jazz - the bass that started me on this whole journey. 2. First Fender Precision (#S749320) - I've said before how I spent an entire month's salary on this bass and had to walk to and from work for the rest of the month. A Precision is what I always wanted and this was my first. 3. My current #1 bass - 1966 Precision - it was the best Precision I'd ever played when I saw it in Tiger Music (in Brighton), and it still is (getting on for 40 years later). I've owned and played a vast number over the years, but this is head and shoulders above all of them. It killed off my pre-CBS snobbery at a stroke and opened the exit door for all the old basses I had then.

Absolutely. Honest feedback is important.

I take two identical basses. Possibly a different colour, but the same pickup in order to keep levels the same. Whether anyone does is down to them and I wouldn't criticise them for not doing so. Generally never used the spare but did break a machine head in France in 1995.

Just back from playing my fretless one tonight. Great basses.

Not if they're perfect for the owner. We're all different, after all.

Absolutely. For me, the best patch is 66 to 73/4. Wonderful B profile necks and tort plates. No silly pre-CBS price tag either.

Beautiful.

I've done the vintage Fender thing. Owned a 1953 and an original 1966 slab, as well as a bunch of others. My conclusion? Just don't bother. If you want an investment then fine, but I own instruments (now) that would cost you 10% of a pre-CBS Precision, and are every bit as good (IMHO, obviously).