Steve Browning

That's no longer my address and no, I don't have any of them now. The 61 was a dog to play. The E string was dead no matter what I did, new strings made no difference. The 53 was ok but the pick-up was in the wrong place for me (I anchor my thumb on it and it was slightly forward of where it is on a later Pbass - I had the same trouble with the Stingray). The 62 was a white refin when I got it and had it sprayed black (I thought it was more rock'n'roll). The 66 was nice (awesome recorded tone) but was uncomfortable to play (the edge of the slab body dug into my arm). Bear in mind this is pre internet. The 62 turned out to be his first ever Pbass and I had no idea they only made 20 of the slab basses. Ho hum. I should add that the 66 and 72 basses are far better than any of those pre-CBS instruments.

I bought 4 basses in November 1986. 3 from John Entwistle (the 53 plus a 61 and a 62) and the slab 66. Got a bank loan for a whole 2k to get them.

Oh, I don't know. They're cheap enough. 🙂 (see next post - thought I'd deleted the wrong one and inserted the right one)

Despite what I said earlier, I always remember looking at the pair of Peavey Max heads, each on top of a 3620 cab, on the cover of Live Alive by Stevie Ray Vaughan and thinking 'I'd love to play through that'.

My two SVLs were £2,500 each (at artist rate). That is a lot to pay for what is, superficially, a fairly bog standard design etc. What I was happy to pay for was the craftmanship involved in creating them. For example,. how many Precisions have wiring of that standard in them? I doubt the Custom Shop are that meticulous. If I buy another bass, it will follow the trend that seems to have started. Both of my most recent purchases have been early Tokai or Greco basses at around £600 each. They are truly excellent instruments and so I am minded to look for Tokai/Fernandes/Greco basses, if one comes up.

My thumb has always been rooted to the pick-up cover. Fretting hand thumb is generally on the back of the neck but not exclusively.

I'm happy to let you think that.

Arriving damaged isn't a great start! Hope the replacement isn't too slow in arriving. I was thinking 'what's going on here' until I realised the foam at the top was removable. Mine are all Fender types and so the fit is perfect. I have never been a Thunderbird man (way too cool for me) but I never will be now. Overall, very happy, but I am not thinking it's gping to be on-stage, unless the audience is such that it's a sensible option!

Thanks for reproducing that. I remember that page so well. A far better read than Health and Efficiency. 🙂

Having taken basses in and out of the case,. I am not convinced it's a brilliant option on stage. You have to lift the bass up and out, as opposed to just lift it off a stand. The body of the instrument is pretty much entirely concealed and so some care is needed to avoid any contact with the case. The convenience/security of the instruments still far outweighs this for me. Others may not be concerned that you have to be rather careful removing/replacing basses.

Well, it's just arrived. First impressions? Excellent, and the basses are a snug and solid fit. Just needed to move the foam around (which it's designed to do) to accommodate them and we're good to go (literally). Gives the impression that they'll be safe as houses while in it. Not sure I'll use it on stage but I didn't really intend to. Who knows? I may do.

Will do. It's a compromise for me. I usually have my basses wired up to a switcher. I know this isn't possible with the Enki (I don't think you can store instruments with cables). However, that's the only downside and I can live with that.

That's good to know. It really came down to cost for me. The quote from Scott Dixon was 60% more than the Enki, before delivery and VAT was added on top.

After having waited for Thomann to get them in, I have just pulled the trigger. I'll report back when it arrives (if anyone cares any more). 🙂

You can undo the screws on the scratchplate and feed it between the strings and the neck usually.

Me too. With one exception, all my basses have that profile.

As you see from my signature, I'm a dyed-in-the-wool Precision player. The Jazz bass I have simply because I'm a sucker for CAR with a matching headstock. It is rarely played and the body shape is really awkward to my eyes. Generally, I find a Jazz neck a bit narrow. That said, the B profile on all my Precisions is only a little wider, but significantly so for me. Similarly, sonically, the Precision does everything I want a bass to do.

If you position the cursor over the heart symbol, you are presented with some emoji choices. You may want to select the thank you one for BigRedX to acknowledge that he answered your question for you.

Lee may be keeping Wilko and Gypie Mayo apart.

Imaginary, I suspect :-(. For the purposes of DID (with a 'c' - naughty old grammar police) she would be my luxury item. She could be my only item.

There';s a great similarity but Wilko took it a step further. Either way, it was an excuse to post a great old Johnny Kidd number.