Steve Browning

It's heavy going and a more 'usual' style would certainly help but a straight out insult isn't the most encouraging contribution, surely?

https://www.ebay.co.uk/sch/ricuk.sxig4nm/m.html?item=265473326252&rt=nc&_trksid=p2047675.m3561.l2562 I do hope no-one falls for any of these 'bargains'.

Do you have a connection to the interesting bass in the pic?

No problem. Appreciate the clarification.

I had hoped I was just giving you some of the perspective you asked for. Did I miss something?

Maybe I should add that all of these have been played through a 2x15 configuration set up.

I can only offer you this. I have moved from Bass 400 to Bass 400+ (both all valve) to M-Pulse 600 (valve/mos-fet) through to TT800 (valve/digital) without losing my core sound (to my ears). Do not fear the change. Of course, I have kept it 'in the family' so there's common dna, but I have proved (to myself) that you won't lose any of the punch.

Which elicited this reply: the dance floors were exciting, think the music industry thing was a drink too big & a sandwich too small, for me especially yes, there was a lot to it, Denmark st 1976 -80 ,, fact No1, get it right ,

Off topic? Have we worked out what the topic actually is? It would be great if we could have a clear post setting out exactly what is being said. Any attempt to engage with the OP to garner such a response is met with unintelligible ranting (to my feeble brain).

If we're talking defence contractors. As a VAT man I once visited Wayne Kerr plc at their factory in Bognor Regis. I kid you not.

It's a real shame. A clear and dispassionate account of the times and any role the OP played in it would be informative. The apparent troll with a chip on their shoulder act serves no purpose and pretty much renders the thread pointless.

Tricky one to get out of, but I would certainly be heading outdoors between each set.

Depending on the make, you could be waiting for a new one. Great shortage of parts for some digital amps.

Yup. Mark at Classic and Cool is a great guy to deal with.

He seems to have done the decent thing here, but it has shone a fresh light onto his less agreeable traits.

Whereabouts are you?

I miss the constant circling of the fleet of Navy Provost vans in Pompey during the evening. 🙂

Just need another and a trio of Max amps.

Makes you think Arthur Wellesley had it right.

A band I was in, set off some bloke when playing at Sandhurst. The 4 girls in the band did the most beautiful version of Runaway by the Corrs.

My Mike Hill mini ground loop eliminator. Simple bit of kit that makes sending your signal to two amps completely silent. Proved to be invaluable in a studio setting when a guitarist insisted on using two amps and the hum was deafening.

The very point behind my title. 🙂

All my string orders to Rotosound begin with an apology for the time since the last one. I have put in orders, in the past, because I feel guilty I haven't bought any for so long! To my ears, flats give (what I can only describe as) a bigger sound. I don't go for ear splitting treble. They are tougher on the fingers (finger in contact with more string area, I guess) but they are my sound. I do have a couple of basses strung with rounds - the two 'Stingray' type basses. But all my Fender type basses are strung with flats.

Surely he could have just sent a message warning her that the CD was a bootleg? We see (and react to) many a loft found Fender without encouraging Fender to sue.

That does make sense as shifting a harp sounds like something very specialised. Takes pluck, I'd say. 🙂